Midas Man

I've been a Brian Epstein fan for as long as I've been a Beatles fan so I was in part dreading this movie as much as I was looking forward to it . What I would say to anyone who is thinking of watching is give it a go. Not a perfect film by a long chalk, but they've managed to capture authenticity in abundance. JFL absolutely nails the lead role, he's genuinely a star in the making but the supporting roles seem really well thought out too. I had heard ( being a super fan) that there was trouble with the production, you'd never guess. I'd have liked a five hour tv series with the same production values as this film, that would have done Brian justice but as a film and a one off it's more than decent.

I know people who were there and I absolutely can't wait for them to see this on the big screen hopefully, although as I understand atm in the UK it's going straight to Amazon? That's a shame, I was lucky enough to see it on the big screen and maybe I'm biased but it's one of the most enjoyable films I've seen in months. The one thing no one can disagree with is Brian was loved and he should ge remembered as such. A bonafide legend. Go and watch this, download it or buy the dvd ( are they still a thing?) .

The story of The Beatles is so well known that finding a new angle on it is almost impossible, however, this film tries by telling the story from the point of view of their manager, Brian Epstein. It succeeds well early on, recreating The Cavern club, the Epstein music store, and the very first meetings, but then the story becomes ever so familiar; Beatlemania; Abbey Road and George Martin; breaking America; the Ed Sullivan show etc etc, with a smattering of Epstein's ups and downs and his complex private life, which is portrayed as ultimately lonely and in turmoil, particularly in trying to deal with his homosexuality when it was still illegal and taboo. Jacob Fortune-Lloyd does an excellent job as Epstein, with good or passable cameos of George Martin, The Beatles themselves, Cilla and others, but I felt just maybe a bit more of the really early story, less of the so well trodden saga, might have made this more impressive. The film also deals well with the problem (because of the cost of song rights) of not including actual Beatles music. Not a failure, and definitely worth a look.

Midas Man tackles the story of Brian Epstein, the visionary manager behind the rise of The Beatles, and delivers a focused, often insightful look at his journey from meeting the Fab Four to navigating the early waves of Beatlemania. Refreshingly, the film avoids detours into Epstein's childhood or lengthy setup, diving right into the pivotal moment when Epstein encounters the Beatles. It's exactly the timeline fans want to see, offering an experience that feels true to Epstein's impact on music history.

The performances are, for the most part, strong. Jacob Fortune-Lloyd's portrayal of Epstein is nuanced and genuine. He brings out the depth of Epstein's character-an ambitious yet vulnerable manager whose life was as complex as the band he helped shape. Fortune-Lloyd avoids any wooden stereotypes, instead delivering a believable and sensitive portrayal. However, some casting choices miss the mark visually. Jonah Lees as Lennon feels jarringly short, and while his performance captures some of Lennon's essence, the physical mismatch is hard to overlook. Similarly, Charley Palmer Rothwell as George Martin and John McCaffery as Mal Evans, though they have limited screen time, don't quite match the stature of the real figures, leaving some of the visual casting decisions a bit off.

However, Midas Man redeems itself with an outstanding performance from Blake Richardson as Paul McCartney. Richardson's portrayal captures Paul's charisma and wit in a way few actors have achieved in past Beatles films. He stands out as the highlight of the supporting cast, though fans may wish he had more screen time.

A poetic touch at the film's conclusion sees Epstein crossing Abbey Road-a nod to the famous cover of the Beatles' last album-a metaphorical and respectful close to Epstein's journey, though perhaps a bittersweet reminder of his absence from that iconic era.

There are some notable omissions that fans will feel keenly. The moment Lennon tells Epstein, "Okay then Brian, manage us," is left out-a line that marked a pivotal turning point in The Beatles' story. Its absence is a missed opportunity to capture the power of that early decision. Also absent is any exploration of Epstein's rumored fascination with Lennon, a subject of much speculation and possibly a deeper emotional undercurrent in Epstein's life. Additionally, the lack of Beatles music in the film is undeniably disappointing, though understandable given the high licensing fees. Still, a biopic on Epstein feels somewhat incomplete without the soundtrack that defined his career.

Midas Man is a well-crafted film that offers Beatles fans a fresh look at the pivotal role Brian Epstein played in the band's meteoric rise. Despite a few missed opportunities and the absence of Beatles music, the film captures the spirit of Epstein's ambition and the transformative period of the early '60s with style and sensitivity. While it may not replace the thrill of the original story, Midas Man shines as a heartfelt tribute to the "fifth Beatle" and offers an enjoyable, insightful experience that fans of the Fab Four won't want to miss.

The story of Brian Epstein is a fascinating story, and I'm afraid this film disappoints. The breaking of the fourth wall works in some films, but not this one. I didn't mind Jacob Fortune-Lloyd as Brian, but Jay Leno as Ed Sullivan was a terrible choice. I thought the actors playing The Beatles were OK , except John Lennon was way too short. It was off putting.

I think most people who will watch this film would be aware of The Beatles, so their story didn't have to be told. It was Brian Epsein's story, and I don't believe his story was told. I have been waiting years for someone to make decent biopic about Brian Epstein, and I guess I'll have to keep waiting.

I've been waiting for this for years. I still remember back in 1967, in the week of my 12th birthday, reading that Brian Epstein had been found dead and knowing it was a big deal. A few years ago I kept receiving emails from the producers of Midas Man seeking investors and although I was a huge Beatles fan, I didn't/couldn't oblige. And now, finally, the film is out and... what an huge disappointment. Whoever had the idea of having Epstein (an adequate, if uninspiring Jacob Fortune-Lloyd) constantly talking to the camera, as if filling in the bits they couldn't film, did the project a great disservice. It just detracted from whatever drama the rest of the film managed to generate - and there wasn't much of that. In the end it just seemed to wander through the various dramas of his life, without ever making the viewer feel anything. Not even having Eddie Marsden and Emily Lloyd as his parents could save this. As letdowns go, this is right up there.