Dread

While I disagree with your review, I respect your opinion. However, the last line you wrote makes no sense.

You wrote, "We all know already what humans can do to fellow human beings. We don't need to watch it over and over again." Why watch anything then? We all know humans fall in love, so why watch Romantic Comedies? We all know cops bust criminals, so why watch Action films? And Dramas are full of the things we all do as humans, so why watch those?

This film is a solid effort and one of the better Barker adaptations to date. It contains all of the elements of classic Clive; sex, revenge, desire and, of course, blood and bodily harm.

Keep those Books of Blood coming!

Three students decide to study people's fears for a video documentary college class as sort of a "fear study". Initially they simply interview their subjects but then one of the students progresses to setting up situations where the subjects are forced to confront their fears.

Pretty much universally positive reviews from horror magazines and websites were given to this film, and I feel bad that I cannot be as supportive. While I think this film has a lot of strengths, and may be better than the average film, it also has some weak points, too.

I have to say the film is very admirable with regards to the gore on the topless dancer, and the dismembered girl in the bed. Other gore scenes were also decent, and there is no short supply of blood, and a special effects that shines beyond the budget. I also enjoyed the gritty sex scene, reminiscent of the style of "Derailed" (though the sex scenes are quite different).

The film as a whole has a lot of sexuality to it, which I find to be a flaw. I liked the painting of nude woman, with the addition of her blue hair, but soon realized it was just he first step towards more and more nudity. Usually, I am the last one to frown on nudity, gratuitous or otherwise. But I felt this film was using it as a crutch, that despite having a strong story, they felt they could not get by on merit alone. And that is a shame.

As far as being compared to recent Clive Barker films, this one is clearly better than "Book of Blood" (which was just boring), and on par with "Midnight Meat Train". I may like "Train" slightly better, but both have their strong and weak points. Barker's original story is roughly 40 pages, including some casual references to Kant and Bentham (and unfortunately Dickens). The film tends to ignore these intellectual touchstones and veers off into more pornographic territory. They do, however, take the "fear of meat" to a new height.

"Dread" was chosen as the 2010 horror film of the year by HorrorHound contributor Dave Kosanke (with Jon Kitley agreeing). Kosanke thinks the film is "primordial and raw" and "even manages to one-up the story". Another HorrorHound contributor, Aaron Christensen, disagreed and felt the film was too long and would work best as an anthology coupled with one or two other Barker stories. Incidentally, he chose "Black Swan" as the year's best.

Thankfully, none of them picked "Harpoon" like Aaron Crowell did (that film had few things right going for it). And I have to agree with Christensen that "Black Swan" easily trumps "Dread" (though I think Adam Green's "Frozen" was also a worthy contender). I would not put "Dread" in my top three for 2010.

I would, though, not necessarily endorse Christensen's idea that this be squeezed into an anthology. While "Book of Blood" clearly ran over its needed time, this film seemed to go over by mere minutes for me. The writer added enough to the original story to really have it stand on its own two legs. I would say that it could be trimmed five or ten minutes, as some scenes just went on too long for me. But it has enough story and depth to really be its own film.

Ultimately I do not see this being one of the strongest films of recent years. The gore effects are amazing, and I hope the crew behind that goes on to bigger things. The cinematography is also stellar. But beyond that, I do not know. I feel it went on a tad too long, and what should have been a story about "dread" became too exaggerated for me. It pushes the level of realism too hard and enters a surreal stage. And that is not dreadful. Psychologically unstable, maybe, but not scary.

Taking a glance at the cover in the video store, I almost arrogantly assumed it would be a terrible slasher flick, due to it's title and the lack of pictures, and also due to the fact that it went out of it's way to mention that Jackson Rathbone, "Star of the Twilight Saga", was in this film. I felt a little uncomfortable until I glanced a bit longer and noticed that it was "From the mind of Clive Barker". But alas, this is a review of it's content and not it's cover.

I'm glad I did pick it up however because it turned out to be a decent psychological thriller, more so than it was a horror film. The characters are convincing, in particular Quaid, the protagonist bad guy, who we feel isn't all right from the very beginning of the film. I feel as if I was led to question whether the motives of Quaid were inherently bad or environmental, due to a childhood of significant psychological torment. When an audience is opened up to the possibility of these influences, immediately it changes from a horror film to an intellectual psychological thriller, that borders existential exploration of the human psyche. I couldn't help but feel as if some scenes of the film kind of reminded me of Fight Club, as Quaid attempted to groom Stephen in to his mode of thinking, but unlike Fight Club, this was unsuccessful and we saw the further polarisation of the characters involved in the college project from Quaid.

All in all, Dread is a film which won't cater to your grisly, sleazy gore driven desires, mostly due to the fact that a lot of the gore is paced out through the film and used tactically in order to keep it relative to the conceptual element of the film, and also to keep the suspense. For those who enjoy psychological thrillers, college sociopathic sadists and existentially driven plots, will enjoy Dread. Fans of Clive Barker can rest assured that Anthony DiBlasi has effectively captured Clive Barker's depiction of the story and doesn't buck to the sleazy needs of Hollywood gore and torture-without-reason films (Saw) and manages to effectively convey the terror, torment and disorientation of Dread.

A chance meeting between smart, sensitive Stephen Grace (Jackson Rathbone) and charming, mysterious Quaid (Shaun Evans) results in a college project to study the intimate fears which people have. With the help of fellow student Abby (Hanne Steen), the advert is placed and the camera begins to roll on a series of interviews as the trio start to document their findings. However, each of the three has their own fears to deal with, not least of all Quaid whose childhood is stained by a terrible trauma...

Having never read the original short story by Clive Barker ("Hellraiser", "Lord Of Illusions") that "Dread" is based upon, i wasn't certain what to expect from this movie. Last year we were given the impressive (and criminally overlooked) "Midnight Meat Train" also based upon a Clive Barker story, and "Dread" continues the trend of incredible horror movies adapted from his work.

"Dread" takes its time setting up its premise but i hesitate to call it slow-moving. Every scene is important to the story, and the chemistry between the three leads ensures that you keep watching. There is a real tension in "Dread" as Quaid's behaviour becomes more erratic whilst his obsession with the project starts to grow to dangerous levels. By the point at which the taped confessions are no longer enough for him, the audience has spent enough time with the characters to feel uncomfortable at what might occur next. It's rare to find a horror movie where you feel genuinely sorry for the victims.

It's also good to see a movie about students which appears to be set in the real world rather than a stylised Hollywood version of it; these are multi-dimensional young adults rather than catalogue models reciting hip dialogue to one another. The cast is excellent without a bad performance to be found. Evans impresses as a character who is capable of moving from charming to dangerous without blinking, but the stand-out would have to be Laura Donelly who plays a girl with a gigantic birthmark covering one side of her body. Although initially brimming with confidence, her heartbreaking vulnerability gradually rises to the surface and you can't help but emphasise with her. Jonathon Readwin is also fantastic in a smaller role as one of the trio's interviewees.

Don't be fooled into thinking that "Dread" will be your average teen-stalker horror movie. Sure, there is blood and death but this a more cerebral effort than usual; a bone-chilling descent into madness and obsession with a careful and deliberate pace. There are no sudden scares to be found here; only a creeping sense of foreboding and a third act that will stay with you long after the credits have finished rolling. Make no mistake; the final scenes in this movie are ruthless and nasty, but they are also very well-written.

"Dread" is a solid effort. If you are a serious horror fan, this is certainly worth your time.

Based on the Clive Barker short story, Dread, which made its world premiere at the 2009 edition of Montreal's Fantasia film festival, is remarkable on two fronts: Barker's striking departure from his traditional macabre story lines, and Anthony DiBlasi's impressive directorial debut.

The story unfolds with two college students, Steve (Twilight's Jackson Rathbone) and Quaid (Shaun Evans), agreeing to work together to create a documentary of people's innermost fears. The two put out a call for candidates and document their interviews on video.

An expert manipulator, Quaid is able to coax these troubled souls into revealing their innermost demons; deeply personal revelations they would otherwise never dream of discussing in public, much less on camera. Meanwhile Quaid harbors deep seated psychological scars of his own, having been a childhood survivor of the brutal home invasion axe slaying of his parents at the hands of a mysterious psycho.

Espousing the belief that by confronting one's ultimate fear an individual will either overcome their phobia or be consumed by it, Quaid convinces the more demure Steve, and friends Cheryl and Abby to participate in the study. Unknown to everyone involved, however, is Quaid's desire to take things to the next level, progressing beyond mere interviews to the actual physical and psychological nightmare of tackling their fears head on.

DiBlasi displays a remarkably talented hand at spinning a yarn that incorporates introspective, character-driven drama and some spectacularly jolting and emotionally moving sequences. While deviating out of necessity from the plot structure of Barker's original story, which didn't provide much "meat" for a feature length film, Barker equally deserves kudos for providing DiBlasi with a twisted tale that is firmly rooted in the real world, where human cruelty is infinitely more tangible and terrifying than anything the supernatural can invoke.

Led by Rathbone and Evans, the young cast turns in uniformly strong, nuanced and intensely emotional performances not typically found in this genre. Among the standouts is Hanne Steen, who plays Cheryl, a friend infatuated with Steve who bears the curse of a disfiguring skin pigmentation that covers a third of her face and body. Steen deftly manages to convey her character's sensitivity and long held pain in a manner that the viewer can readily attune to, earmarking her as a future talent to watch.

As debuts go DiBlasi's Dread is as solid, slick, engaging and thought provoking as it is terrifying, making this a must see, not merely for fans of the genre, but anyone with untold skeletons in their closet.