Teen Suzu embarks on an epic quest to uncover the identity of a mysterious beast in a virtual world.Teen Suzu embarks on an epic quest to uncover the identity of a mysterious beast in a virtual world.Teen Suzu embarks on an epic quest to uncover the identity of a mysterious beast in a virtual world.
- Awards
- 2 wins & 23 nominations total
Kaho Nakamura
- Suzu
- (voice)
- …
Ryo Narita
- Shinobu Hisatake
- (voice)
- (as Ryô Narita)
Tina Tamashiro
- Ruka Watanabe
- (voice)
Lilas Ikuta
- Hiroka Betsuyaku
- (voice)
- (as Rira Ikuta)
Ryôko Moriyama
- Yoshitani
- (voice)
Michiko Shimizu
- Kita
- (voice)
Fuyumi Sakamoto
- Okumoto
- (voice)
Yoshimi Iwasaki
- Nakai
- (voice)
Sachiyo Nakao
- Hatanaka
- (voice)
Toshiyuki Morikawa
- Justian
- (voice)
Mamoru Miyano
- Muitaro Hitokawa
- (voice)
- …
Sumi Shimamoto
- Suzu's Mother
- (voice)
Kôji Yakusho
- Suzu's father
- (voice)
Ken Ishiguro
- Kei's Father
- (voice)
Mami Koyama
- Swan
- (voice)
Featured reviews
I realised belatedly that this was a fresh new take on Beauty and The Beast only when the Beast was introduced, so I thought that this would be a typical romance story. But it wasn't and although it had darker themes such as child ab*se, it was handled quite alright - nothing too explicit but the ending felt incomplete. The visuals were stunning and the songs were incredibly beautiful. That last song even brought me to tears.
Spectacular visuals and animation but narrative is disjointed, particularly in the latter half of the film. Set up and themes don't quite land. Weak story.
I've enjoyed the last 3-4 movies from this director but this one was a misjudged sappy convoluted mess.
It tried to marry the world of idol performers (a manufactured and manipulated and notably shallow world of selling music based on looks and marketing) to the struggles of youth in the modern world, and it just won't fit unless you turn off everything you know about social media, and manufactured entertainment. For a director who's made some smart and insightful dramas this one misses its target in the big picture although many of the details that make his previous films worthy are still here.
There is a lot of japanese small town and city details that are rewardingly accurate and familiar. The images are fantastic (not photos as another reviewer criticised the film for, but just really good animation).
The characters when they're not spreading on the cheese are more well rounded japanese people, until they're shifted into cliche, but they switch between the 2 regularly.
It's like the film was directed by two directors, one making quality anime and the other making a greasy cheese sandwich. The end result is an uneasy mixture of the 2, and unfortunately the cheese is the overpowering taste left in ones mouth. I don't know what he was aiming for with this film but he made a move into hollywood and authentic japanese culture loses in that game.
It tried to marry the world of idol performers (a manufactured and manipulated and notably shallow world of selling music based on looks and marketing) to the struggles of youth in the modern world, and it just won't fit unless you turn off everything you know about social media, and manufactured entertainment. For a director who's made some smart and insightful dramas this one misses its target in the big picture although many of the details that make his previous films worthy are still here.
There is a lot of japanese small town and city details that are rewardingly accurate and familiar. The images are fantastic (not photos as another reviewer criticised the film for, but just really good animation).
The characters when they're not spreading on the cheese are more well rounded japanese people, until they're shifted into cliche, but they switch between the 2 regularly.
It's like the film was directed by two directors, one making quality anime and the other making a greasy cheese sandwich. The end result is an uneasy mixture of the 2, and unfortunately the cheese is the overpowering taste left in ones mouth. I don't know what he was aiming for with this film but he made a move into hollywood and authentic japanese culture loses in that game.
Sorry for my bad English. I'm not a Native speaker.
Great image and sound mastering.
Ordinary music arrangement and character design.
But the plot... not great.
Weak characterization and the topics changed around too fast makes it like an unfinished story.
A little pity. ;-;
Great image and sound mastering.
Ordinary music arrangement and character design.
But the plot... not great.
Weak characterization and the topics changed around too fast makes it like an unfinished story.
A little pity. ;-;
Let's get it right from the start. This movie does have faults - the plot does lose its relation to common sense some times (at least once, but in a very key moment) and it does sink a few times in to very shallow cliché such as the basic premise of the virtual world which makes this story move - translating our inner qualities into a singular personal avatar that really represent who we are. But once again I find myself watching a movie, realizing it has faults and feeling these faults don't matter one bit. I rated it 8 stars but it felt much more like 9. Because Mamoru Hosoda understands the human soul like very few do. I've seen already one of his earlier films - Mirai No Mirai where the very same deep understanding is demonstrated, I rated it 9 but I must admit this movie was much more moving than Mirai. Because the earlier movie is much more analytical and easy to relate to intellectually, while this one works on a pure emotional level. I'm rarely moved by an animated film like I was while watching it, because the characters were real - it has a lot to do with the superb Japanese voice acting, I'm not sure it'll work so well when dubbed but in Japanese it was raw and real and spoke of real issues of grief as a formative experience and about learning to stand for your beliefs against overwhelming odds and about how the smallest support from one's friends can mean the world and work wonders.
One more point that wasn't made by the previous reviewers - it's called Belle (in English) because it's using the French La Belle et la Bete as a major point of reference. It's not Beauty and the Beast in a straight forward manner but the idea of Beauty's love as a releasing power is at the core of the movie. See it and you'll see what I mean, because I won't be adding on that issue.
One more point that wasn't made by the previous reviewers - it's called Belle (in English) because it's using the French La Belle et la Bete as a major point of reference. It's not Beauty and the Beast in a straight forward manner but the idea of Beauty's love as a releasing power is at the core of the movie. See it and you'll see what I mean, because I won't be adding on that issue.
Did you know
- TriviaMamoru Hosoda and Jin Kim both had an admiration for each other's work. While Hosoda was attending the Oscar's ceremony for his film, Mirai (2018) the two were able to meet for the first time. It was there the two said they would work together on a future project, which eventually became Belle.
- ConnectionsFeatured in AniMat's Crazy Cartoon Cast: Talkin' Trailers (2021)
- SoundtracksU
Performed by Millennium Parade (as millennium parade) & Kaho Nakamura (as Belle)
Music and Lyrics by Daiki Tsuneta
- How long is Belle?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Belle: The Dragon and the Freckled Princess
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $4,018,313
- Opening weekend US & Canada
- $1,565,658
- Jan 16, 2022
- Gross worldwide
- $64,679,830
- Runtime2 hours 1 minute
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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