Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic cr... Read allDr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.
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Very close
Del Toro finally gets his hands on Frankenstein
Now compared to some other reviewer's my score may seem pretty low, and let me start by saying it's going to be loved by critics and loved by award shows, and deserves the accolades it will receive, but for me personally, I respect it more than I love it.
Del Toro is a incredible director, and that's more than evident in this picture, I enjoyed the story, and his rendition of it, visually it's stunning. But, sorry to say, I'm just not a huge fan of Gothic horror, I never have been. I've tried over the years, and this movie I surprisingly enjoyed more than most, but it's something that's just not always going to be my cup of tea.
There were large portions of the movie I enjoyed, there did come a part in the movie where it headlined the title 'Part 2' which I dreaded, not because I wasn't enjoying it, but I had already felt like I watched a feature movie, yet I was only half way. It was a bit long for me. Which only felt longer because of the pacing.
On the positives, it looks great visually, set pieces are gothic but brilliant, and I loved the cast performances, especially Jacob Elordi as the The Creature. I was not familiar with this actor, but I give credit where it's due, that was a brilliant performance.
Look. If gothic horror is not your thing, still give it a chance, it can be long winded but it's a great rendition of a classic story, I'd be surprised if you hated it even if it's not your favorite genre. If you rated it higher, I'm not going to argue with you, it probably deserves it.
Guillermo Del Toro was born for this
The performances are strong across the board. Oscar Isaac offers a convincing, if occasionally a little over-the-top, portrayal of Frankenstein. However, he is ultimately outshined by Jacob Elordi as the Creature. It's a challenging role that could have easily been one-dimensional, but Elordi imbues it with remarkable depth, emotion, and soul - a truly fantastic performance. Christoph Waltz delivers a familiar turn, very much in line with his recent work, while Mia Goth is solid, though it remains to be seen whether she truly lives up to her "next big thing" reputation.
On a technical level, the film excels. The cinematography is stunning, the set design meticulous, and the score beautifully complements the film's emotional tone. The makeup work is exceptional, and while the costumes are impressive, they occasionally verge on being a bit too extravagant.
If there's one major flaw, it's the runtime - the film could easily have been trimmed by at least thirty minutes. Nevertheless, this is a deeply emotional and visually striking experience, and another remarkable addition to Guillermo Del Toro's already distinguished filmography.
A Symphony
This film is like an operatic symphony.
It's both beautiful and tragic. Breathtaking and challenging. This is what movies are all about. James Whale would be proud.
I saw this in Japan and because the audience is so respectful I couldn't tell if I was the only one silently weeping in the darkness.
Thank you Guillermo.
Biggest disappointment of 2025
I've loved Guillermo Del Toro since I was a teenager and I watched Pan's Labyrinth for the first time, and then I made it my goal to see everything he's ever directed. But I've loved Mary Shelley's Frankenstein since I was in elementary school. After I read it the first time, I kept rereading it over and over again.
My issue with this is that this is not Frankenstein. At least, not Mary Shelley's Frankenstein. The story is completely changed, and I'm not sure that it is for the better. I was seeing all these reviewers rage how this is the Frankenstein we deserve and that this is as close as it gets to the actual book. The former is up for debate, but the latter is a straight up lie from someone who's obviously never read or understood the source material.
If this would've been an original story, I would've liked it way more. But seeing as it is supposed to be an adaptation of a childhood favorite of mine, it simply doesn't hold up. Definitely the biggest disappointment of the year for me, and I've been looking forward to this since last year. I was disappointed when I heard that it wasn't playing in theaters near me, but I guess it was for the best.
If you're going to watch this, I would suggest you drop all expectations of it being Mary Shelley's Frankenstein and watch it as it's own original thing.
Inside Guillermo del Toro's 'Frankenstein'
Inside Guillermo del Toro's 'Frankenstein'
Did you know
- TriviaVictor Frankenstein's laboratory and Captain Anderson's ship were fully constructed sets. "I want real sets", director Guillermo del Toro explains. "I don't want digital, I don't want AI, I don't want simulation. I want old-fashioned craftsmanship: people painting, building, hammering, plastering."
- GoofsIn 1857, Victor Frankenstein buys dynamite to blow up the Creature. Alfred Nobel did not invent dynamite until 1866, 9 years after the movie was set.
- Quotes
The Creature: An idea, a feeling became clear to me. The hunter did not hate the wolf. The wolf did not hate the sheep. But violence felt inevitable between them. Perhaps, I thought, this was the way of the world. It would hunt you and kill you just for being who you are.
- Crazy creditsThe Netflix logo is formed by two batteries running an electric charge in Victor Frankenstein's laboratory.
- ConnectionsFeatured in Horror's Greatest: Film Scores (2025)
- SoundtracksRondeau (Abedelazer)
Written by Henry Purcell
Arranged by Jonathan Scott
Performed by Jonathan Scott
courtesy of: Scott Brothers Duo
2025 TIFF Festival Guide
2025 TIFF Festival Guide
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Details
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- Also known as
- Dr. Frankenstein
- Filming locations
- North Bay, Nipissing, Ontario, Canada(Location / exteriors - Arctic)
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Box office
- Budget
- $120,000,000 (estimated)
- Gross worldwide
- $144,496
- Runtime
- 2h 29m(149 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1






