The Sympathizer

I was really looking forward to watching this, especially after reading the source material and its sequel. It wasn't bad, but it wasn't as great as it could have been. I thought the creative liberties taken were welcome, but what I thought was missing through the series was The Captain's thoughts on capitalism, imperialism, and what it is like being Asian in the U. S. A. His thoughts were touched upon, but never examined with the level of depth the book did.

The story is ultimately about how The Captain lost sight of which side he was fighting for, and that he couldn't be a part of what he hoped to. That wasn't conveyed as clearly as it could have been.

The show felt more interested in showing the General as paranoid, yet intimidating and RDJ as the deceiptfulness of white America / imperialism.

The first and second episode got me get up on my feet and applause at the end credit when nobody's even looking. Interesting and intelligent at the same time. Historical and very well researched on that time but snazzy at the same time. A story within a story organization is freaking genius The external narrative is The Captain in the reeducation camp, and the inner narrative is his experience as a spy from around the fall of Saigon to new (but not very new) life in America. Because he's telling the story in front of a guard, how far is the inner narrative true? The audience experiences 'the war of memory' second handedly because the captain might restart, recollect, and reeducate.

It's not just about the story. It also feels like I'm watching the theater within the series. The first interrogation scene on the stage with the lighting makes another frame within frame. A fictional film 'The Hamlet' in Episode 4 is played like a movie within a series as well. Like there is no camera rolling, it changes the screen ratio for 'The Hamlet'. Again, frame within a frame. Park knows how to use the screen to the fullest.

However, from episode 3, 'Sympathizer' becomes loose and flabby. Park's direction is sometimes for the sake of the direction itself. It shows off and screams 'I'm such a good director', and has nothing to do with connecting with the audience. His direction does not make the story fuller or the message louder. It's just artsy. And, what is the purpose of Downey Jr. Taking four roles? He was not even that good, and it was ineffective and inefficient, adding just confusion. Hoa Xuande, on the contrary, is a newly discovered talent. He succeeds in not losing wit and humor in serious situations. His acting is on point especially in the black comedy.

Didn't quite live up to the massive expectations I had from an HBO and A24 co-production, but it's still better than a lot of miniseries you'll watch.

The Sympathizer is all about perspective. A Vietnamese perspective of the events. A Communist perspective of the events. Something that is absent from the Hollywood productions about the war.

The complex politics of Vietnam War told by our lead, two-faced spy, and unreliable narrator, the Captain. Hoa Xuande gives an absolutely great performance in this role, supported by Oscar winner, Robert Downey Jr in multiple roles.

As I haven't read the original novel, I cannot judge this show as an adaptation. But, the writing and story deserves a lot of praise. Doesn't take sides and criticises both parties of the war along with the American influence. According to writer's own words, he understood "how the revolution had gone from being the vanguard of political change to the rearguard hoarding power".

PCW's direction in the first 3 episodes is great, as expected. His style, especially in the editing choices, is absent from the rest of the episodes. It also has a bit of pacing issue for which I couldn't engage with the plot as I would have loved to. That's why I am not rating it any higher. But I loved the ending, and the finale was my favourite episode.

I do not know what book the reviewer who claims the novel is set in France read but The Sympathizer by Viet Thanh Nguyen takes place in America. That is the whole point of the story. The main character is a communist spy undercover as an aide to a South Vietnamese military commander who escapes to the United States of America at the conclusion of the war in Vietnam. Once in America, the narrator is then is a sleeper agent and a wry observer of American culture. His commentary on American life and capitalism offers a fresh perspective not offer seen and allows us, as readers, to see the war and its aftermath from a different and much needed viewpoint.

Excellent casting and all brilliant actors. Fun, intense and with some slightly surreal twists and a nice touch of dark comedy in addition. A nice and fresh take to the usually fairly cliche spy genre. I couldn't take my eyes off the screen for a second in fear of missing a point or quirky twist of events. Robert Downey Jr is brilliant in 4 (or is it 5?) slimy roles, and he does each one brilliantly. But every single actor, main and others, are so well cast and brilliantly portraying their characters. I haven't read the book and don't intend to, so I've had the pleasure of being entirely unprepared, hence free/unbiased and able to just lean back and enjoy the ride. This is the best I've seen in a long time.