Emre, a young prosecutor newly appointed to the small town of Yaniklar, finds himself being pulled into a political conflict during his first criminal investigation.Emre, a young prosecutor newly appointed to the small town of Yaniklar, finds himself being pulled into a political conflict during his first criminal investigation.Emre, a young prosecutor newly appointed to the small town of Yaniklar, finds himself being pulled into a political conflict during his first criminal investigation.
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- 32 wins & 18 nominations total
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Kurak Gunler, which literally translates as "Arid Days" in Turkish, is an extraordinary psychological / political suspense movie that I watched without breathing from the very beginning to the last minute. If we can still be so deeply affected by the events that take place in this film despite all the shame and disgrace we have experienced in the last 20 years, it means there is still hope for this country.
The suspense continues until the end of the movie, also with the help of great soundtrack and perfect acting performances, especially by the talented young Turkish actor, sweet Selahattin Pasali.
My only disappointment about the movie was the end was not very hopeful, which we need more than ever nowadays...
The suspense continues until the end of the movie, also with the help of great soundtrack and perfect acting performances, especially by the talented young Turkish actor, sweet Selahattin Pasali.
My only disappointment about the movie was the end was not very hopeful, which we need more than ever nowadays...
When an idealistic young prosecutor is assigned to a rural Turkish community to try a criminal case involving serious allegations involving a major infrastructure project, he quickly finds himself in over his head. Circumstances soon place him in a thorny situation where his credibility, objectivity, reputation and personal integrity are all put at risk, jeopardizing not only his handling of the case, but also his career and future. Unfortunately, as generally compelling as the narrative is at the outset, writer-director Emin Alper's overlong saga becomes a little too convoluted for its own good. One can't help but ask, is it a political film? A thriller? A crime story? A crisis of conscience? The film plays like it tries to incorporate some of all of these qualities in an attempt to tell a story that throws curves at viewers to keep them guessing. But the picture seems to lose its way in doing so, not quite sure how to wrap things up, especially when the supposedly astute big city prosecutor comes across as unbelievably naïve and clueless. These failings regrettably undercut the production's fine performances and superb cinematography, qualities that could have helped to make this release a better offering had they been backed by a better story and script. Indeed, in the end, it's the audience that gets burned by this one.
Disturbingly real socio-political analysis of rural areas of central anatolia. It's really well processed and keeps you interested about the plot. A lot of drama emphasising also the corruption within the justice system. No law enforcement officer could actually perform its work under the shadow of politics and manipulated society. The chain of command was also reflected really well considering the judge, prosecutor and police triangle. It's definetly a must watch to understand the situation in Turkey. It's so underrated and should be promoted more. I don't think it gets the credit it deserves in Turkish media.
Emin Alper's fourth cinematic marvel not only aptly describes the Turkish societal and political contemporary condition in a peculiar cinematographic style, but it beautifully teases that condition. Burning Days is both politically realistic and artistically pleasing. At the end of the film, you remain at your theatre seat with a feeling of being understood, a feeling, which is accompanied by an emotion of a kind of indescribable joy. This is a very clever and striking work of art, which is full of wit, irony, and sarcasm. Scenario is quite impressive with little shortcomings, and cinematography, art direction, and music are particularly strong. And, in terms of casting, Selahattin Pasali and Ekin Koc wonderfully express their characters, while supporting actors are very impressive in their performances (especially Erdem Senocak, who plays Kemal).
This movie tries to parallel the current Turkish social and political state by using a simple story in a small town in central Turkey using many metaphors. Since the script writer has not worked very hard in doing this, the narrative becomes weaker and weaker as the movie goes on. The first parts were interesting and promising, however towards the end of the movie, the script fell to the point where it broke from being believable and original. Performances are generally good and cinematography is also above average. I hope more of these type of movies with a better story and script are produced in Turkey, because there is a need for them.
Did you know
- TriviaDirector Emin Alper loves long dinner scenes, which feature in almost all his movies, as these scenes are ideal to surface simmering tensions. The movie's garden dinner sequence was rehearsed many times, where he let the actors improvise to some degree, and added a few he liked to the script. When it came time to shoot it, the scene was almost ready, but it still took four nights of filming, and the biggest challenge was to keep everyone on top of their game throughout the long shooting hours.
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Những Ngày Thiêu Đốt
- Filming locations
- Yesilhisar District, Kayseri, Turkey(city of Balkaya)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $1,894,156
- Runtime
- 2h 9m(129 min)
- Aspect ratio
- 2.39 : 1
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