In a future, post-apocalyptic Los Angeles brought about by nuclear decimation, citizens must live in underground bunkers to protect themselves from radiation, mutants and bandits.In a future, post-apocalyptic Los Angeles brought about by nuclear decimation, citizens must live in underground bunkers to protect themselves from radiation, mutants and bandits.In a future, post-apocalyptic Los Angeles brought about by nuclear decimation, citizens must live in underground bunkers to protect themselves from radiation, mutants and bandits.
- Won 1 Primetime Emmy
- 14 wins & 74 nominations total
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Summary
Reviewers say 'Fallout' TV series is acclaimed for its faithful post-apocalyptic setting, dark humor, and intricate characters. The show is celebrated for its meticulous attention to detail, immersive world, and compelling performances. However, some critics note pacing problems, underdeveloped characters, and inconsistent tone. The series delves into survival, morality, and human consequences, generally regarded as a successful adaptation that respects the original material while providing new narratives.
Featured reviews
Amongst the best game adaptations ever and good TV. Not easy to balance between the two. Off balance can go too game or too TV. In this case, in balance. Almost perfect balance really..
Premise appears simple but it is more than that. More one looks, more it looks like what is presumed might not be. Some things are left ambiguous, other do not add up, while for example, what is presumed to be a MacGuffin, isn't because got actual value added to it, having impact and effect, as well as what it is, what it does, and its origin revealed..
Great season that ends with promising finale, and as continues from there, season two might just be even better..
Premise appears simple but it is more than that. More one looks, more it looks like what is presumed might not be. Some things are left ambiguous, other do not add up, while for example, what is presumed to be a MacGuffin, isn't because got actual value added to it, having impact and effect, as well as what it is, what it does, and its origin revealed..
Great season that ends with promising finale, and as continues from there, season two might just be even better..
Literally felt like I was on the Truman show watching my own campaign. Whenever I had a criticism of them not implementing a facet of the game I was pleasantly surprised later on. Only thing I'm confused on are the water monsters? Are they murlurks? Don't remember them in the game but maybe I just don't remember. I seriously cannot wait for season 2 and then for this franchise to become 10 times what star wars became. There is seriously not as many imperfections as there are fingers on my hand. If they continue this series of bringing the greatest games to life they might just save the theaters🤣
10L_H-20
Exposition-minimum, doesn't spoon feed, mostly show don't tell, pieces of story from flashbacks, interactions between characters, and visually presented, create a set of clues pointing to things being not exactly what may seem to be, including what some characters want us to believe, due to bias, agenda, goals, or simply lacking information..
Characters try impossible or unlikely that by progression of the plot turns exactly that, and in some cases in character, in other for character development.
Events that happen earlier seemingly with no explanations, or seem implausible, have explanations pre-added, as shown later..
The show requires perceptiveness, similar to how Fallout games do, but still works as easy-going, entertaining and well made, while one can, instead getting distracted by what is made to both tell and distract from told, ask a number of questions, for which answers are the guidelines..
First season is very good, with some good, some excellent. Likely we will see another good and improved season, and for that case, regarding mentioned, expect "plot twists", especially seen as such by those who didn't pick up on often storytelling clues and hints..
Characters try impossible or unlikely that by progression of the plot turns exactly that, and in some cases in character, in other for character development.
Events that happen earlier seemingly with no explanations, or seem implausible, have explanations pre-added, as shown later..
The show requires perceptiveness, similar to how Fallout games do, but still works as easy-going, entertaining and well made, while one can, instead getting distracted by what is made to both tell and distract from told, ask a number of questions, for which answers are the guidelines..
First season is very good, with some good, some excellent. Likely we will see another good and improved season, and for that case, regarding mentioned, expect "plot twists", especially seen as such by those who didn't pick up on often storytelling clues and hints..
As someone who's casually played the Fallout video games but never got very deep into the lore, I didn't know what to expect from Prime Video's new adaptation. But this show far exceeded my expectations. It's not just good for a video game show, it's good television, period. Fallout blends brutal post-apocalyptic action with dark humor, sharp social commentary, and a surprisingly emotional story that had me thinking long after the season ended.
What stood out to me the most was how the show critiques modern capitalism, more specifically how power is concentrated in the hands of a few, while the majority are left to fend for themselves. The pre-war world in Fallout is portrayed as a hyper-capitalist society where corporations like Vault-Tec promise safety and security, only to use people as pawns for their own gain. This mirrors real-world systems where corporations often profit off of people's vulnerabilities and maintain control through marketing and manipulation. The contrast between the bright, optimistic propaganda and the harsh reality of the wasteland is a sharp commentary on how modern capitalism often promises prosperity but delivers inequality and devastation, leaving the most vulnerable to suffer the consequences. Fallout doesn't just show a post-apocalyptic world; it offers a glimpse into a world shaped by the unchecked greed and power structures that influence us even in today's world.
Walton Goggins as The Ghoul is unforgettable. His character, a cowboy turned immortal mutant bounty hunter, serves as a kind of living reminder of everything that's gone wrong. He's hilarious and terrifying in equal parts, and his character development throughout the season really got to me. You can tell he's been carrying centuries of trauma, but there's still something human buried deep within him, which makes him one of the most complex characters I've seen on TV in a long time.
Visually, the show nails it. The costumes, sets, and special effects make the wasteland feel alive, and the use of old-timey music in scenes of violence or chaos adds this eerie, ironic layer that is very effective. Songs like "I Don't Want to Set the World on Fire" aren't just background, they're part of the storytelling.
In the end, Fallout is way more than a post-apocalyptic story. It's a critique of power, survival, and the way history repeats itself. Even if you've never touched the video game, it is definitely worth giving a watch.
What stood out to me the most was how the show critiques modern capitalism, more specifically how power is concentrated in the hands of a few, while the majority are left to fend for themselves. The pre-war world in Fallout is portrayed as a hyper-capitalist society where corporations like Vault-Tec promise safety and security, only to use people as pawns for their own gain. This mirrors real-world systems where corporations often profit off of people's vulnerabilities and maintain control through marketing and manipulation. The contrast between the bright, optimistic propaganda and the harsh reality of the wasteland is a sharp commentary on how modern capitalism often promises prosperity but delivers inequality and devastation, leaving the most vulnerable to suffer the consequences. Fallout doesn't just show a post-apocalyptic world; it offers a glimpse into a world shaped by the unchecked greed and power structures that influence us even in today's world.
Walton Goggins as The Ghoul is unforgettable. His character, a cowboy turned immortal mutant bounty hunter, serves as a kind of living reminder of everything that's gone wrong. He's hilarious and terrifying in equal parts, and his character development throughout the season really got to me. You can tell he's been carrying centuries of trauma, but there's still something human buried deep within him, which makes him one of the most complex characters I've seen on TV in a long time.
Visually, the show nails it. The costumes, sets, and special effects make the wasteland feel alive, and the use of old-timey music in scenes of violence or chaos adds this eerie, ironic layer that is very effective. Songs like "I Don't Want to Set the World on Fire" aren't just background, they're part of the storytelling.
In the end, Fallout is way more than a post-apocalyptic story. It's a critique of power, survival, and the way history repeats itself. Even if you've never touched the video game, it is definitely worth giving a watch.
Actually very very good show. Nine-plus for me, at least. Actually does everything, or overwhelming-most right..
Walton Goggins mostly seems to appear and work with good stuff, and so here he is with Fallout, and the way he plays two characters one person, is just so good and fun, and serious and sad, all at the same time. Goggins is great, and The Ghoul is too.
Lucy, surprisingly isn't bossy, nor immediately successful in everything. Instead, she is likeable character, does the best she can with combination of her knowledge, skill, training, mindset, worldview, and how it all works in practice, faced with reality, while learning in the process.
Maximus is that guy that "does the right thing", or at least he believes so, while having that dose of "selfishness", which is just the trait of a Surfacedweller. He also idolizes the Brotherhood, gets disappointed on his first field mission, facing reality.
Interesting how Maximus and Lucy are going through similar arcs, also joined by previously Cooper Howard now the Ghoul, seen through character's flashbacks, which also serve telling some story, and connecting parts told..
Good stuff !
Walton Goggins mostly seems to appear and work with good stuff, and so here he is with Fallout, and the way he plays two characters one person, is just so good and fun, and serious and sad, all at the same time. Goggins is great, and The Ghoul is too.
Lucy, surprisingly isn't bossy, nor immediately successful in everything. Instead, she is likeable character, does the best she can with combination of her knowledge, skill, training, mindset, worldview, and how it all works in practice, faced with reality, while learning in the process.
Maximus is that guy that "does the right thing", or at least he believes so, while having that dose of "selfishness", which is just the trait of a Surfacedweller. He also idolizes the Brotherhood, gets disappointed on his first field mission, facing reality.
Interesting how Maximus and Lucy are going through similar arcs, also joined by previously Cooper Howard now the Ghoul, seen through character's flashbacks, which also serve telling some story, and connecting parts told..
Good stuff !
Renewed, Canceled, or Ending?
Renewed, Canceled, or Ending?
Check out our list of renewals and cancellations to see if your favorite show made the cut.
Did you know
- TriviaThe oversized pack the Squires carry for the Knights is a joke at the games where carrying too many items can overencumber your character.
- Crazy creditsEach episode, Geneva Robertson-Dworet and Graham Wagner alternate top billing as series creators. For episodes that they also wrote, the second-billed creator is the first-billed writer.
- ConnectionsFeatured in Tyrone Magnus: Fallout - Teaser Trailer | Prime Video | Reaction! (2023)
Details
- Runtime
- 1h(60 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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