The Gentlemen

If you like this sort of thing: wild, over the top and sometimes ruthless British blokes with a dark sense of humor, you'll probably watch in one binge sitting.

For myself, I found a lot of new faces, so I didn't know what to expect. The leads are entertaining. Vinnie Jones is a nice addition, as a more laid back, but don't mess with me fellow.

The old English estate setting is great to look at in itself.

Once again, Guy Richie has no problem creating a rich environment, and dialog is cleaver and sharp.

Grab a bottle of wine and enjoy the ride.

Never going to top Lock, Stock, Etc or Snatch, but this is great fun.

Highly recommended.

If that makes any sense. What I'm trying to say while pointing Aristotle's quote into a mirror, is that this is worth watching simply for all of the outstanding individual performances. There are many other reasons to tune in, but the acting clinic on parade here is a lot of fun.

The Parts:

#1 - The Story

Of course, this story began with the film but has only a very tangential relationship with that work. Every episode has a beginning, middle, and an end, as well as a cliffhanger or something else to propel viewers onward. As with his movies, some of the stories worked for me, others didn't. Some of the conflicts were just way too facile with their resolutions. Eddie was pushed into way too many predicaments as he tried to extract his family from the business, accepting too many dangerous assignments for reasons not adequately explained, not to me.

#2 - The Dialogue

Ritchie seems to have developed his own form of dialogue in which street toughs and lowlifes converse with a sort of modern day Shakespearean banter, well above the vernacular of the average dirtbag, whether in real life or in other movies. While Tarantino was propelled into stardom for the way in which some of his characters lapse into long soliloquys, whether on their own or in a group, Ritchie's creations throw around a lot of word-a-day calendar vocabulary in their speechifying. It comes off affected at times, but more often than not his dialogue is a lot of fun.

#3 - The Characters

Bringing fun-as-hell characters to life on the screen is definitely Ritchie's strong point, or one of them. Eddie, Susie, Jimmy, Bobby, and Geoff could all walk away from this and carry their own series. It helps to have such talented actors reading you lines, and it definitely is important for actors to have great material to spin into the roles they help to create.

Compared to about 99% of what is out there in TV and movie land, this series was positively brilliant. Period.

When I initially tuned in, I anticipated a B-grade, easy-watching spin-off from a beloved film. Little did I know that Guy Ritchie was involved. After the first episode, I realized what I'd signed up for and relished every moment of the journey.

True to form, the series delivered a plethora of dynamic characters, accompanied by snappy, witty dialogue and intricately woven plot points. It epitomizes the quintessential Guy Ritchie style, offering an extended exploration of characters and storylines.

In conclusion, if you have a penchant for gritty UK mobster shows, this one is tailor-made for you. Sit back, relax, and savor the experience.

I was a big fan of both Lock Stock and Snatch when they initially came out and felt fresh and fun, but I haven't enjoyed Guy Ritchie's more recent work nearly as much.

Having seen the trailer I was intrigued by this show. I sat through it all and there were exciting moments, but I didn't love it sadly. It felt hollow to me.

This feels like Guy Ritchie's greatest hits rearranged and presented as a TV show. You will have seen most of the setup used here before, but this time many of the actors are different. Maybe that was my main issue with it, it didn't feel fresh and exciting, as it is a familiar format at this point and there is a risk of boredom setting in.

It's undeniable that Ritchie knows his way around a camera. The show looks and sounds great. He has a great cast - Vinnie Jones is understated and quite excellent, but for me the story feels clunky, occasionally repetitive and surprisingly preposterous. In fact I found some of the dialogue to be cringe inducing. Some of it feels as though it had been intended to land as sophisticated and profound, but much of just sounds bad. This was never the case with some of his initial movies.

I believe there is a much better show that could have been carved out of this with some stricter editing, as all of the pieces are there. For me there is just too much going on, it doesn't all make sense and sadly it seems to lack a genuine sense of irony.

Not terrible, not great. Somewhere in between.

You can tell Guy Ritchie only wrote (co-wrote) and directed the first two episodes as the show starts off with a crack and runs into a muddy and convoluted plot in episodes 5-7 and a fairly uncreative ending in episode 8.

The show shines with the casting - primarily Kaya Scodelario as Susie Glass. Actually everyone is strong except for Theo James who I thought was miscast and would think he is a poor actor given his track record had it not been for White Lotus Season 2. I don't think he has found his acting niche yet but this isn't it.

There are still Guy Ritchie vibes in the rest of the show after episode 2 and a fun and entertaining cast of characters. Messy plot in the back half and a little uncreative for Ritchie standards but a fun and high energy show.