IMDb RATING
5.5/10
1.9K
YOUR RATING
A variety special full of issues of politics, race, gender and class. Sarah will also be joined by special guests.A variety special full of issues of politics, race, gender and class. Sarah will also be joined by special guests.A variety special full of issues of politics, race, gender and class. Sarah will also be joined by special guests.
- Awards
- 1 nomination total
Featured reviews
Funny and weird with really amazing celebrity cameos. Really good (unless you're a trump fan)
Full disclosure, I am an independent who does not like Trump and think making fun of him is totally ok and should be done. However, I am first and foremost a comedy fan. Sarah Cooper is not funny. This special is not funny. It is cringe central. I gave it 1/10 because she made a name for herself without having any talent. She is paraded around and written about like there is no tomorrow but the comedy is non-existent. Just because someone is making fun of someone you despise does not mean you can sacrifice quality.
Sarah Cooper is very, very good at conveying a great deal of tumult with her facial expressions. What always sold her Trump lip-sync videos was her range of emotions which managed to comment on the insanity of her given material without changing a word or a beat. Indeed, the lip-synching segments of the special are the strongest bits- not because she is repeating herself but because Cooper is allowing herself to be as hilarious as she really is. The weakest bits are where Cooper is playing straight man to her funny guests.
The special is both helped and hurt by the parade of celebrity cameos. Helped because the celebrities (especially Maya Rudolph and Aubrey Plaza) are such a delight. Rudolph is particularly scene stealing. But on the whole they serve to detract from Cooper's comedic voice- never by outshining it, exactly, more by distracting from it. The tonal shifts should work better than they do- the almost stream of consciousness flow is Pythonesque in a way, but that just means this might have worked better as a 1/2 hour pilot for a new ensemble sketch show rather than an hour showcase for ostensibly one person.
All in all it is worth a watch, but I think we can expect better special from Sarah Cooper in the future and I do hope we get one!
The special is both helped and hurt by the parade of celebrity cameos. Helped because the celebrities (especially Maya Rudolph and Aubrey Plaza) are such a delight. Rudolph is particularly scene stealing. But on the whole they serve to detract from Cooper's comedic voice- never by outshining it, exactly, more by distracting from it. The tonal shifts should work better than they do- the almost stream of consciousness flow is Pythonesque in a way, but that just means this might have worked better as a 1/2 hour pilot for a new ensemble sketch show rather than an hour showcase for ostensibly one person.
All in all it is worth a watch, but I think we can expect better special from Sarah Cooper in the future and I do hope we get one!
The fact that there was so discernible plot with this fictionalized version of Sarah Cooper made this really difficult to watch. The cameos were mostly hit or miss, and felt gratuitous and not well thought-out. Sarah's bit with Helen Mirren was IMPECCABLE and the reason why I rated this so high. The special is worth watching just for that bit and how perfectly unsettling it is.
Have you ever wondered what they were thinking when they watched the takes during production? It seems they didn't, as surely they wouldn't have gone on. I would ask for those 50 minutes of my life back, but the whole year has been a total loss anyway.
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- ConnectionsSpoofs Network (1976)
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- Сара Купер: Все в порядке
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