The Breach

So yeah... this is based on the book by Nick Cutter. He also wrote one of the craziest horror books called, THE TROOP. He also wrote one of my favorites called, THE DEEP.

His writing style is very aggressive. He really gets dirty & brutal, some really wicked stuff... not for everyone lol.

HOWEVER! I then see this on Amazon... I had semi hopes of it being good.

What I got was... well... sorta bland & nothing special...the monster was neat when first shown (bedroom) and how it moved in that scene was great... then... you start seeing a bunch of them lol and well... let's just say some of them are painfully obvious a rubber body suit...

The story was fine ish... but Cutters books are SO SO SO in depth, & fleshed out that you just can't really properly explain a doorway built to other dimensions in a 90 minute film lol.

Actually would've probably been a very decent 4 part mini series or something!

The ending I saw coming a mile away... I'll just say... Cutter doesn't do "happy endings" in his novels.

This had a lot of potential to be a 7+ rating movie imo.

If you're just killing time? It'll do. If you're looking for some wicked good horror from outer dimensions? Just go with THE VOID.

Nick Cutter is one of my favorite Horror novelists, and when I heard that they had adapted his Audible title into a film, I immediately jumped to watch, and while appreciated the ride for it for what it was, it was a rough, bumpy road getting there.

Let's talk about the positives; the cast is talented and made you sympathize with what they were going through. Even the less likeable characters played their roles well, and it made for a movie with obvious chemistry with all of the major players, which really elevated the viewing experience. That's about the best thing I can say about this film.

The story itself was serviceable, although I believe we've seen this premise before. Although everything looked familiar, it was told it a decent pace, with very little filler to make up the gaps.

Unfortunately, this is where the positives end. Now, we come to the negatives, and there are PLENTY.

Directing- I don't know if this was the directors first film or what, but his directing left a lot to be desired. Relying on still shots that had no artistic composition made it feel like an episode of Law & Order for most of the movie. Then, when the action did happen, he used some action movie techniques that really felt of out place in a movie that's supposed to be horror. (I mean, who needs a "blown away from an explosion" scene in a horror movie? ). Add to that some of the worst and most basic cinematography I've seen on a movie all year, it made this movie really displeasing to the eye. It looked more like made for TV film (Lifetime, is this you?) and i disliked watching it because of this. Never underestimate just how important it is to make your film look pretty, people. Don't EVER skimp out on your cinematographer.

Special Effects- the single worst part about this film was the SFX. I haven't seen such amateurish CGI in years, and I visibly cringed when any of it was utilized in any capacity. When Youtube has teenagers in their bedrooms producing better CGI, you know you messed up. Truly an embarrassment for those responsible.

The practical effects were a bit better, but again, they fall in the trap of "obvious person in a costume" territory. They spent most of the budget on the face prosthetics and totally skimped on the rest of the body, making the "monsters" look like they were heading to a Halloween party after raiding a Party City. It really was sad to see a film devolve solely on this, and it completely removed any immersion I felt up to that point. I actually considered turning the film off when the monsters appeared, that's how poorly they looked.

Lastly, the soundtrack. Slash, what the hell were you thinking? A lot of the music was way out of place, and completely removed you from what was transpiring in the movie. I just didn't understand how anyone could drop the ball so easily when music is what you are supposed to be able to do best. A truly shameful moment for him.

Overall, this movie was a huge disappointment and reminded me of why so many film adaptations of books always seem to fail. The atmosphere and tone really don't do the source material justice, and it seems like instead of making a purely horror film, the team decided that making a more "action/horror" hybrid would suit it better when it just made it so much worse.

Even if you are a fan of the audiobook, avoid this. The redeemable qualities are far outweighed by everything that made it NOT work, and I urge you to not waste you precious time like I did.

The breach had all the makings of an excellent cult horror feature, but likely will not reach those heights.

A trio of small towners go to explore a house on the other side of a river to get insights into the grisly death of a scientist. What they find gets progressively worse until things all come to a head.

Unfortunately for the film nobody can act, save for Natalie Brown who does the best she can in the thankless role of the scientists estranged wife looking for both her missing husband and their daughter.

I was about to turn the film off until she stepped into it and elevated the film while she was on screen.

The special effects are decent, but they don't save the film from feeling unbearably hokey and melodramatic versus tense and scary.

The writing itself leaves a lot to be desired, I wanted to like this movie, some of the plot was interesting. Occult underlinings, physics, dimensional travel, I feel maybe reading the book would have been a better experience.

The music, is not great to put it kindly, it feels very out of place and far too melodramatic at times, detracting from the film instead of adding to it.

Perhaps Rue Morgues second attempt at a film will be better. Sorry guys, this one's a miss.

5 stars for Natalie Brown and the effects.

There are some interesting ideas here, to be sure. Unfortunately, it feels like it borrows heavily from numerous different sources, fails to deliver a coherent storyline, well defined characters, good pacing, or a satisfying conclusion. Apparently, this is the directorial debut of one of the head honchos at Rue Morgue magazine. I can cut a little slack for lack of technical experience; not so much for failures of execution in areas that really shouldn't have been that hard to fine tune. It does feature some excellent creature effects toward the end; it just doesn't really explain why the creatures are there or why they appear when they do. All in all, not horrible, but not really worth watching either, IMO. Maybe this direcor will do better next time.

If you watch a lot of movies influenced by the stories of William Hope Hodgson, H. P. Lovecraft and August Derleth, you might rate this a point or two higher because on some weird level you enjoy having your hopes dashed. For anyone else, this score might even be too generous.

It's a real shame, because the early setup of the film is great. It makes you think you're actually going to get a good Lovecraft-esque film (there's the ol' masochism again!). The opening titles are stylish. The actor who plays Connie has immediate charisma (sadly, she is underused). There's an intriguing early discovery which legitimately leads on to the next stage of the story. Sure, it's a tiny bit shaky, a little bit goofy, but that's par for the course in indie movies of the type; overall it looks like it's shaping up to be one of the good ones in the cosmic horror genre. You'll even see an actor who might recognise if you're a glutton for punishment: her from The Strain, yes (along with Connie's actor, the best performances here).

But there's a point where the wobbles suddenly escalate and soon after that the project completely falls on its arse. Any enthusiasm I had for the film ebbed away to nothing. It's as if an evil film crew came through the veil and replaced the original crew, wickedly sabotaging and unpicking all the good work that went before. Even Slash's soundtrack, which is never good, gets noticeably worse throughout.