Damsel

I found this streaming on NFLX. I was thoroughly entertained. I like all the actors and it has a nice fantasy story within it. By its title we know it is about a damsel.

Set in what looks like Medieval times a small kingdom has gotten itself into hot water with the local fire-breathing dragon. They need a young damsel to wed their son, the prince. Not so much to be a future queen but to appease the dragon.

Millie Bobby Brown is that damsel, Elodie. Her future mother-in-law is Robin Wright as Queen Isabelle. She seems charming but is as scheming and evil as they come.

The premise is set up nicely and the eventual encounters underground with the dragon are highly effect CGI. Millie Bobby Brown shows off her spunk and fighting skills as she has to free herself against all odds.

Very nice movie, not your usual story.

I'll be honest I am not the target audience of this film whatsoever. I only ended up giving it a chance, was due to its relatively good trailer that made me very intrigued.

I didn't have any expectations going in, hope for the best but expect the worst. Overall this film is decent. It's not splitting the atom and not gonna redefine cinema in anyway however it does its job. Good acting, easy story to follow, great CGI and production design plus finishes in under 2 hours.

Off topic but if this isn't an audition for playing Wonder Woman in the future, I don't know what is. I thought Millie Bobby Brown was very comfortable and believable in this lead role. More action centric roles in the future?

60% out of 100, its not just Netflix trying to be Disney, there is a bit more to it. With the correct target audience this film will blow up probably. Not every film needs to be pushing the boundaries. This one certainly stays in it's lane and delivers a solid product.

I don't really understand why people expect masterpieces from every new movie release.

Damsel is fun, entertaining, special effects are really good, better than latest summer blockbusters with bigger budgets (despite what IGN says) and the plot delivers exactly what it sells. This is not an indie Oscar Winner movie and it doesn't pretend to be neither.

Stop trying to look for art in everything, like there are Bethoveen masterpieces and Tomorrowland EDM music to just jump around there are also movies to admire with all your senses and movies to enjoy on a Sunday evening.

The movie is good and it doesn't deserve to be bashed because people were looking for another Schindler's List on it.

I didn't expect much from this movie, but wow, was I pleasantly surprised. Granted, the sorry is fairly simple and somewhat shallow, but the action is incredible. The cinematography is fantastic and the special effects are phenomenal. Everything is seemless. Director Fresnadillo did a masterful job. I fell in love with both Elodie and the Dragon. (Millie Bobby Brown is much better here than in that lame role as Eleven in Stranger Things!) And if you find yourself rooting for the Dragon, don't give up! Not sure I like the very end, but I can't come up with a better ending myself, so I'm quite satisfied.

I don't recommend watching this with very young children.

Damsel really isn't as subversive as it thinks it is and takes way too long to get going, wasting the first 30 minutes on a twist so obvious the trailer didn't even bother to hide it. Once it actually gets to the central idea of cat and mouse between a Princess and a Dragon it's a lot stronger, powering through on the momentum of the endless chase.

Despite a few big names in the supporting cast, Millie Bobby Brown really carries this. There's some really clunky lines of dialogue here and she delivers them with enough conviction to make them work. Shohreh Aghdashloo voicing the Dragon is inspired casting that really helps it get going after the weak opening.

Juan Carlos Fresnadillo's direction does a lot to help this Netflix original come closer to looking like a real movie compared to a lot of what's come before. It essentially spends the entire run time alternating between some solid sets, locations and distractingly low quality CG with some good individual set pieces and ideas which remind you this is the director of 28 Weeks Later.