A Skeleton in the Closet
Original title: Todos tenemos un muerto en el placard o un hijo en el clóset
IMDb RATING
6.1/10
401
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Coming out of he closet is never easy, but the gay son has already come out to his parents. They weren't happy, but they still love him. The son arrives home, only to learn that his partner ... Read allComing out of he closet is never easy, but the gay son has already come out to his parents. They weren't happy, but they still love him. The son arrives home, only to learn that his partner has dumped him.Coming out of he closet is never easy, but the gay son has already come out to his parents. They weren't happy, but they still love him. The son arrives home, only to learn that his partner has dumped him.
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Todos tenemos un muerto en el placard o un hijo en el closet (2020) is an Argentinian film shown in the U.S. with the title A Skeleton in the Closet. Literally, the title is translated as We All Have a Skeleton in the Closet or a Son in the Closet. The movie was written and directed by Nicolás Teté.
Coming out of he closet is never easy, but the gay son has already come out to his parents. They weren't happy, but they still love him. The son arrives home, only to learn that his partner has dumped him.
The plot of the movie is what happens after this unpleasant event. It's not easy being gay in a macho family where your brother is a star tennis player and you're not. How the protagonist deals with the situation makes for an interesting movie. The acting and production values are solid.
We saw this film at Rochester's fabulous ImageOut LGBTQ Film Festival. It doesn't have an IMDb rating yet. I rated it 9.
Coming out of he closet is never easy, but the gay son has already come out to his parents. They weren't happy, but they still love him. The son arrives home, only to learn that his partner has dumped him.
The plot of the movie is what happens after this unpleasant event. It's not easy being gay in a macho family where your brother is a star tennis player and you're not. How the protagonist deals with the situation makes for an interesting movie. The acting and production values are solid.
We saw this film at Rochester's fabulous ImageOut LGBTQ Film Festival. It doesn't have an IMDb rating yet. I rated it 9.
This is a beautiful he told story that only the Spanish or French can do! BIEN HECHO!
Gayness was incidental to this film, in effect. Manuel thinks that his being gay is the cause of his problems in his family but in reality the real issue is that he has a famous brother whom his parents idolise. It causes a lot of resentment amongst the other three children when the brother is lionised and praised and the remaining siblings are sidelined.
The break up of Manuel and his boyfriend actually is an integral part of the plot contrary to what some people are saying; Without the break up, the ending would not have been possible.
I don't want to get into spoilers, but the situation with Luis and his ex seems contrived and not credible. Someone would have blabbed, especially when the situation became publicly evident.
I have little inspiration to write this review as the film didn't really move me in any deep way. It was fine for an afternoon's viewing. A bit too much filler - more ruthless editing would have been appropriate.
The ending was, for me, unconvincing. It needed major character and viewpoint changes from the parents and was mawkish and sentimental. The epilogue in the kitchen was visibly coming a mile off and I didn't find this any more part of any real development of plot or personality.
OK, I watched it all, but I'm pretty neutral about the whole affair. It just about kept me in front of the screen.
The break up of Manuel and his boyfriend actually is an integral part of the plot contrary to what some people are saying; Without the break up, the ending would not have been possible.
I don't want to get into spoilers, but the situation with Luis and his ex seems contrived and not credible. Someone would have blabbed, especially when the situation became publicly evident.
I have little inspiration to write this review as the film didn't really move me in any deep way. It was fine for an afternoon's viewing. A bit too much filler - more ruthless editing would have been appropriate.
The ending was, for me, unconvincing. It needed major character and viewpoint changes from the parents and was mawkish and sentimental. The epilogue in the kitchen was visibly coming a mile off and I didn't find this any more part of any real development of plot or personality.
OK, I watched it all, but I'm pretty neutral about the whole affair. It just about kept me in front of the screen.
This had the potential to be a good film. Sadly, the poor writing, unrealistic scenes and poor acting ruins this. Lead character was good, but it appears none of the adults have any idea what acting is (aside from reciting your lines). There was zero emotional connections to the pivotal scenes. It all seemed so forced and fake. Why include a crying scene by someone who has no idea how to show genuine emotion.
My biggest problem with this: it appears the writer gave up on this story, got tired or was under a deadline. After all the drama and trying to build something meaningful (albeit very poorly) ..suddenly, somehow, all the major problems are resolved and things neatly wrapped up in the last 2 minutes. Ridiculous!!
My biggest problem with this: it appears the writer gave up on this story, got tired or was under a deadline. After all the drama and trying to build something meaningful (albeit very poorly) ..suddenly, somehow, all the major problems are resolved and things neatly wrapped up in the last 2 minutes. Ridiculous!!
The cinematography is very static, you won't see many cuts or different camera angles, which could be an artistic choice or a budget constaint, but it's not necessatily a bad thing. Speaking of budget constaints, a lot of action is shown off-screen. For example there will be a party but you never see the non-main cast guests, it can be a bit bothersome sometimes, as the movie is not really a "shut off from the outside world" type of movie. There is also a funny sequence at the beginning, where the characters are going out for a jog, and it's obvious that every shot is recorded at the same block.
Sometimes a character will be friendly, just to turn confrontational in the next scene, without indication that the friendliness was fake. This is not necessarily the actors' fault, it's also a script problem. This is also apparent when characters will make a fuss about insignificant things, and you're supposed to take it seriously. Another sign of a posible script problem is when at the end the main character shows some traits that make him seem like an asshole, which I'm not sure if they were intentional.
So far I've been kinds negative, but even with it's faults the movie is enjoyable, you can relate with the characters and situations as they are common to many families, like going back to your hometown, talking about sex to your sibling, having a judgemental grandma, having a dissappointed parent, or having a one sided relationship. The movie does have heart in it.
Sometimes a character will be friendly, just to turn confrontational in the next scene, without indication that the friendliness was fake. This is not necessarily the actors' fault, it's also a script problem. This is also apparent when characters will make a fuss about insignificant things, and you're supposed to take it seriously. Another sign of a posible script problem is when at the end the main character shows some traits that make him seem like an asshole, which I'm not sure if they were intentional.
So far I've been kinds negative, but even with it's faults the movie is enjoyable, you can relate with the characters and situations as they are common to many families, like going back to your hometown, talking about sex to your sibling, having a judgemental grandma, having a dissappointed parent, or having a one sided relationship. The movie does have heart in it.
Did you know
- SoundtracksTu Veneno
Music by Fernando Lopez Rossi
Performed by Natalia Oreiro
Courtesy of Sony Music Entertainment Inc.
- How long is A Skeleton in the Closet?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Todos tenemos un muerto en el placard o un hijo en el clóset
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 43m(103 min)
- Color
- Aspect ratio
- 1.85 : 1
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