A documentary about Anthony Bourdain and his career as a chef, writer and host, revered and renowned for his authentic approach to food, culture and travel.A documentary about Anthony Bourdain and his career as a chef, writer and host, revered and renowned for his authentic approach to food, culture and travel.A documentary about Anthony Bourdain and his career as a chef, writer and host, revered and renowned for his authentic approach to food, culture and travel.
- Awards
- 3 wins & 5 nominations total
Asia Argento
- Self
- (archive footage)
Anthony Bourdain
- Self
- (archive footage)
Ariane Bourdain
- Self
- (archive footage)
Anderson Cooper
- Self
- (archive footage)
Christopher Doyle
- Self
- (archive footage)
Emeril Lagasse
- Self
- (archive footage)
Featured reviews
Bourdain is no Gandhi, Martin Luther King or Joan of Arc. He's not someone who made a stunning contribution to world history. He's a celebrity chef, food and travel writer. But he was a man with a high profile whose suicide baffled a lot of people, including myself, leaving us to wonder why.
This cleverly edited doco lays that out. Finding the answer is not at all easy but the filmmakers did find it. There was no cataclysmic moment but instead a build up and confluence of factors over many years. A man forever searching for IT, throwing himself into new things and new people only to find that for him they weren't IT and could never be IT. The fact is, there is no IT. Or perhaps IT, is something much more simple and yet profound, as Iggy Pop tells him at one point.
This doco will stay with me for a very long time - unlike a lot of films that I find almost instantly forgettable - and deserves repeat viewing. If you're fascinated by the psychology of individuals then it is a rewarding experience.
Side note: On the issue of using AI to replicate his voice in some parts, I have no issue. The words spoken are his and the filmmakers intentions are noble.
This cleverly edited doco lays that out. Finding the answer is not at all easy but the filmmakers did find it. There was no cataclysmic moment but instead a build up and confluence of factors over many years. A man forever searching for IT, throwing himself into new things and new people only to find that for him they weren't IT and could never be IT. The fact is, there is no IT. Or perhaps IT, is something much more simple and yet profound, as Iggy Pop tells him at one point.
This doco will stay with me for a very long time - unlike a lot of films that I find almost instantly forgettable - and deserves repeat viewing. If you're fascinated by the psychology of individuals then it is a rewarding experience.
Side note: On the issue of using AI to replicate his voice in some parts, I have no issue. The words spoken are his and the filmmakers intentions are noble.
Greetings again from the darkness. As the film begins, we understand there will be no happy ending. Anthony Bourdain committed suicide by hanging in 2018 at the age of 61. As it was reported, everyone was shocked. Oscar winning documentarian Morgan Neville (TWENTY FEET FROM STARDOM, 2013) interviews those who knew him best, and by the end of the film, we are left wondering why these folks were shocked at how his demise.
Bourdain ... called Tony by those who knew him ... spent most of the last 20 years of his life with a camera focused on him, so director Neville allows Bourdain to tell much of his own story. "I got very lucky" is how he explains turning a dishwasher job into the position of Chef at Brasserie Les Halles on Park Avenue in New York, and then evolving into an author, talk show guest, and host of TV travel and culinary shows.
Perhaps you read Bourdain's first book "Kitchen Confidential: Adventures in the Culinary Underbelly", or maybe you know him from one of his four TV shows where he traveled around the globe eating strange food and exploring unusual cultures. Then again, to some, he'll always be known as the guy who was filmed eating a live cobra heart. All of those bits are discussed here, but the real interesting segments occur as others talk about the man they knew/loved/worked with.
Bourdain's second wife Ottavio, his brother, his friends, his agent, and his production crew are all interviewed here and are surprisingly forthcoming in their recollections and insight into Tony. We even see clips of Bourdain with his daughter, though she is not interviewed. The descriptions add up to a complicated guy. A natural storyteller who was a control freak and hard on those he worked with. Yet he was also charming, immensely intelligent and articulate, and eager to make satisfying TV. He also comes across a bit lost as a person most of the time, never more than when he's filmed asking Iggy Pop, "What thrills you?" There is even a segment with Tony in a session with his therapist.
The film, and Bourdain himself, don't shy away from his addictive nature. He admits to a drug problem when he was younger, and for the rest of his life he jumped from one non-drug related addiction to another. His personal life seemed to take a turn when he fell for Italian actress Asia Argento and he became an advocate for the #MeToo movement. His tragic end is discussed, and maybe those closest to him were simply too close to see what seems obvious to us now. Director Neville uses no shortage of archival footage and photos, but it's the personal interviews that strike the emotional chord here. Two films, APOCALYPSE NOW and VIOLENT CITY apparently had a dramatic impact on Bourdain, and though the end is tragic, his legacy as an adventurous storyteller lives on.
In theaters on July 16, 2021.
Bourdain ... called Tony by those who knew him ... spent most of the last 20 years of his life with a camera focused on him, so director Neville allows Bourdain to tell much of his own story. "I got very lucky" is how he explains turning a dishwasher job into the position of Chef at Brasserie Les Halles on Park Avenue in New York, and then evolving into an author, talk show guest, and host of TV travel and culinary shows.
Perhaps you read Bourdain's first book "Kitchen Confidential: Adventures in the Culinary Underbelly", or maybe you know him from one of his four TV shows where he traveled around the globe eating strange food and exploring unusual cultures. Then again, to some, he'll always be known as the guy who was filmed eating a live cobra heart. All of those bits are discussed here, but the real interesting segments occur as others talk about the man they knew/loved/worked with.
Bourdain's second wife Ottavio, his brother, his friends, his agent, and his production crew are all interviewed here and are surprisingly forthcoming in their recollections and insight into Tony. We even see clips of Bourdain with his daughter, though she is not interviewed. The descriptions add up to a complicated guy. A natural storyteller who was a control freak and hard on those he worked with. Yet he was also charming, immensely intelligent and articulate, and eager to make satisfying TV. He also comes across a bit lost as a person most of the time, never more than when he's filmed asking Iggy Pop, "What thrills you?" There is even a segment with Tony in a session with his therapist.
The film, and Bourdain himself, don't shy away from his addictive nature. He admits to a drug problem when he was younger, and for the rest of his life he jumped from one non-drug related addiction to another. His personal life seemed to take a turn when he fell for Italian actress Asia Argento and he became an advocate for the #MeToo movement. His tragic end is discussed, and maybe those closest to him were simply too close to see what seems obvious to us now. Director Neville uses no shortage of archival footage and photos, but it's the personal interviews that strike the emotional chord here. Two films, APOCALYPSE NOW and VIOLENT CITY apparently had a dramatic impact on Bourdain, and though the end is tragic, his legacy as an adventurous storyteller lives on.
In theaters on July 16, 2021.
This doc is well put together and very beautiful at times. It uses bits of audio book narration, clips from various Bourdain shows, previous press pieces, home movies, friend and family interviews and more - to tell the tale of someone that has fascinated many, myself included.
I picked up the audio book of Kitchen Confidential nearly a decade after it came out. I was a young mom who needed the escapism of a story in my ear to survive my dead end job. Tony gave me all of that and more. I listened to that book and Medium Raw, when it came out, over and over. I rocked babies at night to them, I typed hours of data into spreadsheets to them, I knew which chapters to listen to when I had had a bad day or needed to get motivated for a long day ahead. My commute was full of Bourdain and his voice became a comfort blanket. I watched the brief narrative TV show so many times I am frankly surprised some network didn't consider it for a reboot. I turn on one of his travel shows and fall asleep to it when I now travel for work. And I don't think I'm alone in that. I think Tony meant a lot to a lot of people for a lot of reasons.
This film can feel voyeuristic and terrible if you are just mildly curious about Bourdain. This might not have been made for you. Who it was made for is people who needed a safe place to mourn with someone who also cared for a person. If you feel like an idiot mourning a person you never really knew - join the club. But I think the beauty of Tony is that he let us know him in some way that made us also feel known. I needed to mourn the loss of my friend and maybe you do too.
I picked up the audio book of Kitchen Confidential nearly a decade after it came out. I was a young mom who needed the escapism of a story in my ear to survive my dead end job. Tony gave me all of that and more. I listened to that book and Medium Raw, when it came out, over and over. I rocked babies at night to them, I typed hours of data into spreadsheets to them, I knew which chapters to listen to when I had had a bad day or needed to get motivated for a long day ahead. My commute was full of Bourdain and his voice became a comfort blanket. I watched the brief narrative TV show so many times I am frankly surprised some network didn't consider it for a reboot. I turn on one of his travel shows and fall asleep to it when I now travel for work. And I don't think I'm alone in that. I think Tony meant a lot to a lot of people for a lot of reasons.
This film can feel voyeuristic and terrible if you are just mildly curious about Bourdain. This might not have been made for you. Who it was made for is people who needed a safe place to mourn with someone who also cared for a person. If you feel like an idiot mourning a person you never really knew - join the club. But I think the beauty of Tony is that he let us know him in some way that made us also feel known. I needed to mourn the loss of my friend and maybe you do too.
Roadrunner: A Film About Anthony Bourdain is a personal, honest-albeit loving-look at and into the life of Anthony Bourdain and all the various detours it took. This documentary charts his journey from chef to writer to acclaimed TV host, as told by his closest friends, the people he worked with, and his family.
After an opening credits sequence that runs through the years leading up to Bourdain's career as a chef, Roadrunner begins its sprint in 1999 after he's secured a deal to write a book about his experiences in the restaurant world, Kitchen Confidential, the New York Times bestseller that would put Bourdain on the talk show circuit, and kickstart his ascent towards celebrity. In preparation for writing his second memoir, A Chef's Tour, he was approached by TV producers who pitched an ongoing series in tandem with the upcoming book, thus forming a partnership that would spawn multiple shows, win several Emmys and begin Bourdain's long tenure on television screens and secure his status as a world-famous traveler.
This film is a challenge on many levels. For starters, Bourdain's suicide is still a recent event in the public eye, and, I'm certain, a fresh wound for those who knew him. It's difficult to watch a feature-length story of someone's whole life, knowing that it's going to end so inevitably, suddenly, and sadly; however, Roadrunner succeeds by showing us Bourdain in his totality which balances the sadness of his inevitable end. And yet, audiences may find it unavoidable to wonder who he really was, along with his loved ones striving to answer the question: Who was Anthony Bourdain off-screen?
Roadrunner mirrors Bourdain's own frequent departures from home and journeys to parts unknown, taking us back and forth from his television world and his home life with his daughter. We see a conversation between Bourdain and a friend, where they discuss the paradox of wanting to return home when they're away, but immediately wanting to get back on the road when they get home. This tragic conversation gets right to the heart of the movie's title, Roadrunner, and just how reflective it was of Bourdain's own everyday life.
After a TV episode goes awry, Bourdain talks about his faltering belief in the power of the table at which we eat and share, yet Roadrunner becomes a testament to that power. Nearly every interview in the film is organized across a table, where deeply personal details and anecdotes from those who knew Bourdain are exchanged. Director Neville operates with a wealth of outtakes from his TV shows and all the excess footage of Bourdain's 20 years on screen, but it's these genuine moments with Bourdain's tribe that cut the deepest.
I give Roadrunner: A Film About Anthony Bourdain 4 out of 5 stars and recommend it for ages 15 to 18, plus adults, for mild language and strong themes throughout. Roadrunner lands in theaters on July 16, 2021. Reviewed by Benjamin P., KIDS FIRST!
After an opening credits sequence that runs through the years leading up to Bourdain's career as a chef, Roadrunner begins its sprint in 1999 after he's secured a deal to write a book about his experiences in the restaurant world, Kitchen Confidential, the New York Times bestseller that would put Bourdain on the talk show circuit, and kickstart his ascent towards celebrity. In preparation for writing his second memoir, A Chef's Tour, he was approached by TV producers who pitched an ongoing series in tandem with the upcoming book, thus forming a partnership that would spawn multiple shows, win several Emmys and begin Bourdain's long tenure on television screens and secure his status as a world-famous traveler.
This film is a challenge on many levels. For starters, Bourdain's suicide is still a recent event in the public eye, and, I'm certain, a fresh wound for those who knew him. It's difficult to watch a feature-length story of someone's whole life, knowing that it's going to end so inevitably, suddenly, and sadly; however, Roadrunner succeeds by showing us Bourdain in his totality which balances the sadness of his inevitable end. And yet, audiences may find it unavoidable to wonder who he really was, along with his loved ones striving to answer the question: Who was Anthony Bourdain off-screen?
Roadrunner mirrors Bourdain's own frequent departures from home and journeys to parts unknown, taking us back and forth from his television world and his home life with his daughter. We see a conversation between Bourdain and a friend, where they discuss the paradox of wanting to return home when they're away, but immediately wanting to get back on the road when they get home. This tragic conversation gets right to the heart of the movie's title, Roadrunner, and just how reflective it was of Bourdain's own everyday life.
After a TV episode goes awry, Bourdain talks about his faltering belief in the power of the table at which we eat and share, yet Roadrunner becomes a testament to that power. Nearly every interview in the film is organized across a table, where deeply personal details and anecdotes from those who knew Bourdain are exchanged. Director Neville operates with a wealth of outtakes from his TV shows and all the excess footage of Bourdain's 20 years on screen, but it's these genuine moments with Bourdain's tribe that cut the deepest.
I give Roadrunner: A Film About Anthony Bourdain 4 out of 5 stars and recommend it for ages 15 to 18, plus adults, for mild language and strong themes throughout. Roadrunner lands in theaters on July 16, 2021. Reviewed by Benjamin P., KIDS FIRST!
It's impossible for me to review this documentary without bias. Anthony Bourdain has inspired me more than anyone on this planet (filmmaker Kevin Smith is up there as well, but this isn't about him). When I was a child, I religiously (more cultishly if I am being honest) watched his shows, vicariously living through this skinny punk rock, foul mouthed, cigarette devouring force.
I saw the way he talked to people, all people and studied how he listened, how he asked questions, how he made sure people knew they were actually heard. Watched how language barriers were leapt over, cultural differences were celebrated and how food and drink were a catalyst for love, honesty and for a sense of community.
I grew up in poverty yet following Anthony, to all corners of the world and seeing real places with real history, meeting folks with real stories, who came from and lived in conditions that made my shabby duplex look like the Ritz Carlton. It was transformative. It was escapism yet absolutely grounded in the real world.
I'd read his books and be drawn to a truly unique voice. I'd fall under a spell driven by a deeply compulsive, page turning, "I can't put this down" frenzy. I'd never read stories more relatable yet fantastical, hilarious, sad, and positively sobering. Critically important, emotional lessons for the writer, filmmaker, chef, and person I knew I was destined to become.
I read Kitchen Confidential and got a job as a dishwasher that same summer, then once I had a bit of money I'd watch No Reservations or Parts Unknown and before I knew it I was on a plane to China, then Europe, then China again. I even tried to film my own, one man crew, travel show in Jiujiang. The results? Disastrous, but I am still proud of the attempt.
Roadrunner is exactly the film I hoped it would be. The film I needed it to be. It didn't show us some hidden side of Anthony. It didn't make him out to be anything he isn't. That is impossible. Bourdain showed us the realness from day one. No film, book, documentary, podcast, review- anything-can ever change that.
Director Morgan Neville caught my attention with his 2018 documentary about Fred Rogers (Won't You Be My Neighbor?). He just shows the footage, his questions aren't set up with some hidden agenda, he lets the subjects and cast speak for themselves. That's the exact brilliant documentary filmmaking Roadrunner is fueled by.
The best part of Anthony's inner circle? They all have so much to say. The powerful, beautiful, wondrous impact this man's life had on them yet the devastating, painful, frustrating crater-sized hole his death left in them.
Roadrunner covers that. It has to. But it largely celebrates Tony's life. I didn't cry during the film, I got a lump in my throat but was able to stay composed. The interviews and footage are dazzling and engaging. I was too fascinated to cry. Too eager to see more, I came prepared (with six neatly folded kleenex in my pocket) but refused to let my emotions distract me from my viewing experience-then the credits rolled. Left alone in my own head to process what I just saw. Emotion came over me like a crushing wave. I felt lucky to make it to the car, to sit there and let myself feel it.
And that, is good filmmaking.
Bourdain showed me the world, showed us the world with his incredible story telling, sharp wit, sarcasm and humor. He found a way to shrink the globe, while making every place he went to seem as vast and important as any other. It was delicious food, a sense of community and humor that linked the planet, nothing else matters. He showed it was possible and attainable to get there, just buy a ticket. Stop lying to yourself, stop talking about it, stop dreaming about it and just make it happen.
Go see Roadrunner. You deserve it.
Suicide is preventable, there are resources, there are outlets, there are ways to get better. Check in on your friends and family, make the effort. You never really know who will need it, you just might save a life.
I saw the way he talked to people, all people and studied how he listened, how he asked questions, how he made sure people knew they were actually heard. Watched how language barriers were leapt over, cultural differences were celebrated and how food and drink were a catalyst for love, honesty and for a sense of community.
I grew up in poverty yet following Anthony, to all corners of the world and seeing real places with real history, meeting folks with real stories, who came from and lived in conditions that made my shabby duplex look like the Ritz Carlton. It was transformative. It was escapism yet absolutely grounded in the real world.
I'd read his books and be drawn to a truly unique voice. I'd fall under a spell driven by a deeply compulsive, page turning, "I can't put this down" frenzy. I'd never read stories more relatable yet fantastical, hilarious, sad, and positively sobering. Critically important, emotional lessons for the writer, filmmaker, chef, and person I knew I was destined to become.
I read Kitchen Confidential and got a job as a dishwasher that same summer, then once I had a bit of money I'd watch No Reservations or Parts Unknown and before I knew it I was on a plane to China, then Europe, then China again. I even tried to film my own, one man crew, travel show in Jiujiang. The results? Disastrous, but I am still proud of the attempt.
Roadrunner is exactly the film I hoped it would be. The film I needed it to be. It didn't show us some hidden side of Anthony. It didn't make him out to be anything he isn't. That is impossible. Bourdain showed us the realness from day one. No film, book, documentary, podcast, review- anything-can ever change that.
Director Morgan Neville caught my attention with his 2018 documentary about Fred Rogers (Won't You Be My Neighbor?). He just shows the footage, his questions aren't set up with some hidden agenda, he lets the subjects and cast speak for themselves. That's the exact brilliant documentary filmmaking Roadrunner is fueled by.
The best part of Anthony's inner circle? They all have so much to say. The powerful, beautiful, wondrous impact this man's life had on them yet the devastating, painful, frustrating crater-sized hole his death left in them.
Roadrunner covers that. It has to. But it largely celebrates Tony's life. I didn't cry during the film, I got a lump in my throat but was able to stay composed. The interviews and footage are dazzling and engaging. I was too fascinated to cry. Too eager to see more, I came prepared (with six neatly folded kleenex in my pocket) but refused to let my emotions distract me from my viewing experience-then the credits rolled. Left alone in my own head to process what I just saw. Emotion came over me like a crushing wave. I felt lucky to make it to the car, to sit there and let myself feel it.
And that, is good filmmaking.
Bourdain showed me the world, showed us the world with his incredible story telling, sharp wit, sarcasm and humor. He found a way to shrink the globe, while making every place he went to seem as vast and important as any other. It was delicious food, a sense of community and humor that linked the planet, nothing else matters. He showed it was possible and attainable to get there, just buy a ticket. Stop lying to yourself, stop talking about it, stop dreaming about it and just make it happen.
Go see Roadrunner. You deserve it.
Suicide is preventable, there are resources, there are outlets, there are ways to get better. Check in on your friends and family, make the effort. You never really know who will need it, you just might save a life.
Did you know
- TriviaControversially, Morgan Neville includes simulations of Anthony Bourdain's voice created using "deepfake" technology. In a 2021 New Yorker article by Helen Rosner, she asked Neville "how on earth he'd found an audio recording of Bourdain reading his own e-mail." The article goes on to explain, "Throughout the film, Neville and his team used stitched-together clips of Bourdain's narration pulled from TV, radio, podcasts, and audiobooks. 'But there were three quotes there I wanted his voice for that there were no recordings of,' Neville explained. So he got in touch with a software company, gave it about a dozen hours of recordings, and, he said, I created an A.I. model of his voice. In a world of computer simulations and deepfakes, a dead man's voice speaking his own words of despair is hardly the most dystopian application of the technology. But the seamlessness of the effect is eerie. 'If you watch the film, other than that line you mentioned, you probably don't know what the other lines are that were spoken by the A.I., and you're not going to know,' Neville said. 'We can have a documentary-ethics panel about it later.'" This revelation generated backlash against the movie. WBUR critic Sean Burns wrote, "When I wrote my review I was not aware that the filmmakers had used an A.I. to deepfake Bourdain's voice for portions of the narration. I feel like this tells you all you need to know about the ethics of the people behind this project." Bourdain's widow, Ottavia Busia, announced that she never gave Neville her blessing to use the deepfake simulation of her estranged, now-deceased husband, even though Neville told GQ magazine that she did.
- Quotes
John Lurie: He committed suicide, the fucking asshole.
- ConnectionsFeatured in Subject (2022)
- SoundtracksRoadrunner
Written by Jonathan Richman
Performed by The Modern Lovers (as Jonathan Richman & the Modern Lovers)
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Details
Box office
- Gross US & Canada
- $5,354,970
- Opening weekend US & Canada
- $1,988,795
- Jul 18, 2021
- Gross worldwide
- $5,492,017
- Runtime1 hour 59 minutes
- Color
- Sound mix
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