Emma Woodhouse is a wealthy young woman living in the early 19th century, whose misplaced confidence in her matchmaking abilities occasions several romantic misadventures, which leads her in... Read allEmma Woodhouse is a wealthy young woman living in the early 19th century, whose misplaced confidence in her matchmaking abilities occasions several romantic misadventures, which leads her into deeper meanings of love and life.Emma Woodhouse is a wealthy young woman living in the early 19th century, whose misplaced confidence in her matchmaking abilities occasions several romantic misadventures, which leads her into deeper meanings of love and life.
- Won 1 Primetime Emmy
- 1 win & 9 nominations total
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With the enduring interest in the novels of Jane Austen, an author eons ahead of her time as far as writing stories that dealt with women's view of the world, it is not unexpected that the film makers repeat versions of these rollicking tales. This may be the fourth or so version of EMMA and for this viewer it is the most successful. A large part of the success of this version of the novel is both the screenplay by Sandy Welch and the direction by Jim O'Hanlon who elect to open the graphic gates of Highbury with a sequence that shares with the audience the background of the diaspora of the children whose parents have died and whose lives will eventually come together as adults. It works very well in setting the scene and the mood of class distinction so prevalent in England of the period.
Emma is brought fully to life by Romola Garai and this role further establishes her as one of the more important character actresses on film. The remainder of the cast is perfectly balanced, with Michael Gambon as Emma's ever needy father, Jonny Lee Miller as the perfect Mr. Knightley, Lousie Dylan as the ditsy Harriet Smith, Tamsin Grieg as the hilariously boring and mouthy Miss Bates, the striking Blake Ritson as the vicar Mr. Elton, talented Laura Pyper as Jane Fairfax, and Jodhi May as the governess turned neighbor Anne Taylor. The ensemble casting is as fine as any of the Austen transitions to the visual and the cinematography and costumes are first class.
The words may not all belong to Jane Austen (Sandy Welch has introduced some very apropos new lines), but the feel of the novel would likely please the author as much as it pleases the audience. The 4 episode BBC production comes in two CDs and the quality of production is superb. In every way, this EMMA is a joy.
Grady Harp
Emma is brought fully to life by Romola Garai and this role further establishes her as one of the more important character actresses on film. The remainder of the cast is perfectly balanced, with Michael Gambon as Emma's ever needy father, Jonny Lee Miller as the perfect Mr. Knightley, Lousie Dylan as the ditsy Harriet Smith, Tamsin Grieg as the hilariously boring and mouthy Miss Bates, the striking Blake Ritson as the vicar Mr. Elton, talented Laura Pyper as Jane Fairfax, and Jodhi May as the governess turned neighbor Anne Taylor. The ensemble casting is as fine as any of the Austen transitions to the visual and the cinematography and costumes are first class.
The words may not all belong to Jane Austen (Sandy Welch has introduced some very apropos new lines), but the feel of the novel would likely please the author as much as it pleases the audience. The 4 episode BBC production comes in two CDs and the quality of production is superb. In every way, this EMMA is a joy.
Grady Harp
"Emma" (2009) has now become one of my favourite mini-series, closely following the 1995 version of Jane Austen's "Pride and Prejudice", with Colin Firth and Jennifer Ehle.
"Emma" is a beautiful adaption of Jane Austen's classic novel of the same name. The story is based on Emma, the pretty daughter of a wealthy gentleman, Mr. Woodhouse, and her attempts at matchmaking people in her neighbourhood. It is an engaging, sweet and playful movie, which is touching and a delight to watch.
When compared to the 1996 adaption of "Emma", with Gwyneth Paltrow, Jim O'Hanlon's version is superior; this is partially due to the length. The four part mini-series enables the characters and plot to be developed with more detail than in the feature film. In particular, you are able to see Emma mature and watch her relationship with Mr. George Knightley change. More of the original text and dialogue is included which makes the series more believable. Watching a Jane Austen film, I personally believe, should be like taking a vacation. You should be able to slow down, enjoy the slower pace of the era and enjoy making your own observations of characters, while enjoying the beautiful scenic shots. This is what you get with the 2009 mini-series – time, whereas the 1996 film is rushed, with a lot crammed into a few hours.
The cast is excellent. Romola Garai is a youthful, vivacious and expressive Emma Woodhouse. What impressed me the most was her ability to present not only Emma's love of life and enthusiasm but her innermost thoughts as well; when she is reflecting or unhappy about something but trying to "put on a brave face" we see it. Although I like Gwyneth Paltrow, she is not able to portray the youth and innocence of Emma as well as Romola Garai. Johnny Lee Miller is a handsome and intelligent Mr. George Knightley and Michael Gambon is a very lovable Mr. Woodhouse, although I identified him as "Dumbledore" immediately. The only character that I do not fully believe in is Mr. Elton. Perhaps it is just personal preference but I do not think that Blake Ritson portrays the handsome and gentlemanly Mr. Elton successfully; he is more of a "Mr. Collins". However, he is the only character who I have not taken to.
Like many of the BBC productions, the historical buildings, props and gardens used are amazing. When watching the mini-series, keep an eye out for some of the incredible landscape shots throughout the film.
The costuming for the film is quite proper. However, I would have liked to have seen Emma in a few prettier gowns. Although she lives in the country, I think as a wealthy young woman she should have had some more expensive looking gowns. I also would have liked her to have her hair in some more elaborate styles.
However, all in all, the mini-series is fantastic. I love the scenery, the actors are superb, the pace is just right and the story a classic. It is a beautiful adaption and I strongly recommend watching it.
"Emma" is a beautiful adaption of Jane Austen's classic novel of the same name. The story is based on Emma, the pretty daughter of a wealthy gentleman, Mr. Woodhouse, and her attempts at matchmaking people in her neighbourhood. It is an engaging, sweet and playful movie, which is touching and a delight to watch.
When compared to the 1996 adaption of "Emma", with Gwyneth Paltrow, Jim O'Hanlon's version is superior; this is partially due to the length. The four part mini-series enables the characters and plot to be developed with more detail than in the feature film. In particular, you are able to see Emma mature and watch her relationship with Mr. George Knightley change. More of the original text and dialogue is included which makes the series more believable. Watching a Jane Austen film, I personally believe, should be like taking a vacation. You should be able to slow down, enjoy the slower pace of the era and enjoy making your own observations of characters, while enjoying the beautiful scenic shots. This is what you get with the 2009 mini-series – time, whereas the 1996 film is rushed, with a lot crammed into a few hours.
The cast is excellent. Romola Garai is a youthful, vivacious and expressive Emma Woodhouse. What impressed me the most was her ability to present not only Emma's love of life and enthusiasm but her innermost thoughts as well; when she is reflecting or unhappy about something but trying to "put on a brave face" we see it. Although I like Gwyneth Paltrow, she is not able to portray the youth and innocence of Emma as well as Romola Garai. Johnny Lee Miller is a handsome and intelligent Mr. George Knightley and Michael Gambon is a very lovable Mr. Woodhouse, although I identified him as "Dumbledore" immediately. The only character that I do not fully believe in is Mr. Elton. Perhaps it is just personal preference but I do not think that Blake Ritson portrays the handsome and gentlemanly Mr. Elton successfully; he is more of a "Mr. Collins". However, he is the only character who I have not taken to.
Like many of the BBC productions, the historical buildings, props and gardens used are amazing. When watching the mini-series, keep an eye out for some of the incredible landscape shots throughout the film.
The costuming for the film is quite proper. However, I would have liked to have seen Emma in a few prettier gowns. Although she lives in the country, I think as a wealthy young woman she should have had some more expensive looking gowns. I also would have liked her to have her hair in some more elaborate styles.
However, all in all, the mini-series is fantastic. I love the scenery, the actors are superb, the pace is just right and the story a classic. It is a beautiful adaption and I strongly recommend watching it.
10kaaber-2
- not that there's anything the matter at all with the two 1996 versions of Austen's novel or their two Emmas, Gwyneth Paltrow and Kate Beckinsale, but I think that Romola Garai releases an Emma that's perfect: her obtuseness as far as the hearts of others are concerned is matched perfectly with the special kind of air-headed charm that Garai delivers (so very far from the sensible Cordelia she delivered in Ian McKellen's "King Lear"). Paltrow was beautiful, Beckinsale sweet, but Garai manages an Emma who seems unaffectedly oblivious to her own beauty and sweetness and only strives to do right by others – and fails. This appears to me to be the essence of the character that is the most fallible of Austen's heroines, with the possible exception of Catherine Morland in "Northanger Abbey." But apart from that, the scenes between Garai's Emma and Jonny Lee Miller's Mr. Knightley are electrifying. Especially their argument after Emma has talked Harriet Smith into rejecting Knightley's champion, Robert Martin. Miller's Knightley doesn't just correct Emma with a wish to render her a more blameless person – this Knightley truly enjoys his rows with Emma, without knowing it himself, of course: that clearly comes across.
The fact that the Director O'Hanlon has been extremely aware of every opportunity of non-verbal communication where the camera studiously catches every frown, every half-smile, every twinkling of an eye makes this version a pure delight to watch from beginning to end.
It's lovely.
I was surprised to see the new Emma. It's back to the way Jane Austen wrote it. It's a slowly unfolding story about a not too pretty girl with character flaws. She has a temper, she gossips, she hurts peoples feelings, and she can't keep her promise to stop matchmaking. But she grows on you.
The plot is close to Austens novel. The only funny aspect comes from Gambon, although everybody's acting is good. I like it, when actors act with their eyes, in stead of rambling on about it. I think you'll notice more subtle hints if you know the story.
The first two episodes are not romantic. But then, you know Jane Austen pays a lot of attention to describing how to behave when you're a rich civilian in the country.
The plot is close to Austens novel. The only funny aspect comes from Gambon, although everybody's acting is good. I like it, when actors act with their eyes, in stead of rambling on about it. I think you'll notice more subtle hints if you know the story.
The first two episodes are not romantic. But then, you know Jane Austen pays a lot of attention to describing how to behave when you're a rich civilian in the country.
Definitely the best Emma I've ever seen! The casting was perfect; it is a must watch that goes on the shelf with the other greats, Pride and Prejudice, Wives and Daughters etc. Emma was my favourite book out of all Jane Austens works and this film really does it credit! Michael Gambon is a great actor, he plays Emmas father so well! Jonny Lee Miller is my favourite actor to ever play Mr Knightley, he pulls it off with such ease. In the book he is described as having 'a cheerful manner that always did him good' and that is just how JLM portrayed him. Other Actors always seemed to play him to be a stern man who never smiles much etc, but he plays him just as I imagined he would be! Very impressed. Mr Elton is perfect! Handsome and thinks too much of himself. Romola Garai does play Emma very well. It took me a little while to get used to her but it didn't take me long to decide she definitely plays Emma better than anyone I've seen before. I've watched it twice and Im going to watch it again, most unusual for me I usually can only bear to watch a film once and I only watch it twice if its very good, three times means it amazing! You guys must see it, You will enjoy it if you like the book! Its a must watch!
Did you know
- TriviaIn 1995, BBC had already commissioned Sandy Welch to write the script for an "Emma" mini-series. However, since Miramax and also Meridien were producing their own movies for cinema and television, respectively, the BBC canceled its own project. One decade later, the production was revived.
- ConnectionsFeatured in The 62nd Primetime Emmy Awards (2010)
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- Also known as
- 艾瑪
- Filming locations
- Loseley Park, Guildford, Surrey, England, UK(Donwell Abbey, Mr Knightley's estate)
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