In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered.In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered.In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered.
- Nominated for 1 BAFTA Award
- 4 nominations total
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- Writer
- All cast & crew
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Featured reviews
I try to avoid trailers and promos so much so that I thought this was going to be a movie involving trains somehow like a biopic of whoever invented them, all I knew was Saoirse Ronan was in it. She was one of the few upbeat characters in it so she lit up the screen whenever she was on.
It's a movie that talks about itself throughout, it's a whodunnit film and as mentioned in the movie, once you see one you've seen them all. The plot of the movie is the plot of the theatre play and movie, that's inside the movie, so when a clue is revealed in one story you know it's the same for the other.
It's suspenseful throughout but not really engaging enough to keep you on your seat. You're not really invested in any of the characters unless you're already a fan of the actors playing them, which I was. I've seen it compared to "knives out" but I don't think it's that good. Nothing really special about it because it just doesn't click, feels like it's supposed to though. There's a lot of funny bits that carry the film, but those feel like an accessory, not actually what the movie is supposed to be about, just something to elevate it. It's meant to be a mystery but the mystery doesn't do much.
It's made to be pretty simple and quirky, I think it would've been better if it took itself a little more seriously and maybe slowed down a bit. Funny and 1950's retro so there's things to love about it, but confused about what's it's meant to be so it feels all over the place.
It's a movie that talks about itself throughout, it's a whodunnit film and as mentioned in the movie, once you see one you've seen them all. The plot of the movie is the plot of the theatre play and movie, that's inside the movie, so when a clue is revealed in one story you know it's the same for the other.
It's suspenseful throughout but not really engaging enough to keep you on your seat. You're not really invested in any of the characters unless you're already a fan of the actors playing them, which I was. I've seen it compared to "knives out" but I don't think it's that good. Nothing really special about it because it just doesn't click, feels like it's supposed to though. There's a lot of funny bits that carry the film, but those feel like an accessory, not actually what the movie is supposed to be about, just something to elevate it. It's meant to be a mystery but the mystery doesn't do much.
It's made to be pretty simple and quirky, I think it would've been better if it took itself a little more seriously and maybe slowed down a bit. Funny and 1950's retro so there's things to love about it, but confused about what's it's meant to be so it feels all over the place.
It may not be the smartest or funniest whodunit out there but See How They Run is still a really fun murder mystery that succeeds at creating an engaging mystery and solid gag rate bolstered by some surprisingly dark and mature themes.
Sam Rockwell gives a great lead performance as the calm amongst a very chaotic storm of over the top performances with an impressively strong accent that never slips. Saorsie Ronan is the standout though with fantastic comedic timing and an always lovable presence.
Tom George's direction is really good, thankfully not too focused on homaging Wes Anderson and instead delivering a stylish film with some snappy editing and nice split screen. The music by Daniel Pemberton is good, matching the films quirky nature.
Sam Rockwell gives a great lead performance as the calm amongst a very chaotic storm of over the top performances with an impressively strong accent that never slips. Saorsie Ronan is the standout though with fantastic comedic timing and an always lovable presence.
Tom George's direction is really good, thankfully not too focused on homaging Wes Anderson and instead delivering a stylish film with some snappy editing and nice split screen. The music by Daniel Pemberton is good, matching the films quirky nature.
This movie had a great potential to be a better one.
It was exciting in the beginning and it kept me entertained as it progressed, till some events happened that were strongly related to the plot and did not make any sense to me. That was disappointing in addition to the movie's ending.
The acting of the main characters was not perfect but was not bad either. There was a lot of sarcastic comedy some throughout the movie of which made me laugh.
I am sad that my rating had to drop from 7 to 6 as I liked the movie but I wish if it was executed in a better way.
After all, it was a fun experience and I do not regret watching it. If you are looking for a silly movie with a mystery to solve, watch it.
It was exciting in the beginning and it kept me entertained as it progressed, till some events happened that were strongly related to the plot and did not make any sense to me. That was disappointing in addition to the movie's ending.
The acting of the main characters was not perfect but was not bad either. There was a lot of sarcastic comedy some throughout the movie of which made me laugh.
I am sad that my rating had to drop from 7 to 6 as I liked the movie but I wish if it was executed in a better way.
After all, it was a fun experience and I do not regret watching it. If you are looking for a silly movie with a mystery to solve, watch it.
It doesn't pretend to be high art. It's silly and enjoyable and was the equivalent of enjoying a good piece of cake - pleasurable but soon forgotten.
The performances are good and we loved the butler at the end. We could even guess some of the lines and also the ending, but it didn't matter. Yes, there were Wes Anderson type moments and yes, the make up and hair was wrong for the the period for Saoirse Ronan, and there was an absence of smoke in the pub etc it's supposed to be 1950s England... but I guess it was going for theatrical rather than realism.
If you want an easy going film that makes you laugh and smile - this is the film. (And so much better than the remakes of Agatha Christie)
The performances are good and we loved the butler at the end. We could even guess some of the lines and also the ending, but it didn't matter. Yes, there were Wes Anderson type moments and yes, the make up and hair was wrong for the the period for Saoirse Ronan, and there was an absence of smoke in the pub etc it's supposed to be 1950s England... but I guess it was going for theatrical rather than realism.
If you want an easy going film that makes you laugh and smile - this is the film. (And so much better than the remakes of Agatha Christie)
This is one of those films that people have rubbished purely because it's primary purpose is to entertain. And that's a great shame, because in these troubled times that's perhaps exactly what people want. A good night out at the cinema.
Saoirse Ronan again proves what a huge career she could go on to have, this time adding light comedy to her range of skills, in this murder mystery caper.
These are ten a penny right now, both on the big and small screen, but 'See How They Run' manages to find its own style, with some clever tricks up its sleeve throughout.
There are lots of big or recognisable faces dotted throughout this fun film, but the stand-outs are Ronan and Sam Rockwell as her superior. I'd actually be happy if this led to another outing for the pair.
Overall, good fun.
Saoirse Ronan again proves what a huge career she could go on to have, this time adding light comedy to her range of skills, in this murder mystery caper.
These are ten a penny right now, both on the big and small screen, but 'See How They Run' manages to find its own style, with some clever tricks up its sleeve throughout.
There are lots of big or recognisable faces dotted throughout this fun film, but the stand-outs are Ronan and Sam Rockwell as her superior. I'd actually be happy if this led to another outing for the pair.
Overall, good fun.
Did you know
- TriviaRichard "Dickie" Attenborough greets the detectives as "Darling." This was a real-life quirk of Attenborough's which he admitted he would often use if he forgot someone's name.
- GoofsAt the end, Inspector Stoppard is awarded the King's Medal for police etc. This movie is set in 1953; while Queen Elizabeth ascended to the throne in February 1952, the name of the King's Medals were not changed to Queen's Medals until May 1954, so it is accurate that the award Stoppard received would be called "King's."
- Quotes
Max Mallowan: Better make that eight for dinner, Fellowes, and let Agatha know.
Fellowes: Yes, sir.
Max Mallowan: And get a shovel to clear the path.
Fellowes: Yes, sir.
Max Mallowan: And do we have enough coal?
Fellowes: Yes, sir. Three bags full, sir.
- ConnectionsFeatured in 2023 EE BAFTA Film Awards (2023)
- SoundtracksPrendi, Prendi, Per me sei libero
From the opera "L'Elisir d'Amore"
Written by Gaetano Donizetti
Performed by Magyar Állami Operaház Énekkara és Zenekara (as Hungarian State Opera Chorus and Orchestra)
Conducted by Pier Giorgio Morandi
Courtesy of Naxos
By arrangement with Source/Q
- How long is See How They Run?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Mira cómo corren
- Filming locations
- Freemasons' Hall, 60 Great Queen Street, Covent Garden, Westminster, Greater London, England, UK(The Ambassadors Theatre, bar)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $9,586,237
- Opening weekend US & Canada
- $3,007,657
- Sep 18, 2022
- Gross worldwide
- $21,966,634
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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