14 reviews
We have a lot to complain about this summer, but it was a great summer for the Israeli television. In less than three months I saw three interesting series, well written, excellently acted and directed with talent and originality. The season ends at a very good artistic level and at an appropriate rating with 'Manayek', a series inspired by the Israeli police, law enforcement and underworld medias, a series that matches the best American series of the genre ('The Wire' and 'NYPD Blue' are the first two names that come to mind). The series consists of ten episodes, and the final episodes indicates that other seasons may follow. 'Manayek' manages to create an interesting plot, with complex characters and situations, in an extremely well-described social and political atmosphere, which looks credible and familiar to Israeli viewers. At the end of each episode, the credits conclude with the mention that the filming took place before the Corona outbreak. It will be very interesting to watch how 'Manayek' will be received on the international market, and how it will evolve or what changes in style or tone (maybe references in content) will occur as a result of the pandemic.
The plot is solid and very well constructed. Roee Idan, the creator of the series, and the screenwriters who assisted him avoided referring directly to any of the many famous cases in Israel, but the situations are so plausible that if they had been published as news in the press or on television they would have been be perfectly integrated in the flow of news. In the center of the story we find the investigation by the policemen investigation section in which the main suspect is the commander of the police station in the city of Rishon LeZion suspected of being an accomplice and even more than an accomplice of the criminal gangs in the underworld. The main character is Izzy Bachar, a policeman approaching retirement, a kind of Don Quixote who fights with the system, an idealist in search of truth and respect of the law, 'straight and stupid as a ruler' as a colleague characterizes him. In the world where Izzy lives, however, refusing the temptations of corruption and trying to bring the truth to light involves enormous risks. Nicknamed by his colleagues 'Manayek' (a distortion of 'maniac'), our hero risks and loses almost everything - his professional career, his personal life, friendships that seemed indestructible. Few help him, and some do so out of hidden personal interests. The plot gets complicated as the action progresses, Izzy's best friend becomes the main suspect, complicity and ramifications spread and from the world of the local mafia reach the highest levels of police, prosecution and politics, while his life of family is falling apart. Unlike many other Israeli and international series, 'Manayek' manages to keep the interest of viewers by developing the story with new elements and upheavals, but especially by exposing the characters and revealing new aspects of their character and past. The Israeli series achieves what only good quality genre series can do - it builds a complex and captivating story and populates it with real heroes that win the empathy or the despise of the viewers.
Most of the actors who appear in 'Manayek' cast are well-known figures from Israeli film and theater, but some of them are creatively and surprisingly distributed. Shalom Assayag, who is one of the most popular stand-up comedians, creates with Izzy the personality of an idealistic and heart-full detective , who does not accept corruption and injustice at any cost. His worn-out jackets are likely to become as popular as Inspector Columbo's raincoats. Liraz Chamami replies in the role of the policewoman detached from another police station, a woman with her own weaknesses and personal problems, who becomes Izzy's partner in the search for the truth and in the fight with the system. 'Manayek' is a generous series with female roles, by creating complex personalities and by addressing the issue of women's status in the very macho legal and police apparatus. Maya Dagan, another actress who comes from the world of entertainment, specialized in musicals, creates the role, atypical for her, of the head of the investigation. Mouna Hawa also makes an original portrait, that of the policewoman of Arab origin, who has to face double discrimination - as a woman and as a minoritarian. The quality of the writing consists in the fact that none of these characters is idealized, all have their weaknesses, human dimensions and social and psychological motivations that are excellently described for each one. Even the quintessentially negative character of the head of the police station who is an accomplice of the mob, played by Amos Tamam gets its justification if not morally then socially in a system that protects itself, trying to separate from media investigations and to silence those who still believe and seek the truth. The social environments of the police, the judiciary, the underworld are reconstructed with an accuracy that sometimes gives the feeling that we are watching not a fiction series but a docu-drama. The ending may seem bitter, but it is the only possible one. 'Manayek' offers Israeli viewers and, I hope, the international audience a quality television experience, which will satisfy fans of thrillers, drama and documentary television alike. I look forward to the second season.
The plot is solid and very well constructed. Roee Idan, the creator of the series, and the screenwriters who assisted him avoided referring directly to any of the many famous cases in Israel, but the situations are so plausible that if they had been published as news in the press or on television they would have been be perfectly integrated in the flow of news. In the center of the story we find the investigation by the policemen investigation section in which the main suspect is the commander of the police station in the city of Rishon LeZion suspected of being an accomplice and even more than an accomplice of the criminal gangs in the underworld. The main character is Izzy Bachar, a policeman approaching retirement, a kind of Don Quixote who fights with the system, an idealist in search of truth and respect of the law, 'straight and stupid as a ruler' as a colleague characterizes him. In the world where Izzy lives, however, refusing the temptations of corruption and trying to bring the truth to light involves enormous risks. Nicknamed by his colleagues 'Manayek' (a distortion of 'maniac'), our hero risks and loses almost everything - his professional career, his personal life, friendships that seemed indestructible. Few help him, and some do so out of hidden personal interests. The plot gets complicated as the action progresses, Izzy's best friend becomes the main suspect, complicity and ramifications spread and from the world of the local mafia reach the highest levels of police, prosecution and politics, while his life of family is falling apart. Unlike many other Israeli and international series, 'Manayek' manages to keep the interest of viewers by developing the story with new elements and upheavals, but especially by exposing the characters and revealing new aspects of their character and past. The Israeli series achieves what only good quality genre series can do - it builds a complex and captivating story and populates it with real heroes that win the empathy or the despise of the viewers.
Most of the actors who appear in 'Manayek' cast are well-known figures from Israeli film and theater, but some of them are creatively and surprisingly distributed. Shalom Assayag, who is one of the most popular stand-up comedians, creates with Izzy the personality of an idealistic and heart-full detective , who does not accept corruption and injustice at any cost. His worn-out jackets are likely to become as popular as Inspector Columbo's raincoats. Liraz Chamami replies in the role of the policewoman detached from another police station, a woman with her own weaknesses and personal problems, who becomes Izzy's partner in the search for the truth and in the fight with the system. 'Manayek' is a generous series with female roles, by creating complex personalities and by addressing the issue of women's status in the very macho legal and police apparatus. Maya Dagan, another actress who comes from the world of entertainment, specialized in musicals, creates the role, atypical for her, of the head of the investigation. Mouna Hawa also makes an original portrait, that of the policewoman of Arab origin, who has to face double discrimination - as a woman and as a minoritarian. The quality of the writing consists in the fact that none of these characters is idealized, all have their weaknesses, human dimensions and social and psychological motivations that are excellently described for each one. Even the quintessentially negative character of the head of the police station who is an accomplice of the mob, played by Amos Tamam gets its justification if not morally then socially in a system that protects itself, trying to separate from media investigations and to silence those who still believe and seek the truth. The social environments of the police, the judiciary, the underworld are reconstructed with an accuracy that sometimes gives the feeling that we are watching not a fiction series but a docu-drama. The ending may seem bitter, but it is the only possible one. 'Manayek' offers Israeli viewers and, I hope, the international audience a quality television experience, which will satisfy fans of thrillers, drama and documentary television alike. I look forward to the second season.
This is probably the best israeli TV series ever, better than Fauda or Hatufim, on the level of The Wire.
The actors are exceptional but what puts it apart is the quality of the writing and the fantastic plot that will depress you more each episode. The series is relentless and makes no concessions. The story is based on real events, mostly the "Brother Farinian" scandal of 2005 and the more recent Ruth David affair. A must watch. Can't wait for season 2.
- francis007
- Sep 1, 2020
- Permalink
Season 2 of this fantastic show did not disappoint! And they very clearly set up a Season 3 , so hopefully that will happen soon. Excellent character development and acting and a story that keeps twisting just when you think it's all done. The actress who plays Tal is just outstanding. This season in particular she really blew me away and had me in tears. Very real stuff. I just want the episodes to keep coming but look forward to the next season being just as good as they have set it up to be. My only complaint is that the subtitles could be alot better. I don't know much Hebrew but can still tell some of the phrases are translated poorly. But otherwise, an awesome awesome crime/cop show!!
- hotseatotsie
- Feb 20, 2023
- Permalink
Great acting, very well written.
The plot is really good and will keep you on the edge of your seats most of the time.
This was another ForeignTV Series which I loved. I'm a Kiwi living in Australia but will never watch anything Australian as I much prefer the Storyline's, Acting etc from Countries/Actors such as France, Sweden, Norway, Danish, Icelandic, German, England, Israel, USA, New Zealand (yes I'm biased but the locations are out of this World) etc. I love the "Noir genre" of TV Series and Movies. There was one thing in this Series (also seen in another Foreign Series) which puzzled me which was, the need for a Dog. It really didn't serve any real purpose except the few times it was outside on the grass being walked and the couple of scenes when people came home from work but totally ignored it which I felt sad about. Having a Dog, let alone such a huge Dog was superlative to the Storyline as it could have simply been replaced with the Owner just outside walking alone.
Manayek is a very good Israeli production of the British Line of Duty.
Both deals with police corruptions and shows each country nuance of cultures.
Must see both.
Both deals with police corruptions and shows each country nuance of cultures.
Must see both.
- raneisenbruch
- Jul 13, 2022
- Permalink
Top of the line police series describing the complex relationship between cops, attorney and internal affairs. Show how corrupted the police in Israel is really is.
So scary it is true.
Amazing actors, great writing- can't wait for the next season.
So scary it is true.
Amazing actors, great writing- can't wait for the next season.
- eldarlifshiz
- Aug 8, 2022
- Permalink
A well-played police series - corruption in the police and in the higher ranks. Excellent game. In short, an excellent and recommended series. The main actor, Shalom Assig, plays excellently and even won the Israeli Oscar in this role. He plays a role as an investigating officer in the police investigation department. And before retiring he investigates a case of corruption and murder at a police station. The rest of the players play well. The commander of the corrupt station was the hero's close friend. The series has 2 seasons so far and there will probably be a third season (at least). The best police series I've seen.
/Refers to Seasons 1 and 2/
In recent years, I have managed to watch 10+ Israeli crime/drama series and I have found them interesting (yet I have no Jewish roots and visited Eilat briefly once). Manayek in another solid brick in this wall - intense scenes, dynamic characters, realistic performances (and most performers here not "regulars" in Israeli series, I recognised Ishai Golan only).
True, the initial dual confontration of the main characters almost disappeared in Season 2, and what about so many policemen engaged in so severe crimes (Israel has relative high place in Transparency corruption list; well, dealings where politicians involved are plausible)... But still a solid production, looking forward to next season(s).
In recent years, I have managed to watch 10+ Israeli crime/drama series and I have found them interesting (yet I have no Jewish roots and visited Eilat briefly once). Manayek in another solid brick in this wall - intense scenes, dynamic characters, realistic performances (and most performers here not "regulars" in Israeli series, I recognised Ishai Golan only).
True, the initial dual confontration of the main characters almost disappeared in Season 2, and what about so many policemen engaged in so severe crimes (Israel has relative high place in Transparency corruption list; well, dealings where politicians involved are plausible)... But still a solid production, looking forward to next season(s).
This is the first Israeli TV series I have watched, although I have familiarity with Israeli culture. If you liked the British TV series Line of Duty, then this is worth a look.
There are 2 seasons to date, with a credible storyline that carries through both. It's essentially about police Internal Affairs officers investigating high level corruption at various levels in the Israeli police force.
The acting is generally good, the script is mostly well written and the direction is generally competent, although not exemplary. There is plenty of attention on the main characters' personal stories as well as the complex web of police investigations.
It's rather rough around the edges with no pretentiousness and little refinement, compared with the more nuanced approach in Line of Duty. The stories are very loosely based on real events in the history of Israeli police, and it's quite revelatory how the main IAD characters cope with the myriad of hurdles and obstructions thrown their way with sad resignation and frustration, almost an acceptance of how things just are. For those who don't live there, it's also quite an interesting reflection of Israeli cultural approach to life in general.
There are 2 seasons to date, with a credible storyline that carries through both. It's essentially about police Internal Affairs officers investigating high level corruption at various levels in the Israeli police force.
The acting is generally good, the script is mostly well written and the direction is generally competent, although not exemplary. There is plenty of attention on the main characters' personal stories as well as the complex web of police investigations.
It's rather rough around the edges with no pretentiousness and little refinement, compared with the more nuanced approach in Line of Duty. The stories are very loosely based on real events in the history of Israeli police, and it's quite revelatory how the main IAD characters cope with the myriad of hurdles and obstructions thrown their way with sad resignation and frustration, almost an acceptance of how things just are. For those who don't live there, it's also quite an interesting reflection of Israeli cultural approach to life in general.
- pkertes-59666
- Dec 8, 2023
- Permalink
Excellent riveting cop drama from , don't quote me but , the same Israeli channel that has brought us FAUDA which is another definite 9 and which Iam egarly awaiting the next series having thought it was finished . Its difficult to go too far into the winding plot of this great series without giving too much away but suffice to say it is mainly focused on an Internal Affairs investigation into corrupt policing and well drawn characters are portrayed brilliantly with one if those storyline that will make you binge watch pretty sure you know what to expect but intriguingly remaining uncertain if you are right . WILL YOU BE .?????? If this and Fauda are representative of the standard of broadcasting in Isreal the SHALOM.
- alanlamont-34154
- Sep 27, 2023
- Permalink
It's too long, too much personal and family drama among the characters. This series could have ended at 5 episodes, 10 is too many. I found myself skipping through episodes, just stupid melodrama. IAD makes a lot of stupid mistakes, I strongly doubt the real one does.
Really poorly written and directed. I'm a big fan of Israeli series and cinema but this isn't good. The ending was really stupid.
Really poorly written and directed. I'm a big fan of Israeli series and cinema but this isn't good. The ending was really stupid.
- Avidviewer-02847
- Mar 23, 2022
- Permalink
This Israeli series is centred on Izzy Bachar, a policeman approaching retirement who works in the Internal Affairs Division. When, following a shooting, it emerges that the arrested attacker was a serving police officer Izzy is called in. The officer offers to name corrupt senior officers in exchange for a lighter sentence. The most senior of these is Barak Harel, a good friend of Izzy's. At first he recuses himself from the investigation but is brought back in and soon thinks the statement about his friend might be true.
I really enjoyed this series. Unlike many series that are full of twists and turns it lets us know who is corrupt early on and shows us their attempts to keep themselves from being implicated. The characters feel real, each with their own motivations and the thought that some have been drawn into corruption rather than been that way from the start. Izzy is a great protagonist, unlike the typical Hollywood lead he is world weary; Shalom Asayag does a fine job in the role. Unfortunately only the first season is available on Channel Four in the UK; hopefully they will get further seasons as I really want to know what happens next. Overall I'd definitely recommend this to fans of the genre.
These comments are based on watching the first season in Hebrew with English subtitles.
I really enjoyed this series. Unlike many series that are full of twists and turns it lets us know who is corrupt early on and shows us their attempts to keep themselves from being implicated. The characters feel real, each with their own motivations and the thought that some have been drawn into corruption rather than been that way from the start. Izzy is a great protagonist, unlike the typical Hollywood lead he is world weary; Shalom Asayag does a fine job in the role. Unfortunately only the first season is available on Channel Four in the UK; hopefully they will get further seasons as I really want to know what happens next. Overall I'd definitely recommend this to fans of the genre.
These comments are based on watching the first season in Hebrew with English subtitles.
No english subtitles nor french
Dommage, it seems to be an amazing serie
- jamalbouzri
- Dec 16, 2020
- Permalink