Mulan: Rise of a Warrior

I was moved by this movie. It was a real good watch. Words escape me at the moment, but this review can say it all for me: http://yingweitan.wordpress.com/2009/11/25/movie-review-mulan-2009/ Also, the comment at the bottom of the article is very insightful.

Differing from the usual route of Chinese epic movies, which usually portrays huge battle scenes, extravagant costumes, and such, this movie concentrated more on the character's development and emotions. As such, it is a movie that deserves a closer scrutiny than the passive habit we have of watching movies. I will not give it the 2 points for the 10/10 vote because my overly romantic self was denied something (you'll see). But then that's just me. :) I do not regret that I spent 113 minutes of my time on this. In fact, it made me all the more ready to face my own battle: life.

I never knew the Mulan story before Disney's released it's version and it is one of my favorite Disney movies. While I understood this was not going to be the feel good movie that you find with Disney, I did expect it to be just as entertaining. It wasn't epic but I did enjoy the film.

This doesn't focus of the training of a young woman's military skills. It was my perspective that this was much more about how she had to overcome her emotions to break through and become a great general. I felt that they did a good job at portraying her struggle while not allowing her to lose all feeling.

It was well acted even if I didn't particularly care for the choice of Mulan. There was just something off there. The script was decent but the camera work could've been a bit better.

Overall it is not a back live action version of this tale of folklore. I won't have a problem recommending it.

I got quite excited when I heard of this re-adaption of the Chinese folk tale Mulan, having always loved Disney's version for unexplainable reasons. (Not being a Disney fan in any sense).

I'm very much left at a crossroads after watching the piece. Well worth giving it a go to draw your own opinions because the film is brilliant yet at the same time flawed throughout.

Having the feel of many recent Romance of the Three Kingdoms historical epics that have been popping up regularly from the fantastic new generation of Chinese cinema, Hua Mulan is fast paced, uplifting and in a narrative sense very well strung together. Unlike many of its' counterparts we don't have the long and often drawn out political segments we found throughout the Red Cliff films (Absolute wonders in their own right).

The evident flaws popping up in the casting of Hua Mulan herself and the balance between the story of a solider and that of romance wasn't really able to find a true sense of equilibrium, I felt slightly discontented by the conclusion but Hua Mulan is not a film to disregard from the above remarks. A film well worth watching, putting a blunt and more practical spin on the story of Mulan; placing the tale within an Era of Chinese antiquity that easily rivals that of King Arthur or Julius Ceaser.

Having Just watched this film, and whilst it is still fresh in my mind I found the movie to be a refreshing change to traditional epics offered by Asian Cinema. House of flying daggers it is not, but as an interpretation of Chinese folklore that was based on a poem, it is a piece of cinematic creativity in it's own right. The casting of Wei Zhao was a smart move. Vicki is a potentially under rated actress who displays a versatility that is often never matched by over paid Western A - listers. For the tone and content of a film that has no provable substance in fact, Vicki does an outstanding job of expressing the bland emotion and lack of compassion that would be synonymous with the era and situation with which the film is set.

At it's heart is a love story that is put aside by the burdens of war. This is so effectively displayed by the acting skill of the lead that it could be mistaken for lacking any substance at all, but with such interpretive subject matter the leads pull you in and make you share in the joy and the hurt that their lives are taking.

This is essentially an amazing piece of cinema, with a talented cast and a talented director. There are many ways to while away an afternoon. Getting lost in the majesty this provides is well worth the time

We all know how the story of Hua Mulan follows that of other legendary folk heroes in China's rich history, and to date there's only a reference poem which accounted her exploits which stem out of filial piety, at a time in the Northern Wei state centuries ago when the Emperor decreed that all families must contribute to the war effort. Being a military family, the Huas have no male heir to represent their family, which automatically meant the aging father has got to volunteer himself. Rather than send her father to instant death in the battlefield, Mulan disguises herself as a male, and takes her father's place. That's basically the gist of the story, where she spends 12 long years at the war-front to the amazement that she was never found out, before returning to the gratitude of family and country.

This also means that storytellers have almost a full reign at what could have transpired during her tour of duty, and suffice to say this will always mean that there will be elements of hardship during training, attempts or situations at putting her true identity at risk, and given the soft hearted nature of an adolescent female, affairs of the heart will come knocking. The same goes for this film, written by Zhang Ting, which adopted the romantic angle rather heavily, exploring the relationship between Mulan, and General Wentai (Chen Kun), in a love that's quite forbidden since firstly a female cannot be serving in the army, and secondly, face it, two male soldiers, and later on, of general rank, can't be seen behaving lovey-dovey in front of their men. Besides, being romantically involved also served to be a roadblock to Mulan's innate war ability, or so Wentai believes that needs some way to be severed so that she can unleash that beast within.

As Wei soldiers, they're tasked to defend their country from the nomadic invading forces which seek to conquer Wei for their iron, in which to make weapons, and then to plunder some more. There's some gigantic contrast between the troops on both sides, one sans heavy armour, while the other gets more beautifully decked out, and in some ways, better equipped. But what the film is rather all about, is its take on leadership. One can have strength in superior numbers, or to have technology on its side, but without an effective, charismatic leader, it's as good as not being able to harness the multiplier effect that comes with the territory. Imagine having morale, trust and belief so high, that troops will rally behind you, trust your vision, and literally to lay their lives down for the cause. I suppose with any effective leader who walks the reasonable talk, should be able to attest to the respect that they command over their followers.

Then there are the battle scenes, because what's a Mulan film without one. Unfortunately though, most of the scenes were featured in some way in the trailer, so they do not come as a surprise. There's no big-bang action sequence as well, choosing instead to opt for a rather more personal, intimate battle rather than one involving the masses, and also wrapping things up a tad too conveniently, although it tried to redeem itself with a pathos filled finale revisiting the romantic angle once again. The war front scenes were like a quick summary of 12 years of iconic battles that Mulan had led, so those looking for fantastically choreographed battles in the mould of Red Cliff, will be sorely disappointed.

Then there are some rather questionable scenes which comes out of the blue, and somehow marred the enjoyment of the film a little because of their convenience, with that little bit of vampirism which I felt was not quite necessary, and a natural phenomenon which just appears and seem to take sides, again for reasons I am not able to fathom, and speculate only for the showcasing of special effects. Disaster movie, this is not.

But thankfully the performances all round provided that lift to the film, and made it bearable. Zhao Wei is no rookie to period war dramas, since she has Red Cliff to thank for in modifying her role there to become a warring princess. There are too many parallels to be drawn between her characters in Shangxiang and Mulan, such as going forth to the forefront of war to the disapproval of family, her desire to defend her country, her disguises and so on, one can still feel her Mulan here to be distinct and if I may say, quite definitive. Chen Kun also held his own against the veteran actress, although one can feel that since this is a Mulan film then he's playing second fiddle. Supporting roles range from Jaycee Chan to Hu Jun, who seem rather functional than to add any emotional depth to the film.

Mulan is just one version from a folklore open to vast interpretations, and you can bet your last dollar that this isn't going to be the last of Mulan related stories that we'll hear of. While it isn't an instant classic, this version can probably still shout out to be the definitive version for now.