Violation

I love the visuals.

Jumping back and forth in timeline makes it really confusing. I didnt know whats happening till i gotta go read other people's review.

Now its like teaching people how to fry an egg by telling them first to flip the egg and then you crack the egg into a bowl... server the fried egg on a plate... then add oil... wait for the egg to cook... pour the egg on the hot pan... Wish they stop doing all the fancy schmancy cuts and tell the story like normal people do... in chronological order.

It's wholly different from any other rape-revenge movie out there, and has so much to say about the genre and an audience's thirst for revenge. Not strictly a horror film. I'd call it more of a Haneke type drama with some truly grotesque moments.

This was the absolutely most annoyingly too-long and too-slow film I've ever seen. Someone forgot to get the reel to the editor, because each and every scene was between 25-95% too long and dragged out. I lost count how many times we all yelled at the screen "omg get on with it already" or "someone please fast forward this already". This film is the epitome of "too much filler and very little substance". I've never been and seen a more annoyed audience.

The ridiculously too-long-for-this-film 107 mins felt like over 3 hours. The useless and unnecessary Nat. Geo nature shots were utterly annoying and pointless, so let's take 15 mins off for that nonsense. Now cut out an average 70% from every single scene. Now you're left with a 28 min short film, that will hold every viewers attention, eyes glued to the screen, with them sitting on the edge of their seat, with their heart racing and blood pressure elevating. THAT, is what makes a great film, not endless useless fluff and filler that makes you angry and lose interest - constantly.

Just for fun, I will use a basic editing program and cut this film down to a short myself, just to watch it again and actually enjoy it, as well as recommend only my version for viewing to my friends and family. Otherwise if you really hate someone, have them watch this full dragged out long and boring annoying nonsense.

Clearly the problem here was that collab'd writers and directors Dusty Mancinelli and Madeleine Sims-Fewer have only written and directed short films, this being their first full length feature - that should've also been a short. Aside from some plot and technical issues, the core concept and guts of their story was excellent, especially taking some gambles with gore and borderline soft-p0rn nudity. Unfortunately, transferring that concept into a full length screenplay, ended up a muddled melodramatic mess beyond belief. Had more writing been invested in the characters relationships and dynamics, this may have worked as a full length film.

The cinematography was horrible with the worst decision for color filters and contrast. The shaky cam was bearable, but the close-ups were unrecognizable for the most part. You'll squint, get closer, go farther, rewind and relook, and you still won't be able to make out what the heck you're supposed to be looking at. And then out of nowhere, for no reason, a bug is in the frame lol. The score was very fitting, although it was also too loud, too frequent, and overbearing in some parts. Performances were on point and convincing, especially Sims-Fewer.

Although this was a low budget indie film, it still had serious contention to be great - had it been edited/cut down to a short, of which I am determined to do myself, and/or had more substance and much less filler. It's a very generous 5/10 from me, more so for the efforts invested.

This movie has potentials and seems really promising but it turns out disappointing. It has great elements like amazing cinematography, beautiful intense score and has a nice idea but the story fails in portraying it. The screenplay seems weak, useless and missing something. And the narrative is so annoying. All in all, Violation is well made but it's confusing and hard to follow.

If you go down to the woods today and you're a rabbit or a predatory opportunist, there's a good chance you'll get your big surprise and it won't be a pleasant picnic. Refreshing and brave, original and relevant, reflective and increasingly expansive, just as progressive and contemporary filmmaking should be.