X

Ti West's movie really should have been called "E" for elevated. It sets itself up as a smart take on the slasher films of the 70s and early 80s. As a bonus, the film within a film has the filmmakers making an 'elevated' porn flick (as a bonus, actor Owen Campbell who plays the "Director" even looks a bit like Director Tobe Hooper).

Quite consciously taking it's set up from Tobe Hooper's 1974 TEXAS CHAINSAW MASSACRE, X has a group of randy pornographers renting a farmhouse from an elderly couple in the middle of nowhere in Texas (actually New Zealand). Writer-Director West's main idea here is to set up a contrast between the XXX filmmakers and the bible thumping civilians of the area. It's not an uninteresting idea, which, of course, plays off the the puritanical cliche in the slasher films of yore where the most sexually active characters are the most likely to g et killed off. In addition to MASSACRE, West includes nods to FRIDAY THE 13TH, Hooper's EATEN ALIVE and a very specific one to HALLOWEEN. X is set about 5 years after MASSACRE so that it can include a brief exchange about how home video will change the porno industry (adult films were already available on VHS for about 3 years).

The movie is very well directed, with savvy use of cross-cutting between the porn film in the making and the terrors that await the group. Mia Goth (in a dual role; actually a triple if you stay after the credits) and Brittany Snow are the two pornstars to be and each dive in with relish. Kid Cudi is the cocky stud, while Martin Henderson is solid as the confidant Producer. Jenna Ortega is the "crew" all by her lonesome (she manages to keep her clothes on - must have a better agent). Stephen Ure is the ornery old man who rents out his guest house.

As good as the filmmaking is, X ends up feeling too studied. The pacing is lugubrious even if it picks up towards the very end. Once the massacre begins (if not by power tools) it still ends up being fairly typical of the films it's commenting on, regardless of how well executed and 'elevated' it thinks it is. It's also too drawn out to satisfy some gore-hounds and once the blood starts flowing, probably too gross for the internet scribes dreaming of doing extended online essays dissecting it for it's elevated intellect. There are a couple of twists, but they aren't sufficient enough to compensate for the predictability.

In the end, it's not as clever as West thinks it is, and despite some good Directing chops and acting, it's simply too self-conscious to be much of a fun thrill ride.

I liked it. It's a nice old-fashioned (flawlessly 70's styled) slasher horror-flick, with a fairly original premise. As in any comparable horror movie the motives for the killings are pretty farfetched, but who cares, when they are pictured so relentlessley gruesome, the gore here is definitely not for the tender-hearted. Another strong point is how the movie very gradually builds up the tension, this is a real slow burner, the apprehension of looming doom is palpable throughout the movie. This is helped by a strong direction, a very clever and inventive editing, and some great photography, see for instance the scene of one of the girls swimming in the lake, while... well, I won't give it away, but it's beautiful and hair-raisingly scary at the same time!

Add to all this some very funny dialogues and goings-on at the start, and you're in for a well made, old-school horror flick, maybe not life-changing but absolutely entertaining for those who can apprciate this kind of movie (like me!).

Pros.

It has some decent gore Mostly good acting Lots of 70s horror Easter eggs/references Martin Henderson doing what has to be the best Matthew McConaughey impression I've heard in a long time (seriously I really expected him to say "alright alright alright) The early Eaten Alive nod and final payoff are both hugely effective Really solid soundtrack

Cons.

It's very slow to get started. And not in the gradual suspenseful build up of tension sense, but that very little happens for close to an hour.

Despite wanting to be a really smart horror, the film still falls into the standard tropes of characters being morons who make dumb decisions and doesn't really bring anything original to the table besides better quality (but not perfect) cinematography When the carnage begins, the lighting gets very dark and sometimes obscures the shots and detail which may be a creative choice but does somewhat reduce the enjoyment

Overall, very decent but not a game changer Worth watching.

Zero expectations or knowledge about this movie when I turned this one on. I knew it was a horror movie and that was it. Watching it, I could feel the love that the creators had for the old age of horror movies, the era of slashers and all the things that Scream once dissected and made light of, an age of horror movie rules where you expect sex to equal death and the final girl to surmount all odds and take on the horrible entity terrorizing them.

The idea of this movie seems like something I should have really enjoyed. The reality of it was more underwhelming. I never found myself connecting to the characters, so when things start to go awry, I had no investment in their existence. They were just red shirts in a horror movie. I expected them to die and most of them met that expectation. It was fine. It never really tipped the scales into love, never into hate, it lingered in the realm of quiet acceptance of what was going on, a positive tolerance that never reached proper enjoyment.

Didn't expect much. Paid homage to classic 70's horror movies. Unlikeable characters that were given sufficient depth to make you care enough to not want them to be the next kill which made it refreshing. A little too gorey in parts for me but a well shot movie none the less. Cannot understand for the life of me why they didn't just cast older people as the central characters though. Just pointless having younger actors in prosthetics for the sake of it. Would have been much better if they just cast older aged actors. A simple yet fun movie that was original enough but with clear nods to some of the classics from the past.