Churuli

This is an absurd movie. Its full of madness. It does not clearly explain the events that occur. The director wants us to come up with theories, he doesnt want to express his idea. I think he is the only one who knows what he meant. In my opinion, if the director fails to explain his ideas with clarity, the movie is a failure. But one thing that was great about this movie was its cinematography. That was fascinating.

Stories about real raw instincts of men are director LJP's favorite topic it seems. We have seen that in Ee. Ma. Yow and Jallikettu.

This movie is no different, it shows how the socialized sophisticated men has the inner raw instincts same as any other so called criminals when situation is in favor. Presentation is quite deep and powerful

Even though, I did not understand the aliens, some of Vinayfort's situations and details shown in climax, one can easily it as a mystery thriller and connect with the main thread

LJP has brought another whole new movie experience in Malayalam and probably in Indian cinema. I am looking forward for the days he is placed alongside internationally renowned film makers.

I watched this film without any expectations. But I never see a malayalam movie like this . Because this is another type movie experience . What will happen when we trapped inside a "CHURULI". The Movie tells the story of two police officers who came to catch a criminal named "Mayilaaden Joy".

This is Thrilled movie from the beginning to end.

And the Movie making is also is Nice. There are many Mysterious things are hidden in this place... NB: STRICTLY 18+

One thing's for sure - Lijo Jose Pellissery isn't the kind of filmmaker interested in spoon-feeding the audience. His films are doused in metaphors and allegories, and Churuli is no different. Would you call it a thinking viewer's film? Nope. Because there is a deliberate attempt for the proceedings to stop making sense beyond a point. It all harks back to the mythical plot that the film opens with - the story of a monk who's misled into an unending spiral by a fey creature. LJP mounts the film in a fantastic forested landscape - Madhu Neelakantan's frames are a total feast for the eyes, punctuated occasionally by Sreerag Saji's minimalist score. Renganaath Ravee's sound design also deserves special mention.

The film's absurdity begins the moment a jeep crosses a derelict bridge carrying the two (undercover cop) protagonists played by Vinay Forrt and Chemban Vinod. The initially friendly residents of Churuli, all of a sudden, turn hostile and begin hurling abuses at each other. Heck, if this film was given to the Censors, they would have had a tough time beeping out words from almost every dialogue. I had a jolly time reading (and observing) the PG-13 English subtitles of every cuss word mentioned in the film. Jokes aside, the foul-mouthed nature of Churuli's residents stands out as yet another metaphor for lawlessness. Anything goes, from an old lady suddenly coming at you with an axe to celestial bodies flying across the sky at night to randomly shooting someone's ear off only for him to joke about it - it's chaotic the way only LJP movies can get!

Yet, when you think the quirkiness can't advance any further, the climax of Churuli is even more bonkers. It treads that thin line between science fiction and over-the-top fantasy, not giving itself entirely into either. If you feel dazed and confused about what you have just watched, you may not be the only one. But come to think of it, LJP already gave you the short synopsis in the first place. It's you, the viewer, who was simply taken for a ride. I liked Churuli for the most part - it has the director's stamp in almost every department. Given the nature of the film, I wouldn't vouch for anyone else to feel what I felt watching it. At the very least, it's not calculative; it's not predictable (at all).

The flick creates its intensity afters 10 mins and it prolongs the momentum until Soubin appear. Well trimming the rest, the movie is riveting to the core, Chemban and Vinay are annoyingly intriguing, Jaffar is exceptionally a subtle hard nut to crack. Lijos urge to showcase himself as daring and ultra liberal is ostensibly evident by juxtaposing profanity in every dialogue. However, the story, screenplay, setting, casting and score totally creates the ambience to keep one's eyes glued till the end. On the whole the movie is an eccentric, magical but yet leaves one numb.