IMDb RATING
7.0/10
3.8K
YOUR RATING
A glue-sniffing boy and his girlfriend escape the government-controlled no-hope Aboriginal community they live in and go to the city, Alice Springs, looking for a better life.A glue-sniffing boy and his girlfriend escape the government-controlled no-hope Aboriginal community they live in and go to the city, Alice Springs, looking for a better life.A glue-sniffing boy and his girlfriend escape the government-controlled no-hope Aboriginal community they live in and go to the city, Alice Springs, looking for a better life.
- Director
- Writers
- Stars
- Awards
- 22 wins & 14 nominations total
Mitjili Napanangka Gibson
- Nana
- (as Mitjili Gibson)
Matthew Gibson
- Samson's Brother
- (as Matthew 'MG' Gibson)
- …
Noreen Robertson Nampijinpa
- Community Lady
- (as Noreen Robertson)
Kenrick Martin
- Wheelchair Boy
- (as Kenrick 'Ricco' Martin)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is an uncanny film which shows a side to Australia most Australians would prefer not to know. First Time Director Thornton presents a series of small tragedies without preaching, moralising and mostly without words, in a similar way to Cronenberg's masterpiece Spider. He creates an uncomfortable atmosphere, which is confronting but wholly realistic.
The main characters rarely speak. Delilah speaks only in an aboriginal tongue. Samson says one word in the whole movie, and that is a laboured attempt to say his own name. Other characters speak English freely, creating a point of difference between Samson and Delilah and the world they encounter. It also alienates them further.
This film gives a snapshot of the effects of substance abuse, extreme poverty, the violence within aboriginal society as well as the violence directed at it and worse of all the general apathy of the white population to these issues. The acting is unpretentious, the soundtrack sparse and conversation is absent.
The tragedies experienced by aboriginal people have no simple solutions. The first step toward a solution is to be aware that there is a problem. This film does that in spades. The sparse non-verbal presentation makes the viewer have to work to interpret the images shown. In the process one may glean an intuitive understanding, which is often the role of art.
Highly recommended.
The main characters rarely speak. Delilah speaks only in an aboriginal tongue. Samson says one word in the whole movie, and that is a laboured attempt to say his own name. Other characters speak English freely, creating a point of difference between Samson and Delilah and the world they encounter. It also alienates them further.
This film gives a snapshot of the effects of substance abuse, extreme poverty, the violence within aboriginal society as well as the violence directed at it and worse of all the general apathy of the white population to these issues. The acting is unpretentious, the soundtrack sparse and conversation is absent.
The tragedies experienced by aboriginal people have no simple solutions. The first step toward a solution is to be aware that there is a problem. This film does that in spades. The sparse non-verbal presentation makes the viewer have to work to interpret the images shown. In the process one may glean an intuitive understanding, which is often the role of art.
Highly recommended.
As an Australian and someone who loves stories that feel raw and authentic, Samson and Delilah left a real impression on me. It's a tough film to watch, but that's exactly why it works, it doesn't sugarcoat anything. Warwick Thornton has done an incredible job of capturing the isolation, struggles, and resilience of life in remote Indigenous communities.
The performances by Rowan McNamara and Marissa Gibson are remarkable, especially considering it was their first time acting. They say so much with so little dialogue, and that silence really makes you feel the weight of their lives. The cinematography is brilliant, showing the beauty of the land alongside the harsh reality of their circumstances.
But I do think the pacing dragged a bit in places, which made it harder to stay fully engaged. While the minimalism is powerful, at times it felt like the film needed just a bit more story to balance the heavy atmosphere.
That said, it's an important and beautifully made film that tells a story so many Australians don't really think about. It's confronting and heartbreaking, but it stays with you long after the credits roll. I'm glad I watched it, and I think it's the kind of film that everyone should see at least once.
The performances by Rowan McNamara and Marissa Gibson are remarkable, especially considering it was their first time acting. They say so much with so little dialogue, and that silence really makes you feel the weight of their lives. The cinematography is brilliant, showing the beauty of the land alongside the harsh reality of their circumstances.
But I do think the pacing dragged a bit in places, which made it harder to stay fully engaged. While the minimalism is powerful, at times it felt like the film needed just a bit more story to balance the heavy atmosphere.
That said, it's an important and beautifully made film that tells a story so many Australians don't really think about. It's confronting and heartbreaking, but it stays with you long after the credits roll. I'm glad I watched it, and I think it's the kind of film that everyone should see at least once.
A really good film showing the grim realities of Aboriginal life through the 'love-story' of Samson and Delilah.
What really impressed me with the film was the fact that both lead roles were played by amateurs. Both played their characters incredibly and (hopefully) have long and successful acting careers ahead of them.
Sure, there was little dialogue between them (Samson only says one word in the whole film) but to be honest as the film went on I grew to like this. Yes, you could argue that more dialogue would have developed their characters more, but by the end I had become comfortable with it and was glad that the director had taken this approach.
The cinematography is superb and the topic both harrowing and sad.
I scored the film an 8 because the last 10 minutes is basically romantic nonsense. Really the film should have finished at the car accident, but after a film that had so little light and positiveness then I can understand that it needed the solace that the 'romantic' ending gave it.
What really impressed me with the film was the fact that both lead roles were played by amateurs. Both played their characters incredibly and (hopefully) have long and successful acting careers ahead of them.
Sure, there was little dialogue between them (Samson only says one word in the whole film) but to be honest as the film went on I grew to like this. Yes, you could argue that more dialogue would have developed their characters more, but by the end I had become comfortable with it and was glad that the director had taken this approach.
The cinematography is superb and the topic both harrowing and sad.
I scored the film an 8 because the last 10 minutes is basically romantic nonsense. Really the film should have finished at the car accident, but after a film that had so little light and positiveness then I can understand that it needed the solace that the 'romantic' ending gave it.
This movie is one that demands something from the movie goer. It needs to grow on you slowly. The pace is slow and if the audience is patient and prepared to give something back to the film it will affect you. I found it repetitive at first but rather than switching off I stayed with it and was glad I did. The acting is excellent. It is not a movie for the feint hearted and it is depressing. It should be. It is a film about hopelessness. Its hard to like Samson yet there are moments he smiles and your heart goes out to him. Della is superb as is the old woman and the drunken man who lets them share his home. Films like this should be made as there is an honesty you rarely see, the film is not dogged by political correctness. There is a danger people will not feel compassion for the characters as they are not glamorous likable people. The more you allow the film to touch you and you open your heart and your mind you will feel great compassion and love.
I just saw this film at a screening in Melbourne following its premiere at the Adelaide Film Festival and was highly impressed. Not often are we shown Aboriginal stories shown on the big screen and told with sensitivity and realism. The filming of the Central Australian landscapes are beautiful and the characters are sweet, endearing and maddening at times (the grandmother is the most joyful character and worth the price of admission alone). Following the story of two star crossed lovers and the reality of Aboriginal life in the Territories, this is a film that should be shown widely and help to dispel the myth that the Australian film industry is somehow lacking - with films like this being produced, it's certainly not - we just need to see more of it.
Did you know
- TriviaWarwick Thornton cast his own brother Scott in the film as Gonzo, despite his sibling being an alcoholic since the age of 16. Thornton insisted that his brother go into rehab before starting on the movie. Scott managed to clean up for the film but relapsed back into alcoholism two weeks after shooting completed.
- ConnectionsFeatured in At the Movies: Cannes Film Festival 2009 (2009)
- How long is Samson & Delilah?Powered by Alexa
Details
- Release date
- Country of origin
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- Also known as
- Samson and Delilah
- Filming locations
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- See more company credits at IMDbPro
Box office
- Gross worldwide
- $2,528,907
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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