The Cost

The history of how The Cost was able to be made at all, is almost as interesting as the film itself. So as there is no confusion for the benefit of other readers, this is no 'Shill' review from some angry bitter individual, who probably hasn't even seen the movie. This is a review from a highly critical cinema-goer, who likes to spend his pennies wisely.

Matthew Holmes, probably the most underrated and under supported film maker in Australia arsenal of talent decided to make a movie out of pure frustration in-between the small lifts of lockdown. Armed with a tiny crew and a strong concept, he approached the material with a practical sense of what could be achieved under such conditions. A noble cause indeed, but is it any good?

In a word - Yes.

Opening with a long build up, where you're not quite sure of who is who, we're introduced to three men. One has just been released from prison, the other two kidnap him and drag him to woods in the middle of nowhere, where it's revealed, he has served time for raping and killing a young woman. One of the men is her brother, the other is her husband. They intend to make him suffer, but at what cost to themselves?

The Cost asks the viewer some pretty uncomfortable questions. How far would you go for revenge if you knew the outcome would change you forever? That is the dilemma for both not only the characters but also our audience.

A film like this, with a tight cast and well written dialogue, is always going to stand or fall on the performances of the three leads. Fortunately the acting here is outstanding, and I do not give that compliment out lightly. Kevin Dee gives a raw, terrified performance as the criminal Troy, while Jordan Fraser-Trumble as the former husband David plays the uncertainty of his characters conviction to see things through with great skill. But it is the brooding performance of Damon Hunter here who steals the show. You suspect he could be every bit as dangerous as Troy, on any given day of the week, and this dynamic trio makes for riveting viewing. Only someone seeking to bash this film for the sake of their own importance, with absolutely no understanding of the craft of acting would critique these performances as any less than top quality. These are three actors who completely committed to the film and made it work. The tension builds thanks to the skilful direction of Holmes, and the tight screenplay, written by himself and Gregory Moss. This is an Australian Blood Simple for the modern era and the team involved should all be marked as people to watch out for.

Made for a mere fraction of what it would cost Hollywood this is independent film-making at its finest. I highly recommend this film, which while not without a few small flaws is well worth your time.

So I ask the Australian Production Power Houses and Gatekeepers, how many films does a filmmaker of the obvious talent that Mr Holmes clearly has in spades, have to make on his own before you will give him the support he so clearly deserves?

My first experience with a film from Matthew Holmes, though I've heard good things about The Legend of Ben Hall.

The one thing I liked a lot about this film is that it left us debating. I saw this with a bunch of friends, and the way the story plays out and ends in a somewhat open way caused some fun discussion between us.

Though I can understand complaints about a predictable story, I don't think that necessarily takes away from the film. The story is still told in an engaging and gripping way and the cast delivered strong performances.

I really liked how Aussie Clayton Watson was in the role as the farmer Brian, and the tension in the campfire scene was one of the better moments of the film.

I'd definitely be keen to check more out from Matthew Holmes.

I attended the premier on 26/11/22 at Monsterfest in Carlton. Really loved this film. Violent yes - it is brutal to view - but every moment of it had a purpose. And every moment had consequences. Hard to say much without spoilers but it really is well worth seeing. Nothing about this film felt "low budget". The script was excellent - tight. No wasted words. But also really well edited. There was no moment where you thought it was dragging or a scene lacked purpose.

The quality of every person cast was spot on. There were moments were everything changed in their eyes - no words needed. You knew exactly what their character was going through right in that moment. The exact moment their entire thought process changed. Kudos for that.

The cinematography was sublime. A real stand out for me. I'm not a big fan of the current trend of overly shaky in your face camera work. Instead this was steady, emotive, crisp work that added to the overall feeling of the tense story. The chase through the forest was a particular cinematography highlight for me. I keep replaying it in my head over and over.

It was really lovely to meet cast and crew after the premier. Congratulations to everyone for a fine film.

Adding: Days later I am still thinking about certain scenes and what was going through each characters mind at that time. This is a film where the thoughts of ramifications really stay with you.

The Cost stands out as a compelling and intense exploration of vigilante justice and its moral ramifications. This Australian film delves into the complex consequences of revenge, as it unfolds the story of two individuals taking matters into their own hands after a rapist and murderer is released prematurely from prison. The film doesn't shy away from the harsh realities, portraying the brutality experienced by both the victim and the perpetrators. It navigates the psychological toll of their actions, prompting reflection on the effectiveness and fairness of the legal system.

The narrative goes beyond the surface, raising thought-provoking questions about the human capacity for forgiveness and redemption. It's not just a tale of retribution; it's a nuanced exploration of morality and the intricate web of emotions that come with such extreme circumstances. The three lead actors deliver outstanding performances, earning recognition at various film festivals- a testament to their skill in bringing depth to the characters.

One notable aspect is the juxtaposition of the stunning Australian landscape against the dark and violent events that unfold. The cinematography skillfully contrasts the beauty of the surroundings with the harshness of the narrative, adding layers to the storytelling. It's a cinematic choice that enhances the overall impact of the film.

The Cost isn't just a movie; it's a cinematic experience that lingers long after the credits roll.

It prompts viewers to reflect on justice, morality, and the intricate shades of human nature.

The film's ability to tackle difficult subjects with sensitivity and depth, coupled with stellar performances and striking visuals, cements it as a powerful and thought-provoking piece of cinema.

Great story telling here, edge of your seat stuff, really enjoyed it.

Another good follow up by talented director Matt Holmes, I didn't like The Legend of Ben Hall, this was much better,

Most of the actors are good except the guy who plays the Jordan is not the most convincing of actors especially in a role that requires so much emotion because of the themes.

Damon Hunter and Mark Dee are exceptional and should be nominated or win awards at this years AACTA awards.

Overall great storytelling, great locations, great production design and music and great direction.

Congrats to everyone who made this film, its a great Indie effort.

Only lost marks for Jordan's casting and some story holes or plausibility issues like when the girl getting kidnapped at the beginning she's walking in a dark street and doesn't even look around, I found that highly unlikely, most women look around.

Also, its just missing some genuine emotion, it has all the right ingredients, but something was missing, I should have felt more - it needed more heart, to dig even deeper into the soul of losing someone to murder. I found that it was Jordan who let it down, I should have cried for his loss, but something didn't connect.

Some people in the reviews claimed it was THOUGH-PROVOKING I mean to each their own but really this is not the type of film you're going to walk away contemplating life unless you're a murderer.

What this film is pure excellent entertainment.