Dead Man Running

I didn't know what to expect from this film except that the poster made it look like an honest-to-goodness thriller that could've been made any time in the past 40 years, and that appealed to me. In the event, it's a well-played noir mostly set in London (though you get no real sense of the city, and it's a shame they had to show Big Ben) in which Nick (engagingly played by Tamer Hassan) has 24 hours to find £100,000 or he, and his mother (as always, a superb performance from Brenda Blethyn) will be 'buried in a shallow grave'. Well-paced, with a reasonable twist, it's only a shame that most of the dialogue is quite lame, and everything has a second-hand feel, but that's deliberate, I feel, and we need more movies like this that have a heart of noir while only seeking to entertain. The audience I saw it with, in Wandsworth, were thoroughly entertained.

The plot: Given 24 hours to pay off his massive debt, a reformed gangster descends back into the underworld he struggled to escape.

Dead Man Running isn't a bad film, but it's strictly by-the-numbers. It lacks the brutal realism of something like Refn's Pusher trilogy or Hodges' Get Carter, operating in a universe more like Guy Ritchie's, where the underworld is populated by idiosyncratic acquaintances, crime bosses with dangerous reputations, and oddball sidekicks. The biggest difference, however, is that this seems like something of a breezy overview of the genre, where each character is given a brief cameo, rather than any kind of reinterpretation. Nobody really has much to work with, but it does give the film a certain simplicity that many people found lacking in Get Carter and Revolver, which are often accused of having overly intricate plotting.

It's not an original movie, but it's enjoyable enough for what it is. If all you want is a simple, mildly violent crime thriller, then this will fit the bill nicely. If you're looking for something a bit deeper or original, I think you'd be better off skipping it. You'll just be bored or annoyed by all the clichés.

I recently viewed Lock, Stock, And Two Smoking Barrels, and thought it was a cinematic masterpiece. I watched Dead Man Running yesterday, when I saw that the two had a similar plot line. I wasn't expecting Dead Man Running to be as good of a movie as Guy Ritchie's Lock, Stock, And Two Smoking Barrels, but I also wasn't expecting it to be almost as bad of a movie as Dave Eddy's Pocket Ninjas. The dialogue is rather lame, the twist is cliché and expected, and everything feels hand-me- down and second hand. Brenda Blethyn had a beautiful performance as Tammer Hassan's mother, which although was superb, didn't quite make up for 50 Cent's less than acceptable acting. Dead Man Running and Lock, Stock, And Two Smoking Barrels have the same situation with me as Corner Gas and Dan For Mayor. The Corner Gas/Dan For Mayor conundrum means that I enjoyed Corner Gas, but don't enjoy Dan For Mayor, although I want to. Lock, Stock, And Two Smoking Barrels is hands-down one of my all-time favourite movies, and Dead Man Running is hands-down one of my all-time least favourite movies. I really want to like Dead Man Running, but the dialogue, second-hand feeling, and clichés didn't do it for me. I give Dead Man Running a three of of ten.

I can just imagine the scene down the boozer. Danny Dyer and his pal Tamer Hassan are a bit bored and they think - "Hey, let's make another movie. It can be a cheap and cheerful film noir type thing and we can get our mates to join in"... "Great idea - I'll ask Ash, Phil D is probably around and I don't think Brenda is filming "Vera" just now so I'll drop her a text"... Next thing, and a few grand better off from a nearby beetle drive for the budget, off they go to make this. The story? Well, Tamer fancied being "Nick" who owes a loan shark £100k. Unless his debt is paid back pronto, his poor old ma (Brenda Blethyn) will get bumped off by the elderly, prone-to-napping, enforcer that is Phil Daniels. How, though? Well, he partners with best pal "Bing" (Dyer) and go a-fund raising. Can they find the cash and save his wheelchair bound mother? What do you think? Thing about this, though, is that it's not terrible. The acting is one-dimensional and the dialogue is straight out of the "Janet and John book of daft crime thrillers", but there is some humour and charisma to be enjoyed here and it does exactly what is says on the tin. If you set the bar pretty low and go with the flow then you will get pretty much what you expect from this predictable and decently paced ninety minutes of East London drama.

All in all a decent film, being a woman i love any Danny dyer and he was the films main pull for me and the girls to go watch a typical guys film,A bit lack lustre at times but Danny kept me trans fixed, plenty of action one for the guys and the girls. I noticed a mixed reception from fellow cinema goers, and maybe a tad cheesy in parts but compared with other movies at the moment it was not that bad, British film too so it's a bonus.But would recommend full on action , not a bad story and a good cast, a bit unsure about 50 cent though maybe he should have stayed in the music industry, Other characters put in a good performance and Danny and Tamear teamed up again always seems to work and do the business.