Murder in Provence

As usual, the petty, small minded nay-sayers are out in force; "It's too this, it's not like that, too long, too much talking blah blah blah". Well, go and watch something American thing with guns and zombies and car chases.

Imagine "Death in Paradise", but for adults. Words with more than three syllables, red wine, oysters, hand-rolled cigarettes, knowing looks and furtive glances. Roger Allam is perfect, and it's always a pleasure to see the criminally underused Nancy Carroll, Patricia Hodge as wonderful as ever. Some of the supporting cast are a bit iffy, but there you go. I don't know who it is that plays Sylvie, but she looks like she's stepped straight out of a painting by Raphael! And the opening credits are vaguely reminiscent of Caravaggio!

The Art department deserve massive credit and appreciation. Total attention to detail, full of depth, richness and texture, you'd never guess that a lot of the interiors were filmed in an old school in Reading! The whole thing fits together seamlessly.

Note to some reviewers who seem to have missed the point: It's British actors playing French characters, not some expat Brits in France. Honestly!

Looking forward to watching Ep. 3 tomorrow, and I do hope they make more.

Okay, so it's not real heavy and the stories are simple instead of complicated but Provence is undoubtedly the star of the show and we get that in spades. Some of the characters are not the best actors but there is a certain je ne se quoi between the two main characters (played by Roger Allam and Nancy Carroll) that is believable and since we are in the same demographic, we can definitely relate. An added bonus is the role of Helene played by Keala Settle, who is quite different than the formula cops in most British crime series. Yes, the setting is in France and we have to believe that everyone (mostly) is French even though they are nearly all speaking in their distinctly English dialects and mannerisms. No violence, sex, cursing or gore but with all the prerequisite gays, mixed race relationships, and any other politically correct character necessary for a series today. Just lighthearted, whimsical dry wit and charm. Enjoy.

I am only watching it because of Roger Allam since I loved him in Endevour. Overall it was not so bad. The writing could have been tighter. Just find it difficult to keep track of the guest characters since they all have French names. Let's see what happens next as I feel it has some promise.

This kind of British cozy is right up my alley and of course both leads are part of the repertoire. She for Father Brown and he for Endeavor. I have watched episode 1 and I feel they haven't quite got the rhythm. It's good but kind of like a Bentley with a flat tire. Are they aiming for The Thin Man? The dialogue is snappy, witty repartee but neither seem like its something they would really say, especially him. She is reprising her role from Father Brown, oh so bored and sophisticated, but it runs very wide of the mark. He's better but I find I can't believe he's from an ultra-rich Parisian family. Nevertheless, I kind of like it and I hope they settle in. I love the settings, her clothes are such fun and it has promise.

I love light hearted murder series with snappy repartee dialogue and quirky characters. Vera this is not! Nancy Carroll from Father Brown is perfectly matched with Roger Allam and the outdoor locations are beautiful so its a wonderful series and I hope it gets picked up for more. Probably not tho its much to pedestrian for the gourmet viewer. Pity. Anyway I have to kill time to list at least 150 characters which is total nonsense as when I read a review it needs to be short and concise not filled with endless yack yack in useless detail.