The Unlikely Pilgrimage of Harold Fry

'The Unlikely Pilgrimage of Harold Fry' (2023)

Opening thoughts: For me, there is always at least one reason for seeing any, show, production etc. The most common reasons being good concepts, liking actors and/or directors involved and completest sake. There were a lot of reasons for watching 'The Unlikely Pilgrimage of Harold Fry'. Being a lover of inspirational true story-like films. Being someone who loves Jim Broadbent and Penelope Wilton. Being someone who loves many British films, being a Brit myself. That it was reviewed relatively positively. And as someone who is trying to see more recent films lately.

Seeing it as part of a belated birthday present, to me and my sister 'The Unlikely Pilgrimage of Harold Fry' was very, very good if not quite masterpiece level. Being moved and/or inspired by something is always an absolutely wonderful thing, and 'The Unlikely Pilgrimage of Harold Fry' did both of those for both of us. It is one of those films that deserves a wider audience, but it is alas not one of the types of films film goers typically see.

Bad things: It isn't perfect. It is unlikely at times with a few too many coincidental, convenient encounters. Most of the supporting characters are on the sketchy side.

Also found the ending a little too pat, with it making Harold somewhat too forgiving.

Good things: Broadbent however is absolutely first rate, very charming but he is also very affecting. Really liked Harold as a character, found him very inspiring and relatable, despite making bad mistakes in the past (having had bad mistakes in the past myself that still couldn't make me judge him negatively) the film does a great job showing his regret and determination in putting things right and making a positive difference. Which pretty much is what the film is all about.

Wilton is also very commanding in a difficult role, as a character really does hate at times with some pretty cold decision making (while also understanding her point of view at other times), with grace. Even when apart most of the time, the chemistry between them scintillates. The support is solid, though never on the two leads' level, and the direction is sympathetic and no nonsense.

Furthermore, the scenery is absolutely exquisite (with a healthy dose of Devon) shot beautifully. The music fits the gentle tone very well and never felt overused or intrusive. The script provokes a lot of thought and pulls punches when needed without going too far, the flashbacks in particular. The pacing is very gentle bit never dull and the story is touching and inspirational. Complete with an uplifting message, one that was so easy to identify with and wasn't laid on too thick.

Closing thoughts: Overall, very good.

8/10.

Lovely movie, with the ever so lovely Jim Broadbent and Penelope Wilton as the typical retired couple, going about their humdrum lives, until the post arrives from an old friend of Harold's. Life just isn't the same again, as something inside Harold beckons him on a journey, which unfolds the reason of why he must take the journey. Wonderfully captured, but I kept thinking I had watched it before. And I had. The equally excellent Timothy Spall in the Last Bus, travelling the length of the UK with his wife's ashes to the place they met in Lands End. If you like Jim Broadbent as Harold Fry, you will love Timothy Spall in The Last Bus.

The story of Harold Fry's 500 mile walk from Devon to the English border with Scotland is well translated to the big screen by director Hettie MacDonald in this low key but very watchable film. When retired Brewery manager Harold (Jim Broadbent) receives a letter from an old work colleague that she is dying in a hospice at the the other end of the country in Berwick-upon-Tweed, he writes a letter. However feeling it is not enough, he cannot bring himself to post it and, after talking to a shopgirl in a petrol station, decides on the spot to walk to see her, leaving his wife Maureen (Penelope Wilton) sick with worry and frantic about being on her own. As Harold makes his way up north his 'Pilgrimage' starts to become public knowledge and he soon attracts a following on both social media and then the headline news. On the journey he meets an assortment of characters, from a well meaning and helpful Slovakian woman, a woman on a farm, a stranger at a railway station, a pill popping confused 18 year old, a stray dog and a small following of people who want to join his pilgrimage. And as Harold makes his journey we start to learn that his life and relationship with Maureen is not as boring as it seems, for beneath the surface he is masking a terrible tragedy and a fractured relationship.

The story might be slight but I found it nonetheless compelling. Both Broadbent and Wilton produce powerful performances and as the film progresses their characters personalities start to make sense. The film is also well made and full of good performances and doesn't feel overlong.

If you've seen the Timothy Spall film 'The Last Bus' (2021), the Robert Redford film 'A Walk in the Woods' (2015) or the Emilio Estevez/Martin Sheen film 'The Way' (2010) then some of this may seem vaguely familiar to you as, like them, this is a gentle road movie that is in part, about using the journey as a way of self discovery and confronting ones own emotional issues that will appeal to older viewers in particular. It is a well acted drama with a ring of truth to it that should appeal to those enjoy gentle drama.

Jim Broadbent and Penelope Wilton. That's all I needed to know to go see this film. Both deliver incredible performances ranging from that unique British wit, the inevitable pulled heartstrings to having it outright ripped out of your chest.

Thematically, the film asks us to let go of the things we think we need - the things that hold us back. Which Maureen (Wilton), wife of Harold for at least a few decades, rightfully takes quite personally. You wonder why Maureen just let's Harold leave, but we discover later she's not completely in the right, either.

Unfortunately, the supporting cast feel forced, two-dimensional and pepper Harold's journey purely to impart information that could be taken or left behind. This isn't helped by the stunted pacing and frequent B-roll cutaways to presumably things Harold wouldn't have seen if hadn't set off on his adventure.

The social media/celebrity element leaves a bad taste in the mouth, and his first follower appears endearing at first but then descends into cult follower territory trying to find meaning from someone else's cause.

Again, I cannot emphasise enough the stellar performances by both leads. I'm tearing up just watching the trailer while writing this. The film is let down by its supporting cast and weird editing.

I didn't know this was based off a book so I can't make any comparisons with the source material.

But if I were to give this a second viewing, I'd only watch the scenes with Harold and Maureen interacting with each other, with one notable exception: when Harold asks for a glass of water in a café. Heartbreaking.

This, for me, is a "companion piece" to last year's LIVING, since it again has an elderly gent in the central role. Like other "road movies", the film alternates between motivation and meetings. Harold crosses paths with a few fairly ordinary people who each have a tale to tell. At one stage he becomes a kind of Messiah figure, leading a flock of followers, but he arrives in Berwick on his own to resolve the issue of the dying woman's role in his life.

I got a slight sense of "wokeness" being applied to both the characters and the actors, and there are a few scenes that don't really ring true. The best element is the seesaw on which Harold's marriage is quietly riding.

Jim Broadbent and Penelope Wilton are two fine actors on top form here. This is another small movie with a big heart which it wears on its sleeve.