A world in which a compulsory operation wipes out physical differences and makes everyone pretty.A world in which a compulsory operation wipes out physical differences and makes everyone pretty.A world in which a compulsory operation wipes out physical differences and makes everyone pretty.
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Ashley Lambert
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- (voice)
Featured reviews
It is centuries into the future. After many global catastrophes, the world has reached a new utopia where everybody gets remade into their perfect selves upon turning 16. 15 year old Tally Youngblood (Joey King) is eager to have her change and a smaller nose.
This is a dumb YA premise. The title is even dumber. I do wonder if there is a better way to do this. The glowy suits are a good start and I like the eyes. The premise should be making people more than pretty. They should be all similar and be bigger and glowier. My best guess is that this is written by some Beverly Hills kids who grew up obsessed with plastic surgery. This could be satire if McG knew what the word means. At least, Joey King is willing to make fun of her nose.
If one ignores the stupid premise, this becomes a run-of-the-mill YA dystopian franchise. It follows a lot of the standard elements. The hoverboard scenes look real bad with early 2000's CGI. I just can't get over the basic premise of plastic surgery saving the world. It says more about Hollywood than anything else.
This is a dumb YA premise. The title is even dumber. I do wonder if there is a better way to do this. The glowy suits are a good start and I like the eyes. The premise should be making people more than pretty. They should be all similar and be bigger and glowier. My best guess is that this is written by some Beverly Hills kids who grew up obsessed with plastic surgery. This could be satire if McG knew what the word means. At least, Joey King is willing to make fun of her nose.
If one ignores the stupid premise, this becomes a run-of-the-mill YA dystopian franchise. It follows a lot of the standard elements. The hoverboard scenes look real bad with early 2000's CGI. I just can't get over the basic premise of plastic surgery saving the world. It says more about Hollywood than anything else.
First of there isn't a single ugly person in the cast.
The concept of everyone prioritizing being pretty made no sense because how does it contribute to the development of society in the movie? Like you become pretty and that's all? How do these people even make a living do you just become pretty and party all the time?
Because that's what it looked like "Get pretty and just live your life". Overall the movie had some good CGI and the action scenes were okay.
The whole concept of the movie felt a bit like they were trying to give off some Hunger Games vibe and the idea of the rebellion being led by the smoke(David) felt kinda off because it would have made more sense if his parents were the leaders of the rebellion seeing as they were the first to actually leave the city.
The concept of everyone prioritizing being pretty made no sense because how does it contribute to the development of society in the movie? Like you become pretty and that's all? How do these people even make a living do you just become pretty and party all the time?
Because that's what it looked like "Get pretty and just live your life". Overall the movie had some good CGI and the action scenes were okay.
The whole concept of the movie felt a bit like they were trying to give off some Hunger Games vibe and the idea of the rebellion being led by the smoke(David) felt kinda off because it would have made more sense if his parents were the leaders of the rebellion seeing as they were the first to actually leave the city.
So this film is fine. It sets up a standard future world we have all seen before. Typical Government villain. It does nothing new with the beauty argument. It's all just copy and paste from another script.
The main characters are all beautiful before they get the surgery. Which really hurts the logic of the movie. They needed to explain why getting mandatory surgery actually helps the world. Instead we get one paragraph at the start which just says that it does, and moves on.
They introduce hover boards which everyone in the world should have, but nope; Just these two teenagers who happen to have this super rare technology. And one of them gets given it.
They then introduce magically bracelets which protect them from falls. Might make sense after they get the boards, but nope. Main character just happens to be wearing it, when she needs it after falling off a building. But it then fails to work for the first fall from the board?
There are some nice shots of the future city which really help. But this entire world is just that one city. We never learn about the rest of the planet.
Parents abandon their children. We get some emotional manipulation line later in the film that you could say justifies this action. But it's left for you, the audience to connect the dots on that one.
Overall it's worth a background watch while doing something else. And as a straight to Netflix movie, it's above average. But the writers could have done more with the concept and I just feel like they were treading through the motions on this one, and more imagination was needed to elevate the script beyond the formulaic.
The main characters are all beautiful before they get the surgery. Which really hurts the logic of the movie. They needed to explain why getting mandatory surgery actually helps the world. Instead we get one paragraph at the start which just says that it does, and moves on.
They introduce hover boards which everyone in the world should have, but nope; Just these two teenagers who happen to have this super rare technology. And one of them gets given it.
They then introduce magically bracelets which protect them from falls. Might make sense after they get the boards, but nope. Main character just happens to be wearing it, when she needs it after falling off a building. But it then fails to work for the first fall from the board?
There are some nice shots of the future city which really help. But this entire world is just that one city. We never learn about the rest of the planet.
Parents abandon their children. We get some emotional manipulation line later in the film that you could say justifies this action. But it's left for you, the audience to connect the dots on that one.
Overall it's worth a background watch while doing something else. And as a straight to Netflix movie, it's above average. But the writers could have done more with the concept and I just feel like they were treading through the motions on this one, and more imagination was needed to elevate the script beyond the formulaic.
Man, this movie is such a disappointment. It's so so bad. I hate to be this person, but they deviated so far from the book it's almost its own entity. I understand when they need to change certain things to make it work for the screen, but they completely changed story lines and character arcs. There's almost no noticeable differences between the "uglies" and the "pretties". The pretties just look like they have a smoothing instagram filter on, very basic. It's not even good CGI. They shoehorned things in from later in the series making a convoluted mess. It's obvious they had no intention of making any more than the one movie, which is annoying. Why start something you have no plans of finishing?? After the first 20 minutes of this mess I came to IMDB and found out it was directed by McG and I'm not surprised. The dude hasn't made anything worthwhile in 20 years. What an absolute joke. I hope Netflix loses a bunch of money on this junk. They've become the worst of all the streaming services, just continuously churning out literal garbage while they cancel the only decent shows they have after one season.
As many have pointed out, there wasn't enough run time to build the narrative and characters. The only character they slightly done justice was Shay, Brianne done really well in portraying her.
Whoever designed the set/Architecture WELL DONE, literally almost exactly how I have imagined it in my head for the last 10 years, even down to the constant fireworks.
1. "The uglies are not ugly enough" Surprisingly I disagree. I just think they haven't portrayed the pretties as radical enough, it lacked the outrageousness and complexity of the actual appearance and personality change. The uglies are meant to look NORMAL, eg. Literal models in old magazines didn't compare to pretties in the book. Although I do agree that Joey King doesn't quite suit the book perception of Squint, I can however, see their thought process (I'm looking at you people who keep calling her ugly)
2. "We never learn about the rest of the planet", yeah the readers didn't learn about that for a while either, and neither does the characters. It's actually a main plot line in one of the future books so be patient.
3. "How are they hoverboarding on water" This is where the narratives quickness and budget ruined the technology and dystopian aspect, I was looking forward to this part the most, however it all lacked clarity with too much action.
4. I've seen quite a few comments and social media posts mentioning that Tally and Shay have better chemistry than any of the others, this is the same in the books and is a really important aspect as they develop their friendship and platonic love. I really enjoyed that they adapted this aspect of the characters, however ended up lacking in others.
All in all I am not surprised it is quite cheesy, it is a dystopian movie with a plot written in the mid 2000s, I definitely think with a longer run time or series they could've smashed it, it would make the special effects appear less overwhelming and the narrative denser and consistent, not leading to confusion about the plot or meaning behind the movie. With our social media today, I think the adaption of this movie is more important now than ever, they just lacked the cinema substance.
Whoever designed the set/Architecture WELL DONE, literally almost exactly how I have imagined it in my head for the last 10 years, even down to the constant fireworks.
1. "The uglies are not ugly enough" Surprisingly I disagree. I just think they haven't portrayed the pretties as radical enough, it lacked the outrageousness and complexity of the actual appearance and personality change. The uglies are meant to look NORMAL, eg. Literal models in old magazines didn't compare to pretties in the book. Although I do agree that Joey King doesn't quite suit the book perception of Squint, I can however, see their thought process (I'm looking at you people who keep calling her ugly)
2. "We never learn about the rest of the planet", yeah the readers didn't learn about that for a while either, and neither does the characters. It's actually a main plot line in one of the future books so be patient.
3. "How are they hoverboarding on water" This is where the narratives quickness and budget ruined the technology and dystopian aspect, I was looking forward to this part the most, however it all lacked clarity with too much action.
4. I've seen quite a few comments and social media posts mentioning that Tally and Shay have better chemistry than any of the others, this is the same in the books and is a really important aspect as they develop their friendship and platonic love. I really enjoyed that they adapted this aspect of the characters, however ended up lacking in others.
All in all I am not surprised it is quite cheesy, it is a dystopian movie with a plot written in the mid 2000s, I definitely think with a longer run time or series they could've smashed it, it would make the special effects appear less overwhelming and the narrative denser and consistent, not leading to confusion about the plot or meaning behind the movie. With our social media today, I think the adaption of this movie is more important now than ever, they just lacked the cinema substance.
Did you know
- TriviaBased on the Scott Westerfeld series that spanned four books and a spinoff series.
- GoofsWhen they are pulling up the train tracks and saying they recycle the metal they call it the 'ties'. A railroad tie is not the metal part; it is the large wood block that goes perpendicular to the track that 'ties' the track together.
- ConnectionsReferenced in Amanda the Jedi Show: Netflix's UGLIES Belongs in 2010 | Explained (2024)
- SoundtracksReal Thing
Written by Summer Joyner, Torrey Joyner, Joshua Silverberg, Charles Starling, Savage Sync House
Performed by JOYNER
Courtesy of Resin8 Music
- How long is Uglies?Powered by Alexa
Details
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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