Blueback

Abby, a young woman working as a marine biologist, recalls her teenage years with her mother in Western Australia. She is introduced to the diverse marine life in the bay she grew up in, makes friends with a blue groper and helps her mother fight to protect the bay's marine life from encroaching property developers.

A straight-forward, heart-felt film with a pleasant, leisurely pace about pursuing a passion to protect something you care about, aimed at a young audience. The flash-back narrative structure is nostalgic and makes clear why the adult Abby is working to protect the bleaching coral reef, but it obviates any emotional or dramatic impact from either time-period. The underwater photography of the ocean life, and the actors interacting with it, is very beautifully shot, tranquil and convincing of the film's thesis, to protect ocean life. Though short on depth and complexity the film successfully depicts the simplicity and integrity of spending your life caring for your immediate environment.

I have enjoyed previous Tim Winton book adaptations for the screen, but BLUEBACK is disappointing. While the film stays true to the book's messages of environmentalism and empowerment, it took too long to get there and didn't offer a deep enough story to keep me invested. BLUEBACK follows the journey of a young girl, Abby (Mia Wasikowska), who discovers a wild blue grouper while diving and is inspired to take action towards preserving Australia's coral reefs from destruction. She becomes an enthusiastic crusader for protecting the delicate ecosystem and its inhabitants.

The visuals are stunning, with beautiful shots of the ocean and its creatures, but they don't make up for the simplistic narrative. The movie focuses heavily on Abby and Dora's relationship, yet there is not enough development or depth to it. There could have been more exploration of the other characters who play significant roles in the story.

BLUEBACK failed to make an impression on me with its lack of narrative complexity. While its messages of environmentalism and empowerment will appeal to some viewers, its slow pacing and lack of story make it an overall underwhelming experience.

I saw a pre-showing for this movie and loved every minute of it. The acting coming from everyone was fantastic in it, especially the main girl who conveyed emotions really well. The character development and how the characters grow in the story was so interesting to watch and I was so invested in it. The writing of the script is very clever and each scene in this film was brilliantly executed, and I personally liked the one of the first scenes where the young girl meets the big fish it was so touching and I found that all the parts which were filmed underwater were stunningly beautiful. Something else I really loved about this movie was watching this young girl fighting to save the lives of these fish, it was so inspiring watching her determination grow in this film. Such an AMAZING movie, you HAVE to go see it, perfect for all ages.

Blueback is a film adaptation of Tim Winton's 1997 novel of the same name, directed by Robert Connolly and starring Mia Wasikowska, Eric Bana and Radha Mitchell. The film tells the story of Abby, a young girl who befriends a wild blue grouper while diving in the pristine waters of Western Australia. As Abby grows up, she learns about the threats facing her marine friend and her home, and decides to take action to protect them.

The film is a visually stunning ode to nature, with breathtaking underwater scenes that showcase the beauty and diversity of life in the ocean. The film also explores themes such as family, identity, activism and environmentalism, with a strong female perspective. Wasikowska gives a nuanced performance as Abby, who evolves from a curious child to a passionate woman. Bana and Mitchell are also convincing as her supportive father and mother, who share her love for the sea.

Blueback is a moving and inspiring film that celebrates the bond between humans and animals, and the importance of preserving our natural heritage. It is a film that will appeal to audiences of all ages who care about our planet.

I feel somewhat guilty criticizing a picture that seems to have its heart in the right place but that just isn't very good. Such is the case with director Robert Connolly's latest, an earnest but schmaltzy, predictable, uneven offering that addresses noble sentiments but isn't put together well. The film tells the story of Abby (Mia Wasikowska), a marine biologist who's called away from her coral reef studies to care for her aging mother, Dora (Elizabeth Alexander), when she suffers a debilitating stroke that has left her unable to speak. Upon Abby's return home to her Western Australia coastal community of Longboat Bay, she reflects back on how her mother got her interested in oceanography, particularly through her efforts to establish a local marine preserve. This part of the story is told through extensive flashbacks featuring Abby's younger self (Ariel Donoghue, Ilsa Fogg) and a youthful Dora (Radha Mitchell) in their efforts to protect the bay from illegal fishing and potentially damaging waterfront development, especially after they meet and "befriend" a large wild blue grouper that Abby names Blueback. The film thus raises and addresses an array of issues related to environmentalism, ecological stewardship and cross-species relations, as well as following one's passions and walking one's walk. Unfortunately, the flashbacks dominate the narrative so much that the story thread that launches the picture feels more like an afterthought, one in which Wasikowska almost could have phoned in her part. And, as for the content that makes up the bulk of this release's screen time, it comes across as laudable and well-meaning but a little too obvious and preachy, playing more like the script of an "After School Special" or material based on a selection from an all-girls' Young Adult reading group. The somewhat insipid treatment of this story tends to undercut this release's other strengths, such as its gorgeous underwater cinematography and the value of the messages it's seeking to impart. Some might say the foregoing sounds cruelly and heavy-handedly cynical, but at least it's honest, all good intentions aside.