LSD 2: Love, Sex Aur Dhokha 2

There was SO much potential for a black mirror-esque Bollywood edition style movie that could have been a new era of tech inspired movies for the new generation . But NO. They made this weird af movie with stories that are meant to "shock" and "get you thinking" , but all it did was irritate me more with every passing moment . The actors honestly did a good job with the weird source material they had been given and I can't fault them at all , but it's the source material itself that I don't understand. A reality show with a fame obsessed trans woman , an abused trans woman, who's taken advantage of by a big corp and a social media influencer who's bullied online - absurdly loose connections between all the stories, with no real conclusion leave the viewer wondering why they watched this at all.

Love, Sex Aur Dhokha 2 attempts to capture the essence of modern-day struggles through three interconnected narratives set in the age of social media. However, despite its unique premise, the film miserably failed to deliver an engaging storyline, resulting in a tedious and disappointing viewing experience. LSD 2 isn't a film, it's a joke. It's so bad that no matter how hard you try, you won't be able to sit through the whole thing.

Divided into three segments - Love (Like), Sex (Share), and Dhokha (Download) - the film follows the lives of individuals grappling with validation and identity in the digital era. From the story of Noor, a transwoman navigating the pitfalls of reality TV, to Kulu, a transgender sex worker striving for acceptance, and a YouTuber obsessed with subscriber counts, the film explores varied themes but fails to weave them into a cohesive narrative.

LSD 2 is an exhausting watch, with all three segments failing to sustain interest or engagement. Director Dibakar Banerjee's vision feels weak, unable to effectively translate the potential of the premise onto the screen. Despite the efforts of the cast, the film's terrible execution falls flat. The screenplay is convoluted, leaving viewers bewildered and struggling to follow the disjointed plotlines.

Direction 1/5 Acting 1.5/5 Editing 0.5/5 Story 1.5/5 Screenplay 0.5/5.

Its not about the issues the movie is trying to bring up but sheer cliche coupled with lazy direction. The screenplay is all over the place and you fail to bind up genuine connection with the character.

The movie is all over the place with no sense of why the scene is put up at the first place.

And ending what was that , I mean please director/ writer you should plan to change jobs.

This is not a movie review but my angst and pain of wasting my time and kicking my self how badly some good issues could have been executed.

And to top that you have video songs that will kill you to death. Refrain guys from watching this.

Different and weird is the expression I can give to this movie I mean I failed to understand what was this there are 3 stories how they are connected what is the overarching plot I don't know yes there is some social commentary but that's it. And that is not enough at the end It ended I was expecting some kind of explanation I can go home with but nothing it demands you to find something coherent which I am not sure is present at least I didn't find it in my watching

Atleast it is watchable the direction is surely different and want to see it replicated in a film with a better story. In itself the stories were on good concept but felt nothing like a movie

FAVOURITE CHARACTER :: haha the mother in the 1st part can take it FAVOURITE MOMENT :: Anu Malik stopping the dance.

Why, oh why? Why are these types of movies even made? What has the world done to deserve such horrific films? I dare anyone to watch 15 minutes of this movie-you'll be pulling your hair out.

What is this? It's nothing but nonsense, certainly not a movie. Plotless, storyless, and meaningless, with utterly ridiculous acting. I sincerely hope no one was actually paid for this.

This is the kind of movie that should be completely eradicated from all movie databases. This is not cinema; it's certainly not a movie. Dibakar Banerjee, apart from his one film "Lucky Oye," consistently produces top-notch ridiculousness, and this one tops them all.

Save yourself.