Plot

In this essay film tribute to Rosa Luxemburg, the Lebanese filmmaker places her letters from prison over metaphorically charged images of the Middle East and a snow-covered Berlin to form a complex multi-layered collage.

AN OPEN ROSE is the second part of an essay tryptic. The first, CHINESE INK (2016), made both a personal and collective statement of loss: the loss of one's path, the loss of the gesture, the loss of insurrectionary thought. A defeat without resignation, however. AN OPEN ROSE continues this reflection by way of an emblematic and tragic figure: Rosa Luxemburg, through the stirring letters she wrote from prison. "And in the darkness, I smile at life." This sentence, written by Rosa Luxemburg in solitary confinement at the end of 1917, gets to the very heart of what characterises her letters from prison: a shining joie de vivre, regardless of the political situation. Her descriptions of birds, flowers, clouds and colours demonstrate an awareness of nature's beauty experienced with all the senses. Numerous excerpts from the radical socialist's lyrical letters in both German and Arabic form the threads running through this essayistic collage. They are joined by modern-day shots of wintry Berlin, a two-person reading in Beirut, archive material from the First World War, a battle song of the labour movement, traces of Nico, Gerhard Richter, Brecht, Breton, voices, sounds, music and the soundless comments of a self. Together, they form a polyphony of visually and acoustically overlapping layers. From this retrospective look at the 20th century, at Germany and the Middle East, at the militant struggles that took place both here and there, emerge personal conclusions as well as the acknowledgement that resistance and beauty can indeed co-exist, not least in dark times.