Navarasa

Only the Project agni, summer of 92, raudhram, inmai, guitar kambi mele nindru helps the total Navarasa. Episode 4 Payasam u better skip it and Episode 8.

Cinematography is good. Music is good. Acting is fine. Stories are mostly uninspiring, uninteresting and weird.

Well, I was really excited about this series, but got disappointed.

The acting, cinematography and background scores are the best, direction is average but story is really poor.

I liked the 1st, 7th and 6th episodes the most, they really give some great message.

Some are average like 4th and 5th Some are really worse like the 3rd and 8th. If the know the 3rd episode's director's most of the movies end like that. For 3rd episode I'll say just adding confusing terms doesn't make a story great.

9th was bit confusing and incomplete storyline.

But really disappointed. I've rated as the average of all episodes.

RATED 5/10 Language: Tamil Source: Netflix

Runtime: nearly 5hrs. 9Episodes and each around 35 minutes.

Total disappointment. Only surprising episode is "Project Agni", it is surprising at the same time confusing.

Surya Episiode is overdose of GVM-ism. It was cute till the motor bike ride through Adayar, after that its repetitive and overdosed.

Rowthiram is bit OK but not justified fully.

All the other episodes are not noteworthy and not eligible for movie candidate... Easily skippable one.

Navarasa turned out to be a mixed bag given the range of (on-screen / behind-the-screen) talent on board. The Netflix anthology very clearly scores more lows than highs, with just a few segments managing to leave a solid impact. The concept behind it is actually quite unique, and its tasteful packaging (from the minds of Mani Ratnam and Jayendra Panchapakesan) also makes for a great reason to get hyped about it. Is it worth exploring? Let's go segment by segment:

Edhiri (Karuna - Compassion): The performances (Revathy, Vijay Sethupathi, and Prakash Raj) and the score by Govind Vasantha stand out in this one. Plotwise, it was okay.

Summer of '92 (Haasya - Laughter): Priyadarshan's writing is weak, and the only genuine laugh in this one arrives at the very end. The actor who played the younger version of Yogi Babu was impressive.

Project Agni (Adbhutha - Wonder): Karthick Naren's project is an ambitious sci-fi thriller that could easily work as a 2-hour feature film. This is probably the only segment with a definite ending.

Payasam (Bibhatsa - Disgust): While Delhi Ganesh's natural performance is a plus, the rest of the segment felt like a complete miss. It struggled to evoke the emotion it was supposed to.

Peace (Shaantha - Peace): Second time in a row (after the disappointing Jagame Thandhiram) that Karthik Subbaraj tackles the Eelam issue with uninteresting results. The presentation here (also featuring a 13-minute continuous shot) is slightly better in comparison to JT, though from a storytelling standpoint, I expected better.

Rowthiram (Raudra - Anger): Arvind Swami's directorial debut is focused around a basic revenge plot but the way he stages the whole thing (with a fantastic twist!) is awesome. Santosh Sivan's attributes a certain rawness to the visuals which works. A slightly better closing sequence would have helped.

Inmai (Bhayaanaka - Fear): This has an inventive plot but the actual scare factor is zero (more like implied horror!). Performancewise, there isn't much to bicker about. Vishal Bhardwaj's musical score is remarkable.

Thunindha Pinn (Veera - Valour): Difficult to fathom that it was written by Ratnam as the dialogues are all over the place. The segment comes off as the weakest overall, with director Sarjun KM displaying no creative control over the politics it tries to profess or even the characters.

Guitar Kambi Mele Nindru (Shringaara - Romance): GVM's concept of love hasn't aged one bit. It's still superficially at first sight, starts off as platonic before sexy revelations are made, highly expository in nature, set against the backdrop of hummable tunes (by Karthik) and mug-focused expressive visuals (by PC Sreeram). Suriya's screen presence is unquestionable but the plot and its nuances feel like déjà vu.

Overall, Navarasa is an okay effort when it should have been downright amazing!