Somewhere Boy

In 'The Truman Show', a man grows up on the set of a virtual reality TV show, unaware of the "real" world outside. Yet Truman's reality is so like real life it's hard to feel so much is at stake when he tries to escape. The epnomymous 'Somewhere Boy' is this drama is kept cooped up a in Yorkshire farmhouse by his father, who tells him there are monsters outside. Although unlikely, you can imagine this happening; but what would be look like to be such a child, then to venture outside for the first time? Unfortunately, the drama struggles to meet the challenge it has set itself, and there's a dissonance between the ordinariness of the main story (with its shy but essentially normal protagonist) and the gothic horror of his backstory. More like a collection of illustrative scenes than a complete tale, it lacks the attention to detail that would have been needed to make it ring true.

This is a highly stylised and unusual drama from the makers of C4's 'The End of the ****ing World' which it resembles in tone. If you enjoyed that series as I did then 'Somewhere Boy' is probably going to be for you or vice-versa.

The series follows a teenage boy who has never been out of his house as he learns to become part of a society he's never known and is forced to reappraise his upbringing by his Father and what he taught him.

With each episode about thirty minutes or less it feels pacey and it intrigued me. Production values were good generally and it was well cast, the lead Lewis Gribben was just perfect in the role.

If you're looking for something a bit different give it a whirl, writer Pete Jackson has created a dark and interesting world to explore. Lovely period music too, which reminded me of writer Dennis Potter's works, like 'The Singing Detective'.

The show was alright. It's kinda slow and needed more depth or action for sure. The actors aren't that good. The storyline, I wish they would tell a backstop a bit more instead of word by mouth of what happened. It just goes everywhere, meaning the show. It doesn't follow the story very well.

The show is good if you don't have anything else to watch ( which is what I did lol). So, it did it's job meaning it entertained me enough. It would have been better as a movie I think so it didn't drag out. I think that is why it seemed so slow. Next time, put more UUMPH, into it and it will better. Other that it was fine.

Somewhere Boy?

Where, exactly?

In a rambling, daft old tale, that's where.

With such a silly storyline that meanders so much it loses its way into a ditch, one cannot forgive the half baked script and sheer dullness of the entire proceedings. And yet professional (paid!) TV critics loved this. Intriguing... Don't forget, they were paid. By the show's production company, perhaps??

Yes, the plot is mildly intriguing if totally asinine. Yes, the acting is decent, but no better than your standard drama school student couldn't knock out after an afternoons rehearsal. This show is simply too dull overall to maintain a steady interest, particularly over 8 episodes. The writer should have taken the best parts of his script and combined them into 4 episodes and ramped up the tension in the areas where it was needed.

No spoilers for you because, really, whatever plotlines l give away really wouldn't spoil anything. Go outside and kick a football around; you'd enjoy it more, even if you don't like football.

Fiction is fiction and it would be too easy to pick holes in the believability or logic of this scenario - so let's not bother. But as a study of alienation within and outside of family structures this series finds its mark. Are there monsters? Yes, of course there are. Can we always recognise them? No. Should we fear them? Well, ideally we should not be living in fear, and if we have fears we should be able to talk about them, and there is the point, amply expressed in the family scenes and in the role of Danny's cousin, Aaron.

In the role of Danny, Lewis Gribben is astonishing. As he explores his new world, his fascination, confusion, horror and joy are palpable, and the scene in which he falls in love for the first time broke me - like 'Heartstopper' but for grown-ups.

My only criticisms are of the 'Night of the Hunter' sequence which forms a somewhat cliched climax, and the final resolution which seemed dubious. After all, when you've escaped one prison, and you've started to discover yourself, surely the last thing you need is another incarceration. But maybe I'm just cynical about families.