Hatching

Hatching (2022) is a Finnish Horror movie my wife and I caught in theatres this weekend. The storyline follows a little girl who finds a unique crow and it's egg and decides to bring the egg home and nurture it through birth. She would never guess what comes out of the egg... Meanwhile her parents are going through a divorce and there's troubles at home.

This movie is directed by Hanna Bergholm in her directorial debut and stars Sophia Heikkilä (Invisible Heroes), Jani Volanen (Rumble), Oiva Ollila and Siiri Solalinna.

The storyline for this is very creative and unique. The characters are very well cast and the mother is portrayed perfectly by Heikkilä. The little girl was a bit annoying at times, but there's so much to like about this movie. The creature evolves well over time and they use great special effects to make it happen. The feeding scenes were ultra gross and hard for me to watch. The use of sound effects were excellent and made me cringe in many scenes. There's also some really good jump scenes and sequences that make you uncomfortable. There's a lot going on in this movie.

This is a fresh entry into the horror genre that I would consider a must see. I'd score this a 7/10 and strongly recommend it.

Interesting, ambitious, creative, weird, and well-made but something just didn't sit right for me. My favorite part was the wallpaper in the girl's room. This wasn't scary but it was gross in a body horror and lots of vomit way. Overall, this was just okay.

Saw this back at the 2022 Sundance Film Festival

Finland cinema isn't common for me to see as there isn't many Finland movies that are really widely known in the United States. Having only seen a few films from director Aki Kaurismäki which I really like, I was looking forward to seeing another film from Finland. Especially a horror movie from Finland. After viewing the movie, it was a solid horror movie.

Director Hanna Bergholm understands how to make the movie engaging with some interesting writing aspects of the movie and including some really amazing disturbing make up for the costumes. The set production is really colorful and bright. Making the feeling of the world is like some kind of fantasy. The musical background fits the tone pretty well and the performances from the cast is pretty good. Even the child actors did a pretty good job. Usually I am picky on child actors but here they did a pretty good job. There's a good level of decent gore and tense presented in this movie which helps add the movies tone and thrills. While being said, there's still potential that was missed and wasted.

The characters unfortunately were really uninteresting. Characters are important in order to keep the movie flowing. But here the characters felt really basic and just boring to witness. The main character is pretty bland with basic purpose and the main characters mother is highly unlikeable and annoying throughout the movie. Some of the dialogue really felt fake as if an adult had written lines for a kid that no kid would even sound like. The writing itself was already interesting but it never really took advantage of what it wants to be. Instead it decided to go through the basic way to present the story, just like "Jojo Rabbit" where it takes a very interesting subject but instead becomes basic because the filmmaker was trying to be safe.

There are some decent symbolic moments and weird tones provided throughout this movie but it wasn't too strong to carry. Nevertheless, it was still a solid horror movie.

Rating: B-

A Finnish film about a young, Finnish girl growing an egg inside her household what turns later into a living nightmare. It has some good jumpscare aspects and horror elements in it as well. Stick around until the ending because I did not expect the ending to go that far. It is a good horror film overall.

Greetings again from the darkness. The exceptionally creepy creature leads us to believe this could be a terrific new addition to the creature feature genre. However, director Hanna Bergholm and screenwriter Ilja Rautsi expend so much time and energy on the metaphor aspect that we feel a bit bludgeoned by the end. Despite some wonderful horror elements, we find ourselves thinking, 'alright, already ... just stick with the creepy stuff!'

We open in a beautiful home with pristine design features, where a beautiful mother (Sophia Heikkila) is filming her beautiful family for her vlog, appropriately titled "Lovely Everyday Life." Of course, we all know what happens to perfect little families in movies - the façade cracks. We get our first taste of beautiful mother's not-so-beautiful true nature as she deals with the crow that flies in through an open window and destroys some of the beautiful decorations displayed in the home. Things get interesting when Tinja (a superb Siiri Solalinna), the 12-year-old gymnast daughter, recovers an egg from the intrusive bird's nest and "mothers" it until the egg (the metaphorical façade) cracks open after growing to an enormous size. Out pops a bizarre looking "baby" bird that Tinja names Alli, after the song her family sings.

It doesn't take long for Tinja (and us) to figure out what's happening. The bird not only assumes Tinja is her mother, but it also takes on the emotions that Tinja keeps bottled up inside so as to not upset her overly-demanding mother. See, mom is a former skater and projects her dreams of glory onto her daughter through gymnastics. We never even get the impression that Tinja enjoys the sport, and it's likely she does it because that's the only closeness she gets from dear old mom ... especially when compared to her little brother Mattias (Oiva Ollila) or dad (Jani Volanen). In fact, mom is so dominant over dad, that she's taken on a side lover in handyman Tero (Reino Nordin), who she admits to loving in yet another inappropriate moment with Tinja.

Soon the bird is acting out Tinja's private thoughts to extremes (a true monster in the closet), and no one is really safe. There are some creepy elements that tell us an excellent horror-comedy is in there somewhere. Watching Tinja sponge-bathe the creature and the replicant effects are both imaginative. Ms. Bergholm's film premiered at Sundance, and if anything, it's just a bit too ambitious with the metaphors. We can view this as a coming-of-age story for Tinja as she breaks the shackles of childhood for more independent thinking. And the most obvious interpretation is that of a mother so obsessed with perfection - especially as to how her family is presented to the outside world - that it requires an ugly incident (bird) as a dose of reality. This is clearly commentary on social media and how some become so committed to presenting and maintaining a certain image. As a horror-comedy, the film from Finland offers neither jump-scares nor laugh-outloud moments, but there is enough here for a decent midnight offering.