When a bag of drugs goes missing, four London youths must race to find it before the party of the year.When a bag of drugs goes missing, four London youths must race to find it before the party of the year.When a bag of drugs goes missing, four London youths must race to find it before the party of the year.
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Simply a must watch in this day and age. Big things to come for those who made this. Donkey Dust is a wildly imaginative and genre-bending trip that somehow balances absurdity, surrealism, and sincerity in a way that few films dare to try. From its chaotic opening to its emotionally resonant close, it delivers a unique cinematic experience that's both disorienting and captivating.
The film's visual style is bold and experimental, never afraid to take risks. The direction feels confident, often veering into Lynchian territory but with a cheeky, almost punk-rock energy. The performances, especially from the lead, carry the emotional core that keeps the film grounded even when the narrative drifts into the bizarre.
Its biggest strength is its unpredictability. Just when you think you understand the tone or trajectory, it throws another curveball, whether through a hallucinatory sequence, a jarring edit, or a strange character encounter. And yet, somehow, it all works.
It's not perfect, there are moments that drag, and some sequences may feel intentionally impenetrable, but Donkey Dust earns its strangeness. It's art-house cinema with teeth, and it rewards those willing to surrender to its madness.
Highly recommended for viewers who enjoy daring films that challenge conventions and stick with you long after the credits roll.
The film's visual style is bold and experimental, never afraid to take risks. The direction feels confident, often veering into Lynchian territory but with a cheeky, almost punk-rock energy. The performances, especially from the lead, carry the emotional core that keeps the film grounded even when the narrative drifts into the bizarre.
Its biggest strength is its unpredictability. Just when you think you understand the tone or trajectory, it throws another curveball, whether through a hallucinatory sequence, a jarring edit, or a strange character encounter. And yet, somehow, it all works.
It's not perfect, there are moments that drag, and some sequences may feel intentionally impenetrable, but Donkey Dust earns its strangeness. It's art-house cinema with teeth, and it rewards those willing to surrender to its madness.
Highly recommended for viewers who enjoy daring films that challenge conventions and stick with you long after the credits roll.
Overall thought the movie was very well thought out and the direction seemed pretty thorough. Definitely a few special moments throughout which made me enjoy the film even more. Actors were pretty consistent too and am excited to see what comes next. The cinematography was impressive and complemented the tone of the story well. There were some subtle details in the background that added depth, showing real attention to world-building. The soundtrack also stood out, it fit perfectly with the scenes and enhanced the emotional moments without being overpowering. Overall, it felt like a well-rounded and carefully crafted film that respected its audience's intelligence.
Saw this as part of the British urban film festival 2022 and it was such a treat. Originally saw it at a private screening too but in a packed theatre it really came alive.
Engaging story with lots of twists and turns but has an emotional centre focusing on the paths to destruction as a young person in London. Loved the direction, especially in the mansion and party, and the use of colour is gorgeous in those opening introductions.
All the performances are really great but the actress who plays Sam, Bluebell Freeman, especially shines whenever on screen. Director Kit Akinluyi and his co writer Dan Illis spoke wonderfully about the filmmaking process and inspirations for the story too. Hope this gets picked up and more people can see it.
Engaging story with lots of twists and turns but has an emotional centre focusing on the paths to destruction as a young person in London. Loved the direction, especially in the mansion and party, and the use of colour is gorgeous in those opening introductions.
All the performances are really great but the actress who plays Sam, Bluebell Freeman, especially shines whenever on screen. Director Kit Akinluyi and his co writer Dan Illis spoke wonderfully about the filmmaking process and inspirations for the story too. Hope this gets picked up and more people can see it.
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Written by Gabriel Matthew
Performed by Gabriel Matthew
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