Frankenstein

Holy s***. Finally, after a bunch of okay, mediocre and awful adaptations tackling Mary Shelley's gothic science fiction horror epic, Guillermo del Toro gets to have his vision fully realized in what's easily one of the most faithful adaptations ever made while still being his own film.

The visuals are phenomenal, the acting is outstanding all around (although Isaac and Elordi are the standouts), Guillermo's writing and direction are steadfast and intimately visceral, the music is haunting, and the cinematography is some of the best of the year. I will be seeing this again in theaters, but I hope Netflix sits down and let's this epic go to IMAX. That would be one hell of an experience.

Don't get me wrong. The movie is beautifully done with stellar performances, great cinematography and stunning soundtrack.

I've loved Guillermo Del Toro since I was a teenager and I watched Pan's Labyrinth for the first time, and then I made it my goal to see everything he's ever directed. But I've loved Mary Shelley's Frankenstein since I was in elementary school. After I read it the first time, I kept rereading it over and over again.

My issue with this is that this is not Frankenstein. At least, not Mary Shelley's Frankenstein. The story is completely changed, and I'm not sure that it is for the better. I was seeing all these reviewers rage how this is the Frankenstein we deserve and that this is as close as it gets to the actual book. The former is up for debate, but the latter is a straight up lie from someone who's obviously never read or understood the source material.

If this would've been an original story, I would've liked it way more. But seeing as it is supposed to be an adaptation of a childhood favorite of mine, it simply doesn't hold up. Definitely the biggest disappointment of the year for me, and I've been looking forward to this since last year. I was disappointed when I heard that it wasn't playing in theaters near me, but I guess it was for the best.

If you're going to watch this, I would suggest you drop all expectations of it being Mary Shelley's Frankenstein and watch it as it's own original thing.

What a stunning piece of art!

This film is like an operatic symphony.

It's both beautiful and tragic. Breathtaking and challenging. This is what movies are all about. James Whale would be proud.

I saw this in Japan and because the audience is so respectful I couldn't tell if I was the only one silently weeping in the darkness.

Thank you Guillermo.

First off, I love a modern gothic horror adaptation, this just made my list of Halloween yearly rewatches along with Nosteratu (2024). There's just something about the visuals of rain flooded cathedral rooftops and blood flowing down cobblestone streets that gives you a faint touch of anxiety that you'll catch the plague while sitting in your theater's recliner.

But I digress, Oscar Isaac is brilliant, no surprise there, from Drive to Ex Machina, his villain arc continues to grow like the hump on Igor's back. I look forward to his next role as usual.

I have to admit, having never seen Euphoria, I didn't know how Jacob Elordi would play out but the dude's got range! He really brought the character to life, killed it, then brought it back to life again.

Mia Goth, great mother of Pearl! I found myself falling in line behind all of the other characters in the film that fell in love with her. She never misses.

Christoph Waltz... need I say more?

Guillermo del Toro delivers once again! The visuals and storytelling kept me engaged, even when scenes would slow down, the emotion picked up. And this film is brutal! The creature does not hold back, he was put together to rip others apart.

Go to the theater to see this one while you can! Every shot is masterfully framed and the grandiose set pieces require eyes to be feasted upon the big screen.

The film succeeds best when it remains close to Mary Shelley's original such as in its storytelling approach and varying perspectives, as well as the dialogue and references that echo the novel. I wish there had been more of this. The book is rich in philosophy, psychology and tragedy.

Del Toro doesn't fail, but I think he misses the mark at those moments where he changes the story, revising the characters' awareness and motivations. Walz's Harlander is invented and unnecessary, Isaac's Frankenstein is frenzied rather than haunted. It is Jacob Elordi's monster / creature that redeems the film, in addition to its beautiful gothic style and fine pacing (the runtime is long, but suitable). Overall, a great addition to the lore and worth seeing on the big screen.