Roadrunner: A Film About Anthony Bourdain

Roadrunner: A Film about Anthony Bourdain is not the documentary you thought it might be. It is not a fluff piece of praise about arguably the most famous celebrity chef of this century, nor does it claim to explain why he committed suicide at age 61. What it does do is thrill with his charisma, a personal magnetism that makes this tall, handsome man taller than anyone else in the room.

From the moment his Kitchen Confidential hit the streets and became an instant New York Times best seller, the food world had an apologist for its greatness and a foodie realist who trumpeted the greatness of eating around the world. Not even tales of his heroin addiction could dissuade food lovers from making him the emblem of in-your-face food fashion. Home videos of him at times such as when he berates a fishmonger in front of Bourdain's Park Ave steak house, Les Halles, are endearing.

As the doc depicts him, he is almost more interested in how a nation's cuisine mirrors its culture than the actual nature of the food itself. If fish is the Japanese signature food, then how it is presented is more important than the fish. He is roguish and bad-ass, not Batali or Emeril.

The doc is itself more interested in spying on Bourdain or tracking him walking and talking than it is in how he helps his or someone else's restaurant attain star ratings. Director Morgan Neville has found the most charming footage, much of it outtakes from the hundreds of hours of him at play and occasionally at work on his celebrated cable shows. The kerfuffle about their using a bot for some of his narration is interesting but does not compromise the overall Bourdain depiction.

The most fascinating "at play" is his intriguing love affairs with his second wife, Ottavia, and Italian actress Asia Argento, who eventually leaves him for another man and us to wonder if that split is the cause of his final act (he hung himself in a hotel room in 2018). Lamentably this great writer left no note to help us understand that inscrutable act.

To its credit, the documentary makes no claims to know why but neatly allows voice overs to make insightful, if not superficial, conclusions that this peripatetic celebrity could not find his place in even the most exotic places on earth. Ironically, Bourdain claimed to be an open book about his talent and his demons, but really never allowed the latter to reveal themselves or explain his exit.

My own inference from the tantalizing details of this outstanding documentary is that, like Hemingway, Plath, and Robin Williams, to name only three famous suicides, his talent and his charm overwhelmed even him, to the extent that they were crushing the real Tony out of existence. He never knew himself well enough to be able to save himself.

Who knows? The doc does well, anyway, showing the daily thrills of Bourdain, how much he loved people more than food, and how restless his soaring talent was. In the end, he may have been too gifted to be able to live with himself. And that's what I thought about Hemingway as well. Great gifts require great care lest they destroy.

Roadrunner: The Life of Anthony Bourdain is a fascinating study of a celebrated chef who was far more interesting than the food he celebrated.

Roadrunner: A Film About Anthony Bourdain is a personal, honest-albeit loving-look at and into the life of Anthony Bourdain and all the various detours it took. This documentary charts his journey from chef to writer to acclaimed TV host, as told by his closest friends, the people he worked with, and his family.

After an opening credits sequence that runs through the years leading up to Bourdain's career as a chef, Roadrunner begins its sprint in 1999 after he's secured a deal to write a book about his experiences in the restaurant world, Kitchen Confidential, the New York Times bestseller that would put Bourdain on the talk show circuit, and kickstart his ascent towards celebrity. In preparation for writing his second memoir, A Chef's Tour, he was approached by TV producers who pitched an ongoing series in tandem with the upcoming book, thus forming a partnership that would spawn multiple shows, win several Emmys and begin Bourdain's long tenure on television screens and secure his status as a world-famous traveler.

This film is a challenge on many levels. For starters, Bourdain's suicide is still a recent event in the public eye, and, I'm certain, a fresh wound for those who knew him. It's difficult to watch a feature-length story of someone's whole life, knowing that it's going to end so inevitably, suddenly, and sadly; however, Roadrunner succeeds by showing us Bourdain in his totality which balances the sadness of his inevitable end. And yet, audiences may find it unavoidable to wonder who he really was, along with his loved ones striving to answer the question: Who was Anthony Bourdain off-screen?

Roadrunner mirrors Bourdain's own frequent departures from home and journeys to parts unknown, taking us back and forth from his television world and his home life with his daughter. We see a conversation between Bourdain and a friend, where they discuss the paradox of wanting to return home when they're away, but immediately wanting to get back on the road when they get home. This tragic conversation gets right to the heart of the movie's title, Roadrunner, and just how reflective it was of Bourdain's own everyday life.

After a TV episode goes awry, Bourdain talks about his faltering belief in the power of the table at which we eat and share, yet Roadrunner becomes a testament to that power. Nearly every interview in the film is organized across a table, where deeply personal details and anecdotes from those who knew Bourdain are exchanged. Director Neville operates with a wealth of outtakes from his TV shows and all the excess footage of Bourdain's 20 years on screen, but it's these genuine moments with Bourdain's tribe that cut the deepest.

I give Roadrunner: A Film About Anthony Bourdain 4 out of 5 stars and recommend it for ages 15 to 18, plus adults, for mild language and strong themes throughout. Roadrunner lands in theaters on July 16, 2021. Reviewed by Benjamin P., KIDS FIRST!

Bourdain is no Gandhi, Martin Luther King or Joan of Arc. He's not someone who made a stunning contribution to world history. He's a celebrity chef, food and travel writer. But he was a man with a high profile whose suicide baffled a lot of people, including myself, leaving us to wonder why.

This cleverly edited doco lays that out. Finding the answer is not at all easy but the filmmakers did find it. There was no cataclysmic moment but instead a build up and confluence of factors over many years. A man forever searching for IT, throwing himself into new things and new people only to find that for him they weren't IT and could never be IT. The fact is, there is no IT. Or perhaps IT, is something much more simple and yet profound, as Iggy Pop tells him at one point.

This doco will stay with me for a very long time - unlike a lot of films that I find almost instantly forgettable - and deserves repeat viewing. If you're fascinated by the psychology of individuals then it is a rewarding experience.

Side note: On the issue of using AI to replicate his voice in some parts, I have no issue. The words spoken are his and the filmmakers intentions are noble.

"ROADRUNNER: A Film About Anthony Bourdain," directed by Oscar-winner Morgan Neville ("20 Feet from Stardom"), shines a light on the fast life and tragic death by suicide in 2018 of celebrity chef Anthony Bourdain. The documentary accomplishes this using archival footage from Bourdain's hit television shows, "No Reservations," "Parts Unknown," "The Layover," "A Cook's Tour," along with interviews with him beginning in 1999 as he began writing his best selling book, "Kitchen Confidential: Adventures in the Culinary Underbelly." The film also includes interviews with various Bourdain family, friends and work colleagues. The grief of his loss is still very raw, evidence of this shown through the interviews in the documentary, leaving the audience with many theories and unanswered questions as to why Anthony Bourdain chose to commit suicide. Much like Bourdain was in life, the film never stops moving, taking you along for the accelerated journey of a man who was inventive, tempestuous, extraordinary, and deeply flawed.

Greetings again from the darkness. As the film begins, we understand there will be no happy ending. Anthony Bourdain committed suicide by hanging in 2018 at the age of 61. As it was reported, everyone was shocked. Oscar winning documentarian Morgan Neville (TWENTY FEET FROM STARDOM, 2013) interviews those who knew him best, and by the end of the film, we are left wondering why these folks were shocked at how his demise.

Bourdain ... called Tony by those who knew him ... spent most of the last 20 years of his life with a camera focused on him, so director Neville allows Bourdain to tell much of his own story. "I got very lucky" is how he explains turning a dishwasher job into the position of Chef at Brasserie Les Halles on Park Avenue in New York, and then evolving into an author, talk show guest, and host of TV travel and culinary shows.

Perhaps you read Bourdain's first book "Kitchen Confidential: Adventures in the Culinary Underbelly", or maybe you know him from one of his four TV shows where he traveled around the globe eating strange food and exploring unusual cultures. Then again, to some, he'll always be known as the guy who was filmed eating a live cobra heart. All of those bits are discussed here, but the real interesting segments occur as others talk about the man they knew/loved/worked with.

Bourdain's second wife Ottavio, his brother, his friends, his agent, and his production crew are all interviewed here and are surprisingly forthcoming in their recollections and insight into Tony. We even see clips of Bourdain with his daughter, though she is not interviewed. The descriptions add up to a complicated guy. A natural storyteller who was a control freak and hard on those he worked with. Yet he was also charming, immensely intelligent and articulate, and eager to make satisfying TV. He also comes across a bit lost as a person most of the time, never more than when he's filmed asking Iggy Pop, "What thrills you?" There is even a segment with Tony in a session with his therapist.

The film, and Bourdain himself, don't shy away from his addictive nature. He admits to a drug problem when he was younger, and for the rest of his life he jumped from one non-drug related addiction to another. His personal life seemed to take a turn when he fell for Italian actress Asia Argento and he became an advocate for the #MeToo movement. His tragic end is discussed, and maybe those closest to him were simply too close to see what seems obvious to us now. Director Neville uses no shortage of archival footage and photos, but it's the personal interviews that strike the emotional chord here. Two films, APOCALYPSE NOW and VIOLENT CITY apparently had a dramatic impact on Bourdain, and though the end is tragic, his legacy as an adventurous storyteller lives on.

In theaters on July 16, 2021.