Casting Kill

Casting Kill. Which was shot super- quickly, with a small crew, and on a very limited budget, is a very stylish suspense thriller set in the underbelly of Hollywood filmmaking Nothing is ever quite as it seems and, indeed, Casting Kill has more twists and turns than a corkscrew. The whirlwind indie writer/ director team of Carline Spence and James Smith have been building a well=deserved reputation of late, and they are sure to have another micro - budget hit on their hands with CASTING KILL, a tense and stylish horror/ thriller hybrid with plenty of short, sharp shocks. Like a kick in the eye from a stiletto heel.

This is such a good film. James and Caroline made such a superb suspenseful thriller that takes place in the British film industry and takes Harvey Weinstein's audition process to a whole new level. The acting was really good and well conveyed throughout the entire thing. Probably the only let down was perhaps the soundtrack. Might have been a little over the top at times. The camerawork is really good and got Hitchcock vibes to it. Take the time and watch this original horror flick and I mean horror lightly as there's no jump scares or actual horrific moments. Minor gore and blood to don't worry!

The script is particularly bad. It takes a common genre of horror and violence against women and the misogynistic pitfalls and cliches that plague similar works. It somehow keeps you bored throughout-like when one seemingly disturbing act turns out to "just" be homicide, the clearly psychopathic mummy issues underlying the character's misogyny, the worst popcorn ever, and of course the unexpected ending that shows the different depths of depravity within all of us. The context of an acting casting call both creates a over the top theatrics while being brutally honest about the very real nightmares within the industry. Overall, the script is witty, provocative, cogent, and all too relevant.

Of course, it comes to life with stellar acting, most notably from the lead Rob Laird as Arthur Capstone. The script demands a lot of him, and he meets the challenge heroically: treading the tightrope between deadpan and camp with Olympic precision to create a character who feels uncomfortably real, like a living nightmare. Scenes with him and Jack Forsyth-Noble as Domenic; they fed off each other's energy so beautifully and hilariously that you almost lost sight as to who was the true antagonist.

Overall, it's a no watch for wide ranges of audiences: anyone who loves horror, comedy, black comedy, social commentary, and honestly should avoid at all costs.

First time I saw this film was on dvd, second time seen at The Lavenham Film Festival, Suffolk, where it won three awards at the Gala Awards night, which was very well deserved. Enjoyable film from the start to the end, with plenty of laughs throughout. Great casting, all characters were convincing and natural Would happily watch again Great cast,, each character drew you in.

Brilliant Director and Writer, who have recently won awards for their newest fillm, Best Geezer, which is heading off to Hollywood to be screened. Really nice couple who I wish well with their current and future ventures. Casting Kill, please give it a watch and review.

An expertly written and tightly woven thriller. An amazing music score drives this film through a series of tense and chilling encounters. There is a traditional feel to this movie where the emphasis in on the story telling rather than cgi distractions. No half hearted mumbling here ....the performances are delivered with conviction and clarity. In classic hitchcock style there are some truly memorable jaw dropping moments of horror. There are some twists and turns at the end which will satisfy fans of the psychological thriller genre. Let's hope this is the big one for Raya films as they go from strength to strength.