The meteoric rise, dramatic fall, and remarkable resurgence of British pop superstar Robbie Williams.The meteoric rise, dramatic fall, and remarkable resurgence of British pop superstar Robbie Williams.The meteoric rise, dramatic fall, and remarkable resurgence of British pop superstar Robbie Williams.
- Nominated for 1 Oscar
- 11 wins & 38 nominations total
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Storyline
Did you know
- TriviaThe film arose from multiple interview recordings filmmaker Michael Gracey made with Robbie Williams during the course of a year and a half in Williams' recording studio in Los Angeles, in the United States. Although the interviews weren't originally for a film, as Gracey "just wanted to capture [Williams] in his own voice telling his story," the majority of Williams' voiceover in the film is from those recordings.
- GoofsThe movie shows the death of Robbie's grandmother, Robbie shaving his head, and Robbie singing Angels for the first time, as happening in the mid-2000s. All of those things happened in the late 90s and were the catalyst of his resurgence.
- Quotes
Robbie Williams: Nigel Martin Smith was, for legal reasons, an absolute sweetheart. And a first class cunt.
- ConnectionsFeatured in The Project: Episode dated 5 December 2024 (2024)
Featured review
Never a big fan of Robbie Williams, but I am the right age to have seen most of the public events of the film unfold and I did really end up enjoying this film.
From an early age, Robbie Williams (Jonno Davies) is told two conflicting ideas. His father Peter (Steve Pemberton) is a small-time singer and comedian and tells him that you have to be a star, or you're nothing. And also, by guidance councillors and bullies, that he has no talent and won't amount to anything. He takes his desire to show off and auditions for a new boyband being put together in Manchester. Take That become a nationwide phenomenon, and whilst it's not professionally satisfying for Williams, it does give him money, booze, girls and drugs. When the excesses become unmanageable, he's asked to leave the band and decides to become a solo artist and though success arrives there too, his demons are never too far behind.
It's hard not to start by talking about the films U. S. P - that throughout the story, Williams is played by a CGI chimpanzee. I thought this ended up really working in the films favour, as it allows for versions of the character to be extra vulnerable, cheeky and, in particular, scary as the film goes on. The CGI work is really well done too, maybe because there's always a sheen of otherworldliness to it anyway. If you're concern was that the monkey might infantilise the rest of the film, he does not. There is copious amounts of sex and drugs and perhaps the most prolific usage of "the C word" I've enjoyed in a film for a while.
Away from that it's what is perhaps a fairly common musical biopic, success leads to temptations, leads to problems and ultimately a redemption. It's a fairly clear theme of the film that Williams was going to live this sort of life of excess regardless of what he did for a living, it's just that the musical success gave it to him earlier and to a scale he couldn't have possibly imagined.
There are some excellent performances from humans in the film too, particularly Alison Steadman, as his doting grandmother and Steve Pemberton, as the father whose career, and early departure from the family home have a massive effect on his life.
I enjoyed it. I thought it was funny and well made and the choreography on the dance numbers are excellent.
From an early age, Robbie Williams (Jonno Davies) is told two conflicting ideas. His father Peter (Steve Pemberton) is a small-time singer and comedian and tells him that you have to be a star, or you're nothing. And also, by guidance councillors and bullies, that he has no talent and won't amount to anything. He takes his desire to show off and auditions for a new boyband being put together in Manchester. Take That become a nationwide phenomenon, and whilst it's not professionally satisfying for Williams, it does give him money, booze, girls and drugs. When the excesses become unmanageable, he's asked to leave the band and decides to become a solo artist and though success arrives there too, his demons are never too far behind.
It's hard not to start by talking about the films U. S. P - that throughout the story, Williams is played by a CGI chimpanzee. I thought this ended up really working in the films favour, as it allows for versions of the character to be extra vulnerable, cheeky and, in particular, scary as the film goes on. The CGI work is really well done too, maybe because there's always a sheen of otherworldliness to it anyway. If you're concern was that the monkey might infantilise the rest of the film, he does not. There is copious amounts of sex and drugs and perhaps the most prolific usage of "the C word" I've enjoyed in a film for a while.
Away from that it's what is perhaps a fairly common musical biopic, success leads to temptations, leads to problems and ultimately a redemption. It's a fairly clear theme of the film that Williams was going to live this sort of life of excess regardless of what he did for a living, it's just that the musical success gave it to him earlier and to a scale he couldn't have possibly imagined.
There are some excellent performances from humans in the film too, particularly Alison Steadman, as his doting grandmother and Steve Pemberton, as the father whose career, and early departure from the family home have a massive effect on his life.
I enjoyed it. I thought it was funny and well made and the choreography on the dance numbers are excellent.
- southdavid
- Jan 5, 2025
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Роббі Вільямс: Better Man
- Filming locations
- Belgrade, Serbia(Concert)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $110,000,000 (estimated)
- Gross US & Canada
- $1,983,648
- Opening weekend US & Canada
- $18,259
- Dec 29, 2024
- Gross worldwide
- $20,196,662
- Runtime2 hours 15 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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