After becoming the prime suspect in a murder, Fletch strives to prove his innocence while simultaneously searching for his girlfriend's stolen art collection.After becoming the prime suspect in a murder, Fletch strives to prove his innocence while simultaneously searching for his girlfriend's stolen art collection.After becoming the prime suspect in a murder, Fletch strives to prove his innocence while simultaneously searching for his girlfriend's stolen art collection.
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Confess Fletch is a breezily entertaining caper with a fun cast of characters and an engaging central mystery led by the ideal person to anchor this. It's a complete story that doesn't overtly sequel bait which is exactly why it deserves one should it ever come to fruition. Just watching Jon Hamm be endlessly charming, adorable and funny is enough to sustain all 98 minutes.
This is a lovely showcase for Jon Hamm's leading man talents. He's got the rare gift of being generically dashing whilst also having great comedic timing which is constantly employed for solid dry wit that never fails to get a chuckle. Even though it's his film, the supporting cast still gets plenty to work with, ensuring everyone is memorable and the film never forgets about them.
Gregg Mottola's direction makes up for what it lacks in visual flair with a general playfulness, especially in the deadpan delivery and the way title cards are dropped. The tone never waivers so it always remains lighthearted and the nice pacing ensures proceedings move at a steady pace. David Arnold's retro score is the ideal choice for the lighthearted tone and fits the throwback nature of the film.
This is a lovely showcase for Jon Hamm's leading man talents. He's got the rare gift of being generically dashing whilst also having great comedic timing which is constantly employed for solid dry wit that never fails to get a chuckle. Even though it's his film, the supporting cast still gets plenty to work with, ensuring everyone is memorable and the film never forgets about them.
Gregg Mottola's direction makes up for what it lacks in visual flair with a general playfulness, especially in the deadpan delivery and the way title cards are dropped. The tone never waivers so it always remains lighthearted and the nice pacing ensures proceedings move at a steady pace. David Arnold's retro score is the ideal choice for the lighthearted tone and fits the throwback nature of the film.
Back when dinosaurs roamed (before the internet), every drug store and pharmacy on the planet offered patrons rows and rows of things called "pocketbooks" which people used to "read" (before streaming media and DVDs). In that specific setting, several bestselling authors stood out because of the multiple books featuring their name. One of those standout authors was Gregory MacDonald (no longer with us) and his fictional character was named Fletch. People loved Fletch not only because he was a cool (often unwilling) detective, but because the style of writing was incredibly concise and different. Short sentences. Things happened quickly. Dialog was briief. Narrative deboned with the fat removed. You get the picture. When the first series of Fletch films was made in 1985, Hollywood cast SNL icon Chevy Chase. He was good in the role. Hell, he was awesome. So here we are in the 2020s when, it seems, everything is being remade except your Aunt Bessie's peach cobbler. (And they are working on that.) Older viewers will inevitably compare Hamm to Chase, and possibly find fault. Younger viewers will be OK with this less edgy, more laid back version of Fletch. But then again they really have nothing to compare him to. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
I really didn't think Jon Hamm could pull off the role, but does a more than serviceable job here. He captures the spirit of Fletch, although the story doesn't seem to rely on the use the various silly disguises, fast talking, and funny aliases that the original used. Nevertheless, there's enough there to make you believe he's the same Fletch. I sort of liked the fact that Hamm didn't try too hard to make the character his own.
The screenplay could have been a bit more interesting, but still made for a good light-hearted entertainment that'll put a smile on your face as you watch it. I hope this becomes a modest success at the very least to justify another installment.
The screenplay could have been a bit more interesting, but still made for a good light-hearted entertainment that'll put a smile on your face as you watch it. I hope this becomes a modest success at the very least to justify another installment.
I'm a huge fan of Fletch and also of Jon Hamm but this movie doesn't really work. The writers have made a grave error by making most of the supporting cast quirky weirdoes with funny dialogue but this is the wrong way round - the reason the first two movies worked is that FLETCH is that guy and most everyone else is the straight man.
Here, Fletch is just kind of sleepy as he goes from scene to scene (don't look for a plot, there isn't one) being upstaged by other characters - again, literally the opposite of what makes these movies work. Hamm does have comic timing but is just too damn handsome to believe. Re-casting the role is basically impossible but while I get that Hamm would probably have looked silly in the scruffy gear that Chase wore, he's nonetheless just too stylish.
I was interested to read that the third Fletch movie was at one time going to star Jason Lee and be directed by Kevin Smith - I'd imagine that would have been a far better - and funnier - take on the character.
Here, Fletch is just kind of sleepy as he goes from scene to scene (don't look for a plot, there isn't one) being upstaged by other characters - again, literally the opposite of what makes these movies work. Hamm does have comic timing but is just too damn handsome to believe. Re-casting the role is basically impossible but while I get that Hamm would probably have looked silly in the scruffy gear that Chase wore, he's nonetheless just too stylish.
I was interested to read that the third Fletch movie was at one time going to star Jason Lee and be directed by Kevin Smith - I'd imagine that would have been a far better - and funnier - take on the character.
I really enjoyed this. I've seen the first 2 movies and was prepared for a Chevy Chase replication, but not as good. Jon Hamm somehow managed to keep the character familiar but also completely make it his own. I'm not a huge fan of the original (seen them a couple of times and and liked them but have no strong emotions for them) so I had few expectations but it's clever, it's funny, it doesn't outstays it's welcome and it doesn't try too hard.
It's boardering on being forgettable but that's not a terrible thing. Not every film has to burn itself into your memory and this film does exactly what it should. It entertains for its life cycle.
Really enjoyable and easy to watch.
It's boardering on being forgettable but that's not a terrible thing. Not every film has to burn itself into your memory and this film does exactly what it should. It entertains for its life cycle.
Really enjoyable and easy to watch.
Did you know
- TriviaThis film is based on the book by Gregory McDonald, which is the second book in the Fletch series. Fletch (1985) starring Chevy Chase was based on the first book.
- GoofsWhen Fletch sneaks into the country club, there's a party with a band. The movements of the woman playing the drums does not match what's being heard.
- Crazy creditsFletch repeats a recurring line at the end of the closing credits.
- ConnectionsReferenced in Saturday Night Live: Miles Teller/Kendrick Lamar (2022)
- SoundtracksNessuno
Written by Edilio Capostosti, Antonietta De Simone
Performed by Mina
Courtesy of Carosello Records, Milano
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Details
- Release date
- Country of origin
- Official site
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- Also known as
- Confiesa, Fletch
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $538,842
- Opening weekend US & Canada
- $266,744
- Sep 18, 2022
- Gross worldwide
- $656,613
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 1.85 : 1
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