Simon

In "Simon," director Diego Vicentini embarks on a bold journey to unravel the intricate layers of Venezuela's current turmoil, crafting a narrative that resonates deeply with those familiar with the country's harrowing reality. At its core, the film aims to shed light on the dire circumstances faced by students and the ruthless suppression by the government against those who dare to oppose its reign. It's a commendable endeavor that seeks to bring the forgotten paradise of Venezuela to the forefront of global consciousness, now a shadow of its former self, mired in devastation.

The movie does an admirable job of encapsulating the tragedy of the Venezuelan people, many of whom have been forced to flee their homeland. Through the lens of "Simón," viewers are offered a glimpse into the collective struggle of a nation, as well as the personal stories of resilience and despair. The choice to base the narrative on true events lends an authenticity to the film, making it a potent reminder of the ongoing fight for freedom and justice within Venezuela.

However, for an international audience, "Simón" might not hit the mark as intended. While the film's ambitions are clear, its execution often feels amateur, particularly in terms of acting and production values. This aspect might detract from the overall impact for viewers unfamiliar with the Venezuelan context, potentially overshadowing the poignant message at its heart.

For those close to the Venezuelan crisis, "Simón" will undoubtedly strike a chord, serving as a moving tribute to the resilience of the human spirit in the face of adversity. To the international audience, it offers a valuable, if somewhat flawed, insight into the realities of a nation fighting to reclaim its identity and dignity.

"Simon" may not be perfect, but it is a necessary film that highlights the urgent need for awareness and support for Venezuela. It's a reminder that behind the headlines are real people enduring unimaginable hardships, deserving of the world's attention and empathy.

The first thing I must mention is the script. The narrative and dialogue are a masterpiece. It's evident that Diego, the director and writer of the film, tirelessly refined and perfected it.

The storytelling and the way it communicates what happens and has happened is incredible. This film speaks to both those familiar and unfamiliar with the history of Venezuela.

Each character embodies an aspect of Venezuelan identity, making it easy to relate to on many levels. The lead actor takes you on an emotional rollercoaster from start to finish.

The performances are impeccable; they made me laugh and cry. It was a beautiful and extremely emotive film, but it also had moments of tension that elevated the production to another level.

This film is and will likely remain one of the best in history that narrates Venezuela's story from a very unique perspective, through the life of a student and the impact of their reality reflecting what many have experienced.

Diego, thank you for creating this film, and thanks to the entire team for this cinematographic beauty.

Just Amazing! A film that makes you reflect on the current Venezuelan problems but with a universally moldable context. Flawless direction and photography with such a small budget. An exquisite plot twist and performances that invite you to look beyond the typical Hollywood. In addition, the political controversy that surrounds it gives it an extra flavor... I went to see it at the cinema and I only saw the faces of the spectators as they felt it, they cried... and in advance I tell you, no matter how fictional it may seem, this is absolutely nothing compared to what Venezuelans have actually experienced.

Vicentini's script is extraordinary, very well done, rounded. It is not a predictable story. Martínez's cinematography elevates the script with its beauty and softens the strongest scenes. Very good performances, especially Mcgaffney's, who carries the weight of the entire film.

Special mention for Virguez, who despite his short participation, his character remains embedded in the memory of those who watch the film. "Simón" is very well produced/cared for by González and Rasquín. Sheinfeld's music is beautiful, he understood the script perfectly and takes it to another level.

The direction is incredible, and even more so taking into account that it is Vicentini's debut film (the one directed when he was 27 years old). The editing (also by Vicentini) achieves a perfect meshing of the story, which moves between present and past.

Regarding the subject, "Simón" manages to strike a very sensitive chord not only for Venezuelans, but for anyone who is empathetic with issues as complex as migration and the violation of human rights.

Excellent combination of well-made cinema and relevant subject matter.

"Simón," a film that delves deeply into the harrowing realities faced by Venezuelan asylum-seekers, is not merely a narrative but a profound illustration of the human condition under political strife. Directed by Diego Vicentini, the film transcends typical storytelling by weaving a deeply personal and political tapestry that reflects both his experiences and those of millions of Venezuelans.

The protagonist, Simón, portrayed with stirring authenticity by Christian McGaffney, is a Venezuelan youth entangled in the political turmoil of his country. He is a symbol of resistance and fear, embodying the dualities of courage and vulnerability. Simón's journey from Venezuela to the United States is fraught with emotional and ethical dilemmas, chiefly his agonizing decision over seeking asylum, which would mean safety at the cost of severing ties with his homeland and the cause he cherishes.

Jana Nawartschi, in the role of Melissa, a diligent pre-law student, becomes Simón's confidante and legal aide. Their evolving relationship is depicted with nuanced performances, highlighting the personal dimensions of global crises. This interpersonal dynamic adds layers to the narrative, illustrating the intricate web of human relationships affected by political decisions. The film benefits immensely from Vicentini's direction, where his personal narrative as a Venezuelan expatriate enriches the film's authenticity and emotional depth.

"Simón" is remarkable not only for its narrative but also for its technical prowess. The director employs a blend of archival footage and dramatic reenactments, bridging historical context with personal stories, thus grounding the film in reality while amplifying its emotional impact. The cinematography is notably rich and immersive, using a palette that reflects the intense emotions and stark realities of the protagonist's world. Scenes are crafted with a keen eye for detail, where even the most subtle expressions and mundane environments contribute to the overarching narrative of struggle and resilience.

Moreover, the film introduces experimental storytelling elements that recall the visceral impact of films like "Fight Club." These techniques are not mere aesthetic choices but are purposefully utilized to enhance the narrative's impact, bringing the internal chaos of the protagonist's mind into the visual field, thereby making the personal political and the political personal.

The director's choice to incorporate real footage of protests and unrest in Venezuela serves as a powerful reminder of the film's grounding in real events, lending it a documentary-like authenticity that is both enlightening and harrowing. This approach not only educates the audience about the Venezuelan crisis but also compels them to empathize with the plight of the film's characters and, by extension, all those who have lived through similar experiences.

"Simón" culminates as a poignant exploration of freedom, sacrifice, and the indomitable human spirit. Its portrayal of the complexities of asylum-seeking highlights the nuanced realities behind headlines and political rhetoric, offering a deeply human perspective on the implications of such life-changing decisions. The film's emotional resonance is amplified by its rich visual storytelling and compelling performances, making it a significant cinematic achievement that speaks to a broad audience about the critical themes of our time.

Overall, "Simón" is not just a film but a compelling call to awareness and action-a cinematic piece that resonates with the urgencies of contemporary global issues, making it a vital watch for anyone interested in the intersections of film, politics, and human rights, or the lack of it like in the case ok all dictatorship countries like Venezuela, Cuba and North Korea.