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7.1/10
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From a satire to a psychological thriller, four short stories from celebrated auteur and writer Satyajit Ray are adapted for the screen in this series.From a satire to a psychological thriller, four short stories from celebrated auteur and writer Satyajit Ray are adapted for the screen in this series.From a satire to a psychological thriller, four short stories from celebrated auteur and writer Satyajit Ray are adapted for the screen in this series.
- Awards
- 4 wins & 9 nominations total
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Featured reviews
Really stunned and stucked With The Story Behrupiya Kk's Work Is Amazing
Manoj And Gajraj Play The Great Humor
And Harsh And Ali Are spectacle.
"There is always room for improvisation "- Satyajit Ray(showed before the last episode starting)
But that doesn't mean you can change the soul of a story. You people are naming the series as RAY, creating completely different stories without even thinking what was the morality of the original ones, then you shouldn't 'promote' it using Satyajit Ray's name. Only the part 3 of the series is good because it has preserved the point of view of the original one. But rest of the three are completely new stories with just a little bit of resemblance with the original stories. I'm not saying that the stories are bad. They are somewhat good. But the anthology should not be called as "Ray".
I have many critical complains for the 4 parts series. But the plot is itself so loose, I wouldn't be able to go past that in a regular sized review.
Ali Fazal looked like he's playing an entrepreneur in a college play. Having an entourage walk while you give instructions and then enter with style is done a gazillion times with exact same camera angles and punching dialogues to show he's a star entrepreneur when that's far away from real world. I wouldn't pick up nitty gritty details until when people call it a masterpiece. The going back his "past" scene is full of Old Boy when the protagonist goes to his school and chases his younger self through the multiple floors. That scene is picked up blatantly from the dark gory classic. Though the twist is fun, until then nothing is.
KKs story has so many loose ends. It builds up to give you expectations towards a horror thriller while it deviates directions midway to make a baba it's main character out of the blue and that leaves us wondering what was the purpose of spending so much build up on others. They could have brushed those plots much quicker. You are made to care for other characters like his land owner, boss and his crush, only to be made unimportant in the final 3/4th of the story. That leaves me with, "really?"
Manojs story is well directed, they cleverly use a theater as an exposition machine to the backdrop. But you can see the twist from a mile coming. When the twist starts looking predictable, I believe the director should rush to the ending than make us wait to offer the same. It's a terrible drag.
The final one has Harshvardhan Kapoor. Enough said. Just to add a little more, it's another terrible drag.
The short stories have been given more details to enlarge them into a full fledged 1 hour independent films, which led to the demise of what could have been an engaging interesting set of short films.
Ali Fazal looked like he's playing an entrepreneur in a college play. Having an entourage walk while you give instructions and then enter with style is done a gazillion times with exact same camera angles and punching dialogues to show he's a star entrepreneur when that's far away from real world. I wouldn't pick up nitty gritty details until when people call it a masterpiece. The going back his "past" scene is full of Old Boy when the protagonist goes to his school and chases his younger self through the multiple floors. That scene is picked up blatantly from the dark gory classic. Though the twist is fun, until then nothing is.
KKs story has so many loose ends. It builds up to give you expectations towards a horror thriller while it deviates directions midway to make a baba it's main character out of the blue and that leaves us wondering what was the purpose of spending so much build up on others. They could have brushed those plots much quicker. You are made to care for other characters like his land owner, boss and his crush, only to be made unimportant in the final 3/4th of the story. That leaves me with, "really?"
Manojs story is well directed, they cleverly use a theater as an exposition machine to the backdrop. But you can see the twist from a mile coming. When the twist starts looking predictable, I believe the director should rush to the ending than make us wait to offer the same. It's a terrible drag.
The final one has Harshvardhan Kapoor. Enough said. Just to add a little more, it's another terrible drag.
The short stories have been given more details to enlarge them into a full fledged 1 hour independent films, which led to the demise of what could have been an engaging interesting set of short films.
Kudos to all the amazing actors in this series. This contemporary adoption of the master's work is mesmerizing. Loved and enjoyed it thouroughly. β€π
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Did you know
- TriviaThe 4 original stories are : Forget Me Not - Bipin Chowdhuryr Smritibhrom Bahrupiya - Bahurupi Hungama Hai Kyon Barpa - Barin Bhowmick er Byaram Spotlight
- How many seasons does Ray have?Powered by Alexa
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- X-Ray: Selected Satyajit Shorts
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- See more company credits at IMDbPro
- Runtime
- 1h 5m(65 min)
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