IMDb RATING
7.2/10
3.5K
YOUR RATING
Madeleine, leaves small suburban to join a nursing home, on the other side of Paris. Charles, a taxi driver, comes to pick her and in no hurry to reach, she asks him to go through places of ... Read allMadeleine, leaves small suburban to join a nursing home, on the other side of Paris. Charles, a taxi driver, comes to pick her and in no hurry to reach, she asks him to go through places of the capital, which have counted in her life.Madeleine, leaves small suburban to join a nursing home, on the other side of Paris. Charles, a taxi driver, comes to pick her and in no hurry to reach, she asks him to go through places of the capital, which have counted in her life.
- Awards
- 1 win & 2 nominations total
Featured reviews
Greetings again from the darkness. This film surprised me with two clear and valuable reminders. First, with a bit of effort, we can always have a positive impact on others - sometimes to the degree that we change their life. Second, everyone has a life story, and we only learn it if we take the time to ask and listen. Writer-director Christian Carion is known for THE GIRL FROM PARIS (2001) and the superb Oscar nominated JOYEUX NOEL (2005). With co-writer Cyril Gely, Carion delivers a heartfelt story of two people with seemingly nothing in common, crossing paths and making a difference.
Charles (Dany Boon) is a Paris-based taxi driver who feels his life crumbling ever so quickly. His marriage is on the rocks. His financial woes seem insurmountable. He's one more traffic violation from losing his driver's license, which means no driving a taxi, and of course, more money problems. His dispatcher calls and offers him a fare that would take him cross-town. At first Charles balks, but quickly remembers he needs the cash. Extremely annoyed when he arrives, Charles repeatedly honks his horn until an elderly lady assures him that she's ready for the ride. In fact, it's to be Madeleine's (Line Renaud) final ride. A trip to the nursing home to live out her final days.
Appearing years short of her 92-year age, Madeleine requests Charles to drive her through the areas that were key to her life. It's a life that has a shocking past and one that slowly emerges as her charms and warmth thaw Charles' previously irritated demeanor. It's fascinating to watch a bond ... even a friendship ... formed from this unusual day trip around the city. These two should share little common ground, but what we find is that people tend to respond to kindness and listening and sincerity. These two help each other in ways neither could have imagined.
Comparisons to Best Picture Oscar winner DRIVING MISS DAISY (1989) are understandable, yet Madeleine and Charles carve out their own movie niche, and we find ourselves liking each of them. Dany Boone starred in director Carion's history-based JOYEUX NOEL (2005), and although he is best known for his comedic work, that film and this one proves his dramatic chops. Line Renaud began performing in the 1940's and is a well-known singer in France. As a 'sometime' actress, she lights up the screen here as our beloved and spirited Madeleine. The ending may be a bit of a stretch (even though we see it coming), but the real joy here is watching these two connect as flawed human beings.
Progressive theatrical openings on January 12, 19, 26, February 2, 2024.
Charles (Dany Boon) is a Paris-based taxi driver who feels his life crumbling ever so quickly. His marriage is on the rocks. His financial woes seem insurmountable. He's one more traffic violation from losing his driver's license, which means no driving a taxi, and of course, more money problems. His dispatcher calls and offers him a fare that would take him cross-town. At first Charles balks, but quickly remembers he needs the cash. Extremely annoyed when he arrives, Charles repeatedly honks his horn until an elderly lady assures him that she's ready for the ride. In fact, it's to be Madeleine's (Line Renaud) final ride. A trip to the nursing home to live out her final days.
Appearing years short of her 92-year age, Madeleine requests Charles to drive her through the areas that were key to her life. It's a life that has a shocking past and one that slowly emerges as her charms and warmth thaw Charles' previously irritated demeanor. It's fascinating to watch a bond ... even a friendship ... formed from this unusual day trip around the city. These two should share little common ground, but what we find is that people tend to respond to kindness and listening and sincerity. These two help each other in ways neither could have imagined.
Comparisons to Best Picture Oscar winner DRIVING MISS DAISY (1989) are understandable, yet Madeleine and Charles carve out their own movie niche, and we find ourselves liking each of them. Dany Boone starred in director Carion's history-based JOYEUX NOEL (2005), and although he is best known for his comedic work, that film and this one proves his dramatic chops. Line Renaud began performing in the 1940's and is a well-known singer in France. As a 'sometime' actress, she lights up the screen here as our beloved and spirited Madeleine. The ending may be a bit of a stretch (even though we see it coming), but the real joy here is watching these two connect as flawed human beings.
Progressive theatrical openings on January 12, 19, 26, February 2, 2024.
A taxi ride across Paris can be one of life's most romantic times, and so it is in Driving Madeleine, a French souffle about a titular 92-year-old (Line Renaud, a famous French singer 95 years old) being taken by court order after a fall to a rest home, perhaps a final journey. Driver Charles (Dany Boon) doesn't realize it, but it is a transforming ride for him as well.
Madeleine, having no family but obvious means, requests along the way side trips to her past, both physical places along the way and memories that turn on love and heartbreak but have a salutary effect on both characters.
From stories of her first kiss during WWII, with Matt's kisses like "honey and oranges," to marriage abuse typical in the 1950's, Madeleine remains positive about being alive and loved. Charles, at 46 almost like a grandson to Madeleine, parries with financial woes but also hymns of love for his daughter. His tales of woe are shared by most working-class blokes.
The lovely background of a road-trip movie by cinematographer Pierre Cottereau, juxtaposed with some searing memories of Madeleine's younger self, comprise a delicate drama of life's ups and downs, from which our protagonists find a solace in living every day. It almost seems writer-director Christian Carion wishes us to smell those roses despite the disappointments that our fates appoint.
I am critical of sentimental movies like this that rely heavily on flash backs, yet here they work successfully to help guide us through her robust Odyssey. Although Driving Madeleine could seem a bon-bon movie trip, it is not.
It is a serio-comic trip with two fascinating characters reliving their lives and better because of it. At a difficult time of year to find good movies, you will have found one as well as a tear or two for this delicate protagonist and an end of life that will toll for all of us in one way or another.
Madeleine, having no family but obvious means, requests along the way side trips to her past, both physical places along the way and memories that turn on love and heartbreak but have a salutary effect on both characters.
From stories of her first kiss during WWII, with Matt's kisses like "honey and oranges," to marriage abuse typical in the 1950's, Madeleine remains positive about being alive and loved. Charles, at 46 almost like a grandson to Madeleine, parries with financial woes but also hymns of love for his daughter. His tales of woe are shared by most working-class blokes.
The lovely background of a road-trip movie by cinematographer Pierre Cottereau, juxtaposed with some searing memories of Madeleine's younger self, comprise a delicate drama of life's ups and downs, from which our protagonists find a solace in living every day. It almost seems writer-director Christian Carion wishes us to smell those roses despite the disappointments that our fates appoint.
I am critical of sentimental movies like this that rely heavily on flash backs, yet here they work successfully to help guide us through her robust Odyssey. Although Driving Madeleine could seem a bon-bon movie trip, it is not.
It is a serio-comic trip with two fascinating characters reliving their lives and better because of it. At a difficult time of year to find good movies, you will have found one as well as a tear or two for this delicate protagonist and an end of life that will toll for all of us in one way or another.
Thank you Barbra Streisand for mentioning this beautiful French 🇫🇷 movie
Driving Madeleine (French: Une belle course)
as you accepted your well deserved SAG Lifetime Achievement Award today.
My Review- Driving Madeleine My Rating 9/10 Streaming on SBS on Demand
This is a 2022 French-Belgian drama film directed by Christian Carion.
It stars Line Renaud who was born on the 2nd of July 1928 now 95 years old she is a French singer, actress and AIDS activist.
Her heartwarming portrayal of a 92 year old woman about to enter a care home and calls a cab to take her there in a very roundabout way is sublime.
Her early reminiscing is played in flashback and beautifully cast with Alice Isaaz .
Dany Boon is perfect as the stressed taxi driver Charles who drives Madeline around Paris as they both relate their life stories .
It's a wonderful movie and well worth the taxi fare as well as being a touching story as Madeleine tells Charles about her long life and Charles gradually lets Madeleine draw him out to relate his life to her we get a free trip through beautiful Paris streets and suburbs as this delightful couple relate to each other.
It's free to watch on SBS on Demand
Highly recommended by Barbra and me .
You'll need a tissue at the conclusion.
My Review- Driving Madeleine My Rating 9/10 Streaming on SBS on Demand
This is a 2022 French-Belgian drama film directed by Christian Carion.
It stars Line Renaud who was born on the 2nd of July 1928 now 95 years old she is a French singer, actress and AIDS activist.
Her heartwarming portrayal of a 92 year old woman about to enter a care home and calls a cab to take her there in a very roundabout way is sublime.
Her early reminiscing is played in flashback and beautifully cast with Alice Isaaz .
Dany Boon is perfect as the stressed taxi driver Charles who drives Madeline around Paris as they both relate their life stories .
It's a wonderful movie and well worth the taxi fare as well as being a touching story as Madeleine tells Charles about her long life and Charles gradually lets Madeleine draw him out to relate his life to her we get a free trip through beautiful Paris streets and suburbs as this delightful couple relate to each other.
It's free to watch on SBS on Demand
Highly recommended by Barbra and me .
You'll need a tissue at the conclusion.
When you've watched as many movies as I have you don't really think anything original can come along. But this was a total, refreshing surprise. Beautifully and perfectly cast and acted, what appeared would be a simple story became a complex but warm, difficult and open hearted encounter of two very different people - one a taxi driver and the other, his elderly, enchanting fare. And from this taxi ride a tale unfolds that is quite unexpected. It's a beautiful movie of encounters that reach deep into those spaces in the hearts and lives of people. This is truly a must watch for anyone wanting a meaningful movie experience.
Yes, the story has a predictable ending. It doesn't take very long into the movie to have some idea of how it's going to end, but that's the point.
Why watch a movie that's pretty transparent about the ending? Because the characters are so well written, it's beautifully acted and before long you feel for the characters emotionally.
There were moments where I felt tense, my jaw clenched in anger because of how close to these characters I felt.
It was like I was drawn in to be a relative or a friend. I rode the knocks, felt the laughter and their sorry. They were perfectly relatable.
In a place where movies strive to grab your attention with explosions, or by trying to tick every box in a politically correct smorgasbord, this movie was stripped back to a couple of characters, their rapport and a story.
Truly moving. I'd happily see it again.
Why watch a movie that's pretty transparent about the ending? Because the characters are so well written, it's beautifully acted and before long you feel for the characters emotionally.
There were moments where I felt tense, my jaw clenched in anger because of how close to these characters I felt.
It was like I was drawn in to be a relative or a friend. I rode the knocks, felt the laughter and their sorry. They were perfectly relatable.
In a place where movies strive to grab your attention with explosions, or by trying to tick every box in a politically correct smorgasbord, this movie was stripped back to a couple of characters, their rapport and a story.
Truly moving. I'd happily see it again.
Did you know
- TriviaTotal cab fare for the trip was EUR292.
- ConnectionsReferenced in The 30th Annual Screen Actors Guild Awards (2024)
- How long is Driving Madeleine?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Персональний водій
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $325,662
- Opening weekend US & Canada
- $23,473
- Jan 14, 2024
- Gross worldwide
- $5,471,385
- Runtime1 hour 31 minutes
- Color
- Aspect ratio
- 2.35 : 1
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