Wheel of Fortune and Fantasy

Bookended by fantastic pieces,I would have rated a little lower, but the third act is marvelous. TBH the second story is good but way overshadowed by the other two. What a great treatment of what it means to "love."

Among the best dialogues I've ever seen. Touching, emotional and very smart. It's the kind of film that you need to be 100% on it but it really worths. All these characters seem real and it's all about life choices.

The director showed how to create an amazing story with just a fixed scene and two actors talking to each other with some very good dialogs.

(Apologies in advance for spending most of this review comparing the film to Drive My Car... I couldn't help it 😔)

The less well-known (but still quite good) 2021 film by Ryusuke Hamaguchi. I understand why Drive My Car has made more of an impact, and overall I enjoyed it more. But this is a different sort of movie and it's interesting to compare and contrast the two.

Apparently Drive My Car blended several short stories, but did it in a way where (to me at least) it felt like one coherent three-hour film. Wheel of Fortune and Fantasy tells three short stories as three short films, each approximately 40 minutes long. Because of this, I'd say it lacked the almost hypnotic effect that Drive My Car had, where it sucks you in and becomes absorbing the longer it goes on.

One other interesting difference: it doesn't make the movie better or worse, but I found it interesting how in Drive My Car, the lead characters keep their emotions held in, whereas in Wheel of Fortune and Fantasy, characters are surprisingly open. Even when they hide the truth, it doesn't take long for them to reveal it (maybe besides the third story, which emotionally feels the most similar to Drive My Car).

This film isn't as beautiful as Drive My Car. Some of it looks a little rough and flat to be honest, but maybe the minimalist style was intentional, and to be fair, there are a few visually arresting shots throughout that really stand out.

The stories themselves are interesting, and the dialogue mostly engaging. Acting is good across the board too, and overall, while it's not always consistently absorbing, I enjoyed it for the most part, and much of it is undeniably well-made.

2021 was a good year for Hamaguchi, and I'm interested to see what he directs next.

Clearly, this movie polarises viewers. For me, way better than same director's Drive My Car. As good as Burning, American Honey, Stuff and Dough, or Our Time, a few of my benchmarks for 21st century cinema.

The original Japanese title, which translates as Coincidence and Imagination, is much more apt than the clunky English title.

To illustrate his theme, the director writes the most utterly brilliant dialogue, which is sort of like 3D scrabble on steroids.

For all of that, it still needs the wonderful third reel, where the coincidences coalesce into genuine insight and wisdom, of the sort that can reduce you to sudden tears in a darkened cinema.

Hamaguchi-san, you are an ornament, go to the top of the class. I reckon the old masterful deceiver, Bunuel, will be smiling down upon you.