Speak No Evil

Slow, manipulative, lies, provoking, ambivalent, awkward, tough watch, pure evil.

***This movie is based on danish culture, and I can understand why some people wouldn't know whats going on or what the point of the movie is. But I will try to make an effort and explain it in short terms***

First of all the movie takes it's time building up suspension. It knows how to manipulate the audience, and it works. Especially if you are danish. The danish couple in this movie acts like most danes normally would in awkward situations. It makes the movie very realistic. The danes would be polite as long as they only FEEL something is wrong. A bit naive maybe, and I think thats what the director is trying to tell us. The danes tend to feel safe, cuz they live in one of the most safe countries on earth and therefore they normally wouldn't be suspecious or think people would harm them. They would see the misunderstandings as culture differences and try to be polite and get the best out of their stay. They wouldn't see that they were being manipulated.

In the first half of the movie the danes gets the sense that something is wrong with the dutch family, but they won't let it affect the mood. But when they SEE something wrong they begin to speak up. The second half of the movie is where the crazy things begins to happen. It's a tough watch, so consider yourself warned.

An uptight couple are invited to spend the weekend with another couple they befriended on holiday. As the movie's ominous score will let you know, things get weird.

Many have compared this to Michael Haneke's work, but it's no pale imitation. Shot composition, camera and lighting is all excellent. The sound design is superb - subtle and very detailed. Everyone acts well.

Apparently, some people dislike the film because there is no 'common sense' or whatever, but I saw a movie that uses plot contrivances to illustrate its meta-narrative points of parenthood, cowardice, selfishness and heroism.

I almost gave it an 8, but it could have gone even further with its cruelty and explored the themes more. There was stuff left to do.

If you want fun and thrills - avoid. It's slow, bleak and heartless. But if you want an intelligent, well-structured and thoughtful horror movie, it's a good 'un.

I'm Danish, so there is a certain amount of pride in seeing a Danish film receive high marks.

Unfortunately, I don't think the movie deserves it.

It isn't bad, but I thought there were a bit too many things that just didn't make sense. I know horror film and thrillers have to have the characters make decisions you probably wouldn't have ever done, but I think they took it a bit too far here. I won't spoil anything, but if you see it, ask yourself: when would I have gotten in the car and hauled ass back to Denmark?

A good story that reminds us all that it's good to be polite and kind to others. BUT don't allow it to blind you from red flags or anything that could be dangerous to you or your loved ones.

Which is fitting for the title "speak no evil", as the family tries it's hardest not to say anything to offend their new friends or speak badly of them.

It's frustrating to watch at times but if you can remind yourself of the Intent of the film and it's message. It becomes less frustrating.

Overall though a good horror movie to watch, as long as you don't mind seeing children getting hurt and pretty damn dark moments.

This is a peculiarly brutal horror-thriller centered on a Danish family visiting new acquaintances in Holland, who turn out to be more than they can handle. Starting from such a minimalistic and low-key premise, the team builds up its characters through several layers of tension, toward a grand finale, all the more horrifying for being perfectly predictable.

The writing is well-paced, concise and visual, and the characters, their inner life and the tension among them is captured in a few elegant and subdued strokes. The two male leads are particularly impressive, the one providing a great 'on-the-edge' character, the other a particularly subtle rendering of midlife crisis, peppered with masculine insecurities, class issues masquerading as culture shock, and fantasies of authenticity.

The wives are get less air-time but both offer relatable and credible performances. The kids both have thankless roles and the movie might have cured me from ever wanting to start a family.

Finally, the sound is also unusually interesting for a film of this type, for example when setting the mundane hell of adulting, against ominous orchestral music.

This is a very subtle and subdued horror thriller, which has all the qualities of Nordic cinema and few of its defects.