Working with the most lavish budget he ever received, this is Dario Argento's last great film and he goes for broke. Extraordinary camera work and an intriguing, though overlong, story keeps things moving at a rapid and kinetic pace.
The long-awaited sequel to the hugely successful Borat (2006), Subsequent Moviefilm finds the hilarious and still culturally ignorant Kazakh reporter returning to America to deliver more keenly observed social commentary.
A highly underrated thriller with a fantastic premise. A trio of would-be kidnappers not only have the police to worry about, but also one very pissed-off snake.
Bootlegging gangsters turned bounty hunters try to make a buck by killing Hitler in a ludicrous but entertaining film that was a major influence on Quentin Tarantino's Inglorious Basterds.
Director Joe Johnston's feature film debut is a funny, whimsical children's fantasy that doesn't shy away from the inherent dangers of being shrunk down and cast off into an unknown land.
Peter Bogdanovich's feature film debut is a brilliantly constructed dual narrative that works as both a career summation for Boris Karloff and a chilling depiction of a would-be sniper's descent into madness.
If you're interested in the Hilton sisters, you'll be better served by 2012's Bound by Flesh or the Broadway musical Side Show rather than this boring exploitation melodrama.
Edward D. Wood Jr.'s baffling and autobiographical plea for tolerance and understanding works terribly as an exploitation film but very well as arthouse cinema.
A despicable, yet undeniably compelling exploitation film featuring two strong leads and an amateur-level supporting cast. I can't recommend it, but I also can't say it isn't effective.
In a breakthrough film for both star and director, Jim Carrey somehow manages to pull off a role that very easily could've destroyed a less-talented performer's career.
James Glickenhaus' action-revenge flick suffers from an episodic and patchy storyline which features plenty of carnage and mayhem but very little in terms of logic.
In the final part of his "Teenage Apocalypse Trilogy," director Gregg Araki presents a sprawling portrait of Los Angeles through the prism of disaffected youth.
The German title of this ineptly-made cheapie is Die Nacht der unheimlichen Bestien, which of course translates into The Night of the Scary Beasts. Better title, by far. Too bad about the rest of the movie.
From the esteemed writer of Gymkata comes this fun, silly romp starring Rutger Hauer as a blind swordsman which is equal parts Zatoichi and Breaking Bad.
Magnificent in its insanity, late-period Tony Curtis and Michael Ansara battle an ancient medicine man who is slowly growing out of Susan Strasberg's neck.
