Midas Man

This wasn't exactly the film of the year for me, but it's a biopic that's good enough. The actors who played Brian and The Beatles are both charismatic and charming. I enjoyed the breaking of the fourth wall. But one criticism I have that is there could have been more focus on the Beatles themselves. Also, I understand there are copyright issues but I wish they used Beatles songs for the film. I would recommend this film to Beatles fans. There are better music biopics such as Rocketman and Bohemian Rhapsody, but this is a solid, well crafted film. Don't expect to be blown away by the film but it's an enjoyable watch.

As a lifelong Beatles fan, I had to watch this film. To be honest, I was already familiar with most of the narrative but could not resist an in depth view of the passion and pain behind the driving force!

And it started well. The relation between Epstein and his 'boys' was well acted and drew me in. This was largely down to an excellent performance from Jacob Fortune-Lloyd. He manages to combine passion, eccentricity and brilliance - particularly in the first half hour.

But for me it then lost its way and became a bit rushed. There isn't really enough space to explore the contradictions that led to Brian's tragic demise. The absence of any Beatles compositions was a huge problem. The memorable intro to Twist and Shout at the Royal Variety Show needs erm Twist and Shout. The same goes for the final scenes with the broadcast of All You Need is Love which did not include the song itself.

It all fell short of its opening promise. I have to mention a special performance from Darci Shaw as Cilla Black. Her touching moment with Brian is the standout moment.

I was apprehensive about this film as a huge Beatles fan & I personally know people who worked with Brian Epstein.

But I thought the performance by Jacob was excellent. He captured every little nuance of Brian's character.

Eddie was great as Brian's dad Harry.

Emily as Malka was a bit weaker.

The film was also well written & it captured Brians life well.

Though I think his death & body discovery could have been played out on screen, it would have been more personal.

The costumes were perfect and captured Brian's fastidious fashion sense.

Only disappointment was John Lennon was way too short.

"Midas Man" offers a compelling and often poignant look at the life of Brian Epstein, the visionary manager who steered The Beatles to global superstardom. The film shines brightest in its sensitive portrayal of Epstein's personal journey, navigating his identity and the pressures of his extraordinary role with a nuanced and empathetic touch. The narrative carefully unfolds his dedication, his vulnerabilities, and the profound impact he had on the burgeoning Merseybeat scene. The film also touches on his own inner conflict with his sexuality.

Adding to the film's charm are the performances embodying the iconic figures of the era. The mannerisms and spirit of The Beatles, while perhaps not perfect impersonations, are generally captured well, offering a nostalgic glimpse into their early days. Similarly, the portrayal of Cilla Black feels authentic, bringing her vibrant personality to the screen effectively.

However, while "Midas Man" succeeds in many areas, it's somewhat disappointing that the soundtrack largely omits the truly iconic, chart-topping hits of The Beatles. Presumably, there was some sort of copyright issue going on.

Despite this omission, "Midas Man" remains a worthwhile watch. It provides a thoughtful and engaging exploration of Brian Epstein's pivotal role in music history, highlighting his sensitivity and the weight of his responsibilities. The commendable performances and the film's overall positive tone make it a respectful and ultimately moving tribute to a man who truly possessed a 'Midas touch' for talent.

The story of The Beatles is so well known that finding a new angle on it is almost impossible, however, this film tries by telling the story from the point of view of their manager, Brian Epstein. It succeeds well early on, recreating The Cavern club, the Epstein music store, and the very first meetings, but then the story becomes ever so familiar; Beatlemania; Abbey Road and George Martin; breaking America; the Ed Sullivan show etc etc, with a smattering of Epstein's ups and downs and his complex private life, which is portrayed as ultimately lonely and in turmoil, particularly in trying to deal with his homosexuality when it was still illegal and taboo. Jacob Fortune-Lloyd does an excellent job as Epstein, with good or passable cameos of George Martin, The Beatles themselves, Cilla and others, but I felt just maybe a bit more of the really early story, less of the so well trodden saga, might have made this more impressive. The film also deals well with the problem (because of the cost of song rights) of not including actual Beatles music. Not a failure, and definitely worth a look.