The Five Devils

The Five Devils: The eponymous devils are actually five mountain peaks which provide a backdrop to the events in this French feature. Vicky (Sally Dramé) is a precocious, solitary child who is bullied at school. She has an extraordinary sense of smell, even able to track down her mother in a forest. Her mother Joanne (Adèle Exarchopoulos) is a swimming instructor, fed up with her firefighter husband Jimmy (Moustapha Mbengue), she reflects on her past glories as a swimming champion and local beauty queen. Vicky uses her facilities with scents to create copies of those of people close to her. She enters trances, travelling back in time, experiencing the events as they occurred. Things become even more fifficult for the Solers when Julia (Swala Emati), Jimmy's sister, comes to live with them. Why Julia left the the mountain town ten years ago and how it affected Jimmy, Joanne and another teenager, Nadine (Daphne Patakia) is central to the narrative. A dark film in places, entering into the slipstream of horror. Vicky seems to indirectly influence events in the past and bring physical objects back. Sally Dramé is wonderful as Vicky, accepting her abilities, not put out by her time travels but upset by her parents' deteriorating relationship. Adèle Exarchopoulos potrays the still beautiful and fit Joanne, but longs for her lost teenage years and perhaps more. She swims in an icy mountain lake for twenty minutes each day, almost as a self punishment, a great performance. Emati's fiery Julia is haunted by demons, not just of her past but those she encounters now. Mbengue;s Jimmy tries to be the anchor for this unhappy family. A story of love, guilt and elements of darkness and horror. Directed by Léa Mysius, who co-wrote the screenplay with Paul Guilhaume. 8/10.

The Five Devils is a very nice looking film. It is full of artsy compositions and colorful scenery. It is well performed; the actors are very naturalistic, and no one is over the top or feels unrealistic. The story, on the other hand, is not for everyone. It follows a family at a crossroads when someone from their past returns to town. How each character handles this reappearance makes up most of the runtime. There is a fantastical element, as one character is able to enter moments from the past, but almost everything else is handled very realistically. I was very neutral towards this movie. I was definitely wanting to see where it went, but once it was finished, I was ready to move on. I didn't feel compelled to reflect on what I had seen. I was hoping for more tension or emotion of some sort, but it was all pretty subdued. My opinion is that this one is skippable.

... following the early rave reviews of this film, and the fact that Adele is always interesting.

However, I found a couple of the characters very thin (the husband in particular) and the flashbacks became a bit much for me.

At one level, as with Titane, this is quite an interesting set-up of a highly dysfunctional family, but I just couldn't suspend disbelief enough for some of the action and, in particular, the outcome (as far as I could make it out).

Meanwhile, on the basis of this, I'm sure however that Sally Drame will go on to do some very interesting work - she's a compelling presence here.

Worth a look.

"Vicky" (Sally Dramé) lives with her school swimming coach mother "Joanne" (Adèle Exarchopoulos) and fireman father "Jimmy" (Moustapha Mbengue). Despite a fair degree of quite nasty teasing from her schoolmates, she is a happy enough child who has an astonishing gift. She has the most acute sense of smell. She can differentiate between natural and man-made scents - she can even sniff her mother out in the woods, at a distance, amongst all the other fragrances. The appearance of her aunt "Julia" (Swala Emati) causes upset though. She has just been released from prison and her arrival at their home seems to unleash in the young girl an enhanced set of powers that allows her to see into the past, as if she were a bystander, and slowly a story of lust, love and violence is revealed. It's an intriguing premiss, but somehow it just never really stays focussed long enough to become interesting. Some of the characters - especially the young Dramé are engaging enough, but the story itself is weak and underwhelming. It's not that it is boring, it isn't: it's that for too long nothing happens and then when something does, it is usually seen through the eyes of a child far too innocent to fully appreciate (I hope) what she is witness too. There is plenty of sexual fluidity here, and even a bit of tragedy at the end, but for the most part it's a jigsaw puzzle of a film with too many pieces that either don't fit or don't matter. It kills one hundred minutes easily enough, but I doubt I will ever watch it again.

This incredible french drama delves deep into a genre breaking experience in very interesting ways.

The actors and the script is incredible, and so is the cinematography, cutting and. It is simply a very beautifully and uniquely put together piece.

Overall, an incredible and acclaimed film that is very much recommended for any lover of film.

The effects, and the overall idea and execution works very fluidly. The end result is a very unique piece that stays with you for a long time.

Overall, yet another testament to the greatness of french cinema, and how you can bend genres and conventions in very appreciated and interesting ways.