Thar

Despite a rustic period setting and a clutch of fine performances, Anil and Harshavardhan Kapoor's "Thar" reduces to yet another case study in what could have been, with a plotline that was a bundle of cliches with nothing new or interesting enough to keep viewers invested. Director Raj Singh Chaudhary's well-intentioned western oozes intensity and tension yet falters in its tepid screenplay that never builds characters strong enough for the audiences to empathize with or a narrative that offers any real surprises.

We follow the journey of a veteran cop (Anil Kapoor) in a 1980s sleepy village hamlet in Rajasthan, intent on creating some impact in his otherwise mundane job as he approaches retirement. Enter the quintessential 'tall, dark and handsome stranger' in Harshavardhan Kapoor who is seemingly a visitor passing through the village in his quest for ancient artefacts as a trader. How the inspector unravels the true motivations behind the stranger's arrival and the chaos that ensues in the investigation for the rest of this visually pleasing yet narratively thin storyline.

While Anil Kapoor shines in the role of a deadbeat yet earnest cop, Harshavardhan is one-dimensional and monotonous as the young stranger, never providing any nuance or depth to his character, so much so that one gets the feeling that he was sleepwalking through this role. Satish Kaushik is expectedly terrific as Anil Kapoor's aide-de-camp while Fatima Sana Shaikh continues to improve her stock as one of Bollywood's finest leading ladies with a superb supporting performance as a village lass who gets inadvertently embroiled in this tale of deceit and revenge.

Cinematographer Shreya Dev Dube deserves praise for capturing the rustic western aesthetic of rural Rajasthan in all its glory and the Production Design by Wasiq Khan remains authentic and on point throughout. However, the film never rises to be more than the sum of its parts with the lack of narrative clarity and the absence of any real surprise elements beyond the beaten path of umpteen westerns before it, resulting in "Thar" reducing to another damp squib effort. Not recommended!

While the parched setting and the cinematography (by Shreya Dev Dube) are definite positives, the bland writing, familiar plot beats, and the overall failure of the performances to make us root for a single character, let alone the protagonist(s), pull the film down to an average fare. Written differently, this could have been a gripping thriller set within the vast expanse of the desert. The final reveal fails to add anything substantially new, and we still know very little about Harshvarrdhan Kapoor's forever-wooden character. Anil Kapoor, being the seasoned performer, does alright. Fatima Sana Sheikh adds yet another confused character to her filmography.

A toothless revenge drama/thriller that can be described by that popular idiomatic expression I.e. 'all show and no go'. Now look, I don't mind creators settling on common templates nor do I care if a certain film has been influenced by some Western features or not, instead, what I do expect though is an unambiguously penned narrative that can lay out the shenanigans of vengeance in a somewhat engrossing manner.

For a tale of comeuppance, it's rather imperative to have a commanding narrative as well as a set of constructive character developments. However, in this case, it had none! "Thar" might have had naive intentions in its heart but looking at the denouement, it has to be pointed out that their plans didn't go as intended. Apart from the obvious technological competencies (including the commendable aspects of Gore & Violence), and a couple of decent to fine performances, I find nothing worth your precious time down here.

A veteran cop sees the chance to prove himself when murder shakes up a sleepy desert town, sending him into the seedy underbelly of the town as he attempts to uncover a grisly torture plot.

It is dark, intense, gritty, & beautiful. Only watch if you have a pallet for slow burn thrillers and brutal storyline. Definitely much better than all those pan India over the top commercial non sense.