Control

Understand that if you're watching this movie, you've already seen it.

Do you think it's the game Control? Yes. It is that... except worse. It's horror about a woman with psychic powers. But without the layers of juxtaposition with normal and the bizarre. All of the style is removed.

Do you think it's like the MCU with an Elizabeth Olson look-a-like sporting powers? Yes. It's that... Except worse. They wanted cool mom using psychic powers to kill people. But didn't really give her interesting things to do with those powers. You get some basic attacks and unchoreographed actors acting like they're in pain. They don't even film it well.

Do you think it's like the game, Portal? Yes. It's that... except worse. It is testing in a chamber with a mysterious robotic woman's voice giving instructions. But none of the whimsy or fun.

Everything about this movie is a ripoff of something famous and better. You've seen every reveal and surprise and interesting thing this film has to offer. But you've already seen it better.

The film techniques seem unrelated to what you're watching with the cameras in random positions and shifting randomly between cuts without meaning or direction. The actors appear to have been told to take as much time as they can with everything they do, to the point of it being awkward for them to do mundane tasks like walking across a room. Even the actors didn't know how to make this slow of a pace seem natural.

The lack of care from the film makers is painful. And an insult to whoever paid for this movie to be made. It's an insult to the actors, and an insult to the audience. Crucial details like how much time is left on the clock are used to add tension, which is completely deflated as the clock regularly has time clearly added or removed between shots. They just didn't care. A character even calls out that there's only 60 seconds left, only for the next shot to show it being closer to 90 seconds.

If you can avoid seeing this film, please do. I give it a 2 star because there COULD have been something good here. The one set was designed well. No other sets were. And nothing about this movie should inspire other films. I hope I'm the last one to see this movie.

A young woman awakens in a stylish prison with no memory except for when she sleeps. Eileen played by Sarah Mitich, sees herself and her daughter in her dreams at a beach singing the same lullaby over and over again. An analog-sounding Alexa-type computer that appears to lack AI has monotone one-way answers to the questions which Sarah Mitich asks.

The computer forces her to complete tasks that become impossible to do without using Sara Mitich's psychokinetic powers, which Sarah learns to control over agony, distress, and fear whilst attempting to achieve the expected result of the test. She's threatened by the dormant Computer with the life of her child.

The cinematography is very good, and Sarah Mitich's acting is very believable. Her husband played by George Tchortov is a bit wooden but he is playing a comatose character.

A creative low budget film misses its marks. If you were to fast-forward Sarah Mitich's dream scenes you wouldn't miss anything. For example, the lullaby repeated often does not tie to anything.

I think that the film is still worth watching. The concept is Interesting.

The dialogue is so transparently contrived you cannot take seriously that a human being, let alone a pair of them, could possibly be so deliberately unhelpful, obfuscating and unreasonable.

Reminiscent of The Cube but infinitely less self-aware, bluntly, the writing is too stupid to allow even the most credulous of audiences to enjoy the premise.

The performances are emotionally convincing, and camera work is laudable given the budget, nothing can save the film from writing so disingenously unlike a real person. You spend the entire time frustrated that the characters won't utter a single coherent sentence. Beyond that, the exposition is blunt and choppy, the characters' decisions make no sense, the emotionality feels like the writer has never actually met a human being.

No decision in the entire film, either by the characters, writer or driector make any sense. It's incoherent from opening to close.

Just a disasterous waste of decent acting and a potentially interesting idea.

Sometimes these CUBE (2004) knockoffs really work, they engage your curiosity and suddenly you, the viewer find yourself going through the puzzle with the main characters. See also EXAM 2009, another under-rated entry in this genre, which is also a superior example. CONTROL 2022 is a hit and a miss. The torture for the first 60 minutes is just as effective on the audience as it is on the protagonist. Sara Mitch gives it her all, but even effort and good intentions cannot overcome a soggy script and a minimal budget. Not recommended. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

I love slow burn movies, and non existent funding movies, when their done well.

Whilst this one was almost devoid of funding, it was also devoid of progress.

It took over an hour for anything beyond the most simplistic testing to happen, next to zero exposition in that time as well. Only to switch into warp speed for the last 20 minutes, but it also didn't go too far from the starting line.

Acting wasn't terrible, but many of the choices made by the 2 characters were ridiculous.

Eileen has psychokinesis, I can accept that without issue. SHE accepted it as evidenced in the testing... come to the test of putting a ball in a bucket....... nope we can't do that, BUT we'll remove 16 screws from the tables legs easily enough to no gain, and then move the ball in to the bucket.

Ditto when Roger is being killed in sand, no point trying to use her powers in stopping the flow of sand, or demolishing the cage he's in, go back to brute physical strength, of which she has none, and fail like a moron.

I would love it if just once in these movies the characters would use their psycho/telekinetic powers to rip out an entire wall of their cage and go on a rampage.