The Origin of Evil

The Italian title is absurd. In the original it does "The Origin of Evil"... and then everything changes. It's NOT a comedy, it's the baddest movie of the last ten years. In comparison, the "Parenti Serpenti" of the unforgettable Monicelli... are collegians. Nothing is as it seems nobody is who it seems. The plot unfolds in an absolutely intriguing way, revealing the truths little by little. The split screen in some sequences is even intelligent.

Doria Tiller is charming, colder than ice, she remind me about her opposite performance very heartfelt and warm in "Un amore sopra le righe" (Italian title) The hospital scene is... devilishly terrible... while the final scene... with that fabulous close-up that... For me 8/10.

A woman tearing through the great distance between two distinctive worlds while doing all and anything to survive. A great story on the cruel ways of man. Story is predictable from the end of it's first quarter but it's the fateful twists and turns that's evermore interestingly keep the story alive. Great cinematography that brings the feminine theme very well. Visuals are excellent in portraying the intended emotions and setting the tone of each scene through visuals. Unique music that works well with the movie. There's a lot of good symbolisms such as how Serge name girls to understand where the origin of everything is. It's both funny and sad how perpetrator gets found and how Stephane's fate is decided. A great story that anyone would enjoy.

I saw THE ORIGIN OF EVIL at an AMC Theatre in Skokie, IL after the director Sebastien Marnier had noted that his film was released in over 200 theatres in the United States.

I had already watched Marnier's other two movies IRREPROCHABLE and SCHOOL'S OUT, and they are both remarkably self-assured and intelligent for a newer filmmaker; I was thrilled that his third movie is drawing attention.

THE ORIGIN OF EVIL is earmarked by the same wit that he had already displayed, but Marnier has honed his craft even more here. Casting seems to be a no-brainer, and everyone here especially Laura Calamy, who is something of a French it-girl, is a perfect fit.

American directors are simply less smart or do not care about the details in which Marnier swims. See this movie and clear your head of some of the Hollywood dreck.

Sébastien Marnier's French thriller The Origin of Evil tells the tale of Stéphane, a woman on the verge of bankruptcy who tries to get in touch with her wealthy, estranged father and his new family. The film is a slow-burning thriller that keeps the audience on edge with its twists and turns, held together by a stellar ensemble cast. The plot is well-crafted, with a web of lies, secrets, and self-serving schemes that kept me guessing until the end. The theme and tone of the film are dark and twisted, with a touch of black humour that adds to the overall enjoyment of the movie.

The acting and characters are the strongest aspects of the film. Laure Calamy delivers a standout performance as Stéphane, a complex and flawed character who is both sympathetic and unsettling. Dominique Blanc is also wonderful in her role as Louise, Stéphane's evil stepmother, and Jacques Weber is convincing as Serge, the patriarch of the family. The supporting cast is equally impressive, with each actor bringing their own unique flair to their respective roles.

The direction by Marnier is solid, with extensive use of split-screen that conveys the duplicitous and conniving happenings of the story. The score is also noteworthy, with an unusual but effective use of a pipe organ that adds to the film's eerie atmosphere. The cinematography, production design, and use of colour are all well done, with a unique and unconventional approach that sets the film apart from other thrillers.

The film's pacing is slow at times, which did not appeal to me. The editing is also a bit uneven, with some scenes feeling disjointed or unnecessary. However, these minor flaws do not detract from the overall quality of the film.

The Origin of Evil is a deliciously twisted thriller that is sure to satisfy fans of the genre. The film's exceptional cast, solid direction, and unique style make it a standout entry in the thriller genre. While it may not be for everyone, those who appreciate a slow-burning, character-driven thriller will find much to enjoy here.

Or whos knocking on the door as we now enter the heaviest of tv-crime season, at least here in norway, the easter holiday season. This could be a bullseye film for the norwegian broadcaster NRK, a film with loads of scamming, identity theft, envy, mistrust, love and death...

i shall admit i used some time to get into the playbook of this filmstory, but when i saw the cluedos of the game it was pretty exciting after all. I cant say the same about the music made for this story, simple keyboard scrambling of such low quality even i couldve done it.

The cast playing the caracters of this awkward family is good, and leaves a lot of signals that too much money aint always a recipie for familiar happiness...

i guess this flick will suit le femmes of the audience, and quite a performance thinks the grumpy old man, recommende'