After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragi... Read allAfter finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.
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Brandy Dawley
- Natalie
- (as Bee Dawley)
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It's a 47 minute "movie" (a length that includes a long opening credit sequence) and multiple scenes of slow silent walking. There are about four lines of dialogue and three scenes of the main actress slowly changing her clothes (although if you're a teenager really desperate for a bit of fleeting toplessness, I guess it has you covered there. I know people say this kind of thing a lot and exaggerate, but it honestly appears to have been made for no more than $40. It's "Birdemic" without all the action, plot, dialogue, characters, or effects. This is one of the most confounding things I have ever seen.
That this was produced by Charles Band's Full Moon Films says much about what to expect - surely at least in terms of the level it's operating on, if not also overall quality. I'll say this much: 'It knows you're alone' is incredibly direct in terms of advancing the narrative. The cinematography and direction are both astoundingly plainspoken, almost glaring, and the (mostly absent, and mostly unnecessary) dialogue equally so. The writing actively rejects any sense of subtlety; from one moment to the next I could only voice a skeptical "what?" Meanwhile, mind the completely gratuitous nudity; I can't help but feel bad for star Brandy Dawley. It seems she was told to expose her breasts, but not her soul, as filmmaker Chris Alexander did not require any detectable acting from her at all. Indeed, if Dawley or co-star Ali Chappell have any skills, one would never know it from this title, as this is one of the most unconvincing, uninteresting movies I've ever made the mistake of watching.
All this is bad enough, but the sequence that comes just after the 20-minute mark is so outrageously garish and ill-considered that any chance of enjoying 'It knows you're alone' just totally evaporates. Would that I could say it were the only such instance, but it's not, even though it's probably the worst. The loose sense of narrative is fine in concept, yet rendered laughably sterile in its hopelessly blunt execution. Nothing of major importance meets with any success here; I suppose one could say the filming locations are nice, but that's pretty much the full extent of any possible praise. In literally every other regard, I can only pray for the sake of all those involved that they weren't really trying; if there was real effort put into this feature, that doesn't bode well for anyone.
It never ceases to amaze that every time I think I've found the worst film I've ever watched, or will watch, another competitor rears its head. 'It knows you're alone' is an agonizingly strong contender in that dubious contest. There are arguably a couple halfway decent ideas scattered somewhere in these 46 minutes, but they mean nothing in light of the overwhelming Awful that this represents. I can only offer a blanket warning: by whatever bad luck you stumble upon this title, you should not watch it, and you'll deeply regret it if you do. This is one of the most wretched, abysmal, valueless piles of rubbish that has ever been imagined, and every person to ever live should know that 'It knows you're alone' is to be left alone at the bottom of the lowest pit in hell.
All this is bad enough, but the sequence that comes just after the 20-minute mark is so outrageously garish and ill-considered that any chance of enjoying 'It knows you're alone' just totally evaporates. Would that I could say it were the only such instance, but it's not, even though it's probably the worst. The loose sense of narrative is fine in concept, yet rendered laughably sterile in its hopelessly blunt execution. Nothing of major importance meets with any success here; I suppose one could say the filming locations are nice, but that's pretty much the full extent of any possible praise. In literally every other regard, I can only pray for the sake of all those involved that they weren't really trying; if there was real effort put into this feature, that doesn't bode well for anyone.
It never ceases to amaze that every time I think I've found the worst film I've ever watched, or will watch, another competitor rears its head. 'It knows you're alone' is an agonizingly strong contender in that dubious contest. There are arguably a couple halfway decent ideas scattered somewhere in these 46 minutes, but they mean nothing in light of the overwhelming Awful that this represents. I can only offer a blanket warning: by whatever bad luck you stumble upon this title, you should not watch it, and you'll deeply regret it if you do. This is one of the most wretched, abysmal, valueless piles of rubbish that has ever been imagined, and every person to ever live should know that 'It knows you're alone' is to be left alone at the bottom of the lowest pit in hell.
The best thing I can say about this film, is that Bee Dawley has great breasts! I was tempted to replay the part where I fell asleep, but then decided not to.
I recognize Bee Dawley from other things I've seen her in! I hope she gets cast in projects with a better story line and dialog! This was beneath her!!
I recognize Bee Dawley from other things I've seen her in! I hope she gets cast in projects with a better story line and dialog! This was beneath her!!
I'm digging these little moody groovy horror things Chris Alexander is making for Full Moon. Really unique, rough around the edges lo-fi arthouse movies. This one has some great moments and moods as well as some creepy music. The Jess Franco vibe is strong including the use of some of Daniel White's music and Alexander using a Franco pseudonym to shoot the movie himself. These are the kind of horror movies modern fans hate but are totally up my eurohorror alley.
This is the closest thing I've seen to the early-to-mid 2000s style of home video filmmaking that I can recall for a very long time; I'm thinking along the lines of the films in the Fangoria Blood Drive collections and homemade short films like that.
This looks filmed on a home camera and offers that specific vibe, complete with trippy graphic effects at the end which feel like they're ripped straight out of the aforementioned era, notably from the films of Wicked Pixel Cinema.
All in all though, despite its nostalgic vibe it didn't entirely win me over because I felt like I've seen everything from this film in countless other films over the last 20+ years but I am curious to see more from the director. It was eerie (and short) enough to make it through to the end but the ending "twist" has been done to death in the early-to-mid 2000's that this film loses points from me for that long-overused "twist."
This looks filmed on a home camera and offers that specific vibe, complete with trippy graphic effects at the end which feel like they're ripped straight out of the aforementioned era, notably from the films of Wicked Pixel Cinema.
All in all though, despite its nostalgic vibe it didn't entirely win me over because I felt like I've seen everything from this film in countless other films over the last 20+ years but I am curious to see more from the director. It was eerie (and short) enough to make it through to the end but the ending "twist" has been done to death in the early-to-mid 2000's that this film loses points from me for that long-overused "twist."
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- Runtime46 minutes
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